Showing posts with label 1867 Exhibition. Show all posts
Showing posts with label 1867 Exhibition. Show all posts

Thursday, July 24, 2014

Mastery of Design: The Piedmont Stomacher Pendant, 1800-1850



Pendant
Piedmont, Italy
The Victoria & Albert Museum





While this piece looks like a traditional stomacher, it’s actually meant to act as a pendant. Made in Piedmont Italy, the piece shows the ingenuity of the early Nineteenth Century Italian jeweler.

Since most Italian women loved the beauty of heavy gold jewelry, Italian jewelers found ways to make their wares look substantial while keeping the cost relatively modest. This piece looks quite heavy, but it’s actually made from a thin sheet of hold. The stones are a bit of trickery as well. While they look like whole gems, they are, in reality a very thin sliver of garnet which has been set into a piece of transparent glass which serves to spread the color and add sparkle. This sort of stone is called a “doublet.”

By this point in fashion history, the stomacher favored by the European aristocracy during the eighteenth century, had fallen out of use except in the royal courts. Softer fabric stomachers with embroidery were adorning that triangle-shaped section (below the bust and pointing over the stomach) on the bodices of ladies’ gowns. However, the shape of a stomacher was still considered quite fashionable and the silhouette found its way into pendants like this one. These were traditionally worn, suspended from velvet or silk ribbons.

This jewel was purchased by the Italian jewelry firm of Castellani to add to their collection of Italian Peasant Jewelry which was displayed at the 1867 International Exhibition in Paris. The pendant is made up of five sections and ends in a stylized cross.



Wednesday, February 13, 2013

The Home Beautiful: The Boucheron Hand Mirror, 1860-65




Hand Mirror
Boucheron, 1860-1865
Enameled Gold, Diamonds, Rubies and Pearls
Presented to Queen Mary and King George V
Crown Copyright
The Royal Collection 
Image Courtesy of Her Majesty Queen Elizabeth II


Made by Boucheron between 1860 and 1865, this hand mirror glistens with a frame of gold, enamel, pearls, rubies and diamonds.  

The mirror was presented to George V and Queen Mary, while still Prince and Princess of Wales, by the Aga Khan. 
 Before that, the mirror was exhibited at the Paris Exhibition of 1867 where it was purchased  by the Earl of Dudley.

This oval hand mirror features a faceted beveled edge and gold enameled frame set with scalloped flat-cut ruby collets. The outer border is set with a red and green enameled honey suckle pattern with pearls set in rose diamond acanthus cups, with pearls between. The top of the mirror boasts a diamond fleur-de-lys.
 A pierced gold, scrollwork handle is set with rubies, diamonds and pearls, and showcases heart-shaped shields of painted enamel and enamel bars.

This mirror was enameled by Armand-Désir Riffault (1832-1872), a jeweler and enameller who worked for Boucheron.
  Riffault famously crafted elegant objects for the Paris exhibition of 1867.

According to the curators of the Royal Collection, “This mirror, enameled by Riffault for the 1867 exhibition in the Renaissance style, won praise from the officials and the press and Riffault, together with Boucheron, were awarded a 'Médaille de bronze' for it.”




Tuesday, November 13, 2012

Mastery of Design: The Piedmont Stomacher Pendant, 1800-1850

Pendant
Piedmont, Italy
The Victoria & Albert Museum





While this piece looks like a traditional stomacher, it’s actually meant to act as a pendant. Made in Piedmont Italy, the piece shows the ingenuity of the early Nineteenth Century Italian jeweler.

Since most Italian women loved the beauty of heavy gold jewelry, Italian jewelers found ways to make their wares look substantial while keeping the cost relatively modest. This piece looks quite heavy, but it’s actually made from a thin sheet of hold. The stones are a bit of trickery as well. While they look like whole gems, they are, in reality a very thin sliver of garnet which has been set into a piece of transparent glass which serves to spread the color and add sparkle. This sort of stone is called a “doublet.”

By this point in fashion history, the stomacher favored by the European aristocracy during the eighteenth century, had fallen out of use except in the royal courts. Softer fabric stomachers with embroidery were adorning that triangle-shaped section (below the bust and pointing over the stomach) on the bodices of ladies’ gowns. However, the shape of a stomacher was still considered quite fashionable and the silhouette found its way into pendants like this one. These were traditionally worn, suspended from velvet or silk ribbons.

This jewel was purchased by the Italian jewelry firm of Castellani to add to their collection of Italian Peasant Jewelry which was displayed at the 1867 International Exhibition in Paris. The pendant is made up of five sections and ends in a stylized cross.



Tuesday, October 23, 2012

Object of the Day: A Double-Sided Stereograph, 1850-1860

Click to go past the point of no return.



A couple of weeks ago, I shared with you a stereograph from my collection which I found to be quite unusual because it features images on both sides of the card. Most such cards were printed with a description of the photos on the obverse on the back.

Here’s another double-sided card. It’s one of about four that I have now. One side is printed with a scene of the Paris Opera. (Baaaa...bah, bah, bump, bump, bummmm).  The other side shows The Fort of St. Jean and Cathedral, Marseilles, France. The respective images are labeled 133 and 144. This indicates to me that there was a guide which corresponded to the images, providing the copy which would usually be on the reverse of the card. 

I’ve been doing a little research, and the best I can figure is that these cards were published by Underwood and Underwood of New York, probably between 1850 and 1860. 

Click on this one, too.

Friday, June 8, 2012

Mastery of Design: The Boucheron Hand Mirror, 1860-65



Hand Mirror
Boucheron, 1860-1865
Enameled Gold, Diamonds, Rubies and Pearls
Presented to Queen Mary and King George V
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II


Made by Boucheron between 1860 and 1865, this hand mirror glistens with a frame of gold, enamel, pearls, rubies and diamonds.  

The mirror was presented to George V and Queen Mary, while still Prince and Princess of Wales, by the Aga Khan.  Before that, the mirror was exhibited at the Paris Exhibition of 1867 where it was purchased  by the Earl of Dudley.

This oval hand mirror features a faceted beveled edge and gold enameled frame set with scalloped flat-cut ruby collets. The outer border is set with a red and green enameled honey suckle pattern with pearls set in rose diamond acanthus cups, with pearls between. The top of the mirror boasts a diamond fleur-de-lys.  A pierced gold, scrollwork handle is set with rubies, diamonds and pearls, and showcases heart-shaped shields of painted enamel and enamel bars.

This mirror was enameled by Armand-Désir Riffault (1832-1872), a jeweler and enameller who worked for Boucheron.  Riffault famously crafted elegant objects for the Paris exhibition of 1867.

According to the curators of the Royal Collection, “This mirror, enameled by Riffault for the 1867 exhibition in the Renaissance style, won praise from the officials and the press and Riffault, together with Boucheron, were awarded a 'Médaille de bronze' for it.”