Showing posts with label Princess Royal. Show all posts
Showing posts with label Princess Royal. Show all posts

Saturday, June 21, 2014

Unusual Artifacts: The Hand and Arm of Victoria, Princess Royal, 1843



The Royal Collection

Queen Victoria had a great desire to capture moments in the lives of her family. She was very much interested in recording the growth of her children so that she could remember them at all stages of their lives. This desire took many forms. She had miniature portraits painted of her children as they grew. She even had jewelry commissioned which used their baby teeth as the principal ornament.


When Victoria died in 1901, a touching (and to modern eyes, quite odd) collection of marble arms, hands and feet was found in her private rooms at Buckingham Palace. The Queen had commissioned sculptor Abraham Kent (who would most likely not be remembered were it not for these objects) to create these marble keep-sakes of her children’s features so that she could remember them when they were small. Kent took a plaster mold of the Princess Royal’s hand and arm in order to capture every detail when he was sculpting the stone. The process of obtaining the casts had to be done while the children were sleeping as they would not stand for it while they were awake.

The Royal Collection
This sculpture, like its brethren, was kept on a crimson velvet cushion under a glass dome to ensure that the marble would stay a pristine white. It really is quite beautiful in its own way. We must remember, when we view artifacts such as this, that this was before everyone had a camera in their pocket. Today, we have so many ways of recording our lives. Victoria, like many other mothers throughout time, simply wanted a way to recall the sweetest years of her children’s lives.


Thursday, February 20, 2014

Antique Image of the Day: Queen Victoria and the Princess Royal, 1845


Queen Victoria and
The Princess Royal
1845
The Royal Colelction

This is the earliest known photograph of Queen Victoria. The Queen was an avid fan of photography, even going as far as staging a recreation of her wedding day so that it might be photographed.

Here, we see a young Queen Victoria with her first child and daughter, Victoria, the Princess Royal who was known to the family as “Vicky.” At the age of seventeen, Vicky was wed to Prince William Frederick of Prussia. She was later the Empress of Germany and Queen of Prussia.

Queen Victoria had a great affection for her eldest daughter, making sure that she was created Princess Royal, a title often bestowed upon the eldest daughter of a Royal family. Victoria praised her child’s curiosity and intelligence—two traits which were not demonstrated in Victoria’s eldest son, the heir presumptive, Prince Albert Edward (later King Edward VII).


Object of the Day, Museum Edition: A Miniature of the Eye of Princess Victoria, 1857



Crown Copyright
The Royal Collection
Courtesy of Her Majesty Queen Elizabeth II

We’ve looked at a variety of miniature eyes. This beautiful example is attributed to Sir William Charles Ross (1794-1860) and depicts the eye of Victoria, Princess Royal (1840-1901), the eldest daughter of Queen Victoria and Prince Albert. The Princess Royal would later become Empress Frederick III of Germany.

This watercolor on ivory miniature is laid on card and mounted in a gold pendant set with a ruby. The Royal Collection lists the creation of the piece as 1857 and notes that it was commissioned by Queen Victoria.

Typically these miniature eyes were given as tokens to a male suitor. The date of creation puts this piece smack dab in the middle of the engagement of Victoria and Albert’s daughter to the Prince Frederick of Prussia (The German Emperor and King of Prussia) who were engaged in 1856 and married in 1858. It’s a safe bet that this miniature was intended for the future Kaiser Frederick III. Whether or not he received it, I don’t know, but it’s back in the Royal Collection.

Crown Copyright
The Royal Collection
via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click Image to Enlarge


Thursday, January 16, 2014

The Art of Play: A Jigsaw Puzzle, "His Majesty the King and TRH Princess Elizabeth and Princess Margaret Rose," 1938



The V&A
Puzzle by Chad Valley depicting
King George VI with Princesses Margaret and Elizabeth, 1938
The Victoria & Albert Museum


In the 1930s, as today, games were designed to suit the age and ability of children.  One of the most popular “games” was the traditional jigsaw puzzle. These color-printed cardboard puzzles often featured images of the Royal Family.  After the Abdication Kerfuffle ™, as King George VI ascended the throne, he was a figure to whom the children of Britain could relate since he was the father of two young girls—Princess Elizabeth (now Her Majesty Queen Elizabeth II) and Princess Margaret Rose.  

This puzzle shows the continuing interest in the British Royal Family with a picture of King George VI (ruled 1936–52) and his two daughters riding ponies in Windsor Park in April of 1938. 
 The puzzle was made by the Chad Valley Company Limited.




Saturday, December 21, 2013

Mastery of Design: Queen Victoria’s 1842 Christmas Brooch




Princess Victoria Brooch
Presented to Queen Victoria on Christmas, 1842
Designed by Prince Albert
Crafted by William Essex after William Ross, miniaturist
Enamel, Gold, Diamonds, Rubies, Sapphires, Emeralds, &
Topazes
The Royal Collection
To celebrate Christmas with his wife and their first child, Princess Victoria, Prince Albert designed a beautiful enamel and jeweled brooch for Queen Victoria. Inspired by a painting by Raphael, the prince envisioned an angel with sparkling wings and the face of their infant daughter.


Jeweler William Essex was commissioned to create the brooch to Prince Albert’s specifications. For Princess Victoria’s enameled, cherubic face, Essex used as his model a miniature painting of the child princess by William Ross. The resulting brooch of enamel, gold, sapphires, rubies, emeralds, diamonds and topazes shows the young Princess as a putti draped in a regal blue robe. In her tiny hands, she clutches a cross of diamonds and rubies.

Queen Victoria was—rightfully—thrilled with the brooch and wrote in her journal, “The workmanship and design are quite exquisite, and dear Albert was so pleased at my delight over it, it’s having been entirely his own idea and taste.”


Wednesday, August 14, 2013

Painting of the Day: A Portrait Miniature of Mary, the Princess Royal, 1912


Victoria Alexandra Alice Mary
The Princess Royal
Aged Fifteen Years
Turrell, 1912
The Victoria & Albert Museum

Painted in 1912 by Charles Turrell, this watercolor on ivory miniature shows the King George V’s and Queen Mary’s third child, Mary, the Princess Royal around age 15.


Wearing the Garter of the Order of Victoria and Albert, Mary looks quite a lot like her mother. With her creamy skin and wheat-colored curls, she carries herself with the same dignity that Queen Mary did.

Oddly enough, Turrell painted this miniature and never presented it to the King and Queen. Instead, he kept it. His widow presented the piece to the Victoria & Albert Museum in 1932.

Sunday, May 12, 2013

Unusual Artifacts: The Hand and Arm of Victoria, Princess Royal, 1843


The Royal Collection

Queen Victoria had a great desire to capture moments in the lives of her family. She was very much interested in recording the growth of her children so that she could remember them at all stages of their lives. This desire took many forms. She had miniature portraits painted of her children as they grew. She even had jewelry commissioned which used their baby teeth as the principal ornament.


When Victoria died in 1901, a touching (and to modern eyes, quite odd) collection of marble arms, hands and feet was found in her private rooms at Buckingham Palace. The Queen had commissioned sculptor Abraham Kent (who would most likely not be remembered were it not for these objects) to create these marble keep-sakes of her children’s features so that she could remember them when they were small. Kent took a plaster mold of the Princess Royal’s hand and arm in order to capture every detail when he was sculpting the stone. The process of obtaining the casts had to be done while the children were sleeping as they would not stand for it while they were awake.

The Royal Collection
This sculpture, like its brethren, was kept on a crimson velvet cushion under a glass dome to ensure that the marble would stay a pristine white. It really is quite beautiful in its own way. We must remember, when we view artifacts such as this, that this was before everyone had a camera in their pocket. Today, we have so many ways of recording our lives. Victoria, like many other mothers throughout time, simply wanted a way to recall the sweetest years of her children’s lives.



Saturday, January 19, 2013

Antique Image of the Day: Queen Victoria and the Princess Royal, 1845


Queen Victoria and
The Princess Royal
1845
The Royal Colelction

This is the earliest known photograph of Queen Victoria. The Queen was an avid fan of photography, even going as far as staging a recreation of her wedding day so that it might be photographed. 

Here, we see a young Queen Victoria with her first child and daughter, Victoria, the Princess Royal who was known to the family as “Vicky.” At the age of seventeen, Vicky was wed to Prince William Frederick of Prussia. She was later the Empress of Germany and Queen of Prussia.

Queen Victoria had a great affection for her eldest daughter, making sure that she was created Princess Royal, a title often bestowed upon the eldest daughter of a Royal family. Victoria praised her child’s curiosity and intelligence—two traits which were not demonstrated in Victoria’s eldest son, the heir presumptive, Prince Albert Edward (later King Edward VII).





Friday, December 7, 2012

Mastery of Design: Queen Victoria’s 1842 Christmas Brooch



Princess Victoria Brooch
Presented to Queen Victoria on Christmas, 1842
Designed by Prince Albert
Crafted by William Essex after William Ross, miniaturist
Enamel, Gold, Diamonds, Rubies, Sapphires, Emeralds, &
Topazes
The Royal Collection
To celebrate Christmas with his wife and their first child, Princess Victoria, Prince Albert designed a beautiful enamel and jeweled brooch for Queen Victoria. Inspired by a painting by Raphael, the prince envisioned an angel with sparkling wings and the face of their infant daughter.


Jeweler William Essex was commissioned to create the brooch to Prince Albert’s specifications. For Princess Victoria’s enameled, cherubic face, Essex used as his model a miniature painting of the child princess by William Ross. The resulting brooch of enamel, gold, sapphires, rubies, emeralds, diamonds and topazes shows the young Princess as a putti draped in a regal blue robe. In her tiny hands, she clutches a cross of diamonds and rubies.

Queen Victoria was—rightfully—thrilled with the brooch and wrote in her journal, “The workmanship and design are quite exquisite, and dear Albert was so pleased at my delight over it, it’s having been entirely his own idea and taste.”

Wednesday, October 24, 2012

Sculpture of the Day: Victoria, Princess Royal as Summer, 1846

Victoria, Princess Royal as Summer
Mary Thornycroft
Britain, 1848
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



One of a series by Mary Thornycroft (1814-1895) (wonderful name), this sculpture was given to Queen Victoria by Prince Albert on August 26, 1848. The series depicts the Royal offspring as the seasons. Exhibited at the Great Exhibition of 1851, the life-size marble statue depicts Princess Victoria, still a child, as Summer. She’s caught in a moment, just about to sit on a tree stump, wearing flowing robes in the classical style. The princess holds, in her left hand, a floral wreath and a sheaf of corn.



Sunday, March 25, 2012

The Art of Play: A Jigsaw Puzzle, "His Majesty the King and TRH Princess Elizabeth and Princess Margaret Rose," 1938

The V&A
Puzzle by Chad Valley depicting
King George VI with Princesses Margaret and Elizabeth, 1938
The Victoria & Albert Museum
 


In the 1930s, as today, games were designed to suit the age and ability of children.  One of the most popular “games” was the traditional jigsaw puzzle.  These color-printed cardboard puzzles often featured images of the Royal Family.  After the Abdication Kerfuffle ™, as King George VI ascended the throne, he was a figure to whom the children of Britain could relate since he was the father of two young girls—Princess Elizabeth (now Her Majesty Queen Elizabeth II) and Princess Margaret Rose. 

This puzzle shows the continuing interest in the British Royal Family with a picture of King George VI (ruled 1936–52) and his two daughters riding ponies in Windsor Park in April of 1938.  The puzzle was made by the Chad Valley Company Limited.






Friday, December 2, 2011

Mastery of Design: A Miniature of Victoria, the Princess Royal from Queen Victoria's Bracelet,

Queen Victoria's Bracelet, 1845
Crown Copyright
The Royal Collection
Courtesy of Her Majesty Queen Elizabeth II


On May 24, 1845, Prince Albert presented his beloved wife, Queen Victoria with a gold, enamel and pearl bracelet created from miniature portraits of their children.


Crown Copyright
The Royal Collection
Courtesy of Her Majesty Queen Elizabeth II

This particular link depicts Victoria, the Princess Royal, the first of the couple’s children. The portrait is the work of William Essex (1784–1869) who worked the enamel himself.

It is signed, dated and inscribed on the reverse: Victoria / Princess Royal / 1845 / Painted by W. Essex / Enl painter to H.[R.H.] Prince [Albert].

Friday Fun: Kaiser Frederick III and Princess Victoria

Crown Princess Victoria and Prince Frederick William
Franz Xaver Winterhaler, 1862
Crown Copyright
The Royal Collection
Courtesy of Her Majesty,
Queen Elizabeth II
This beautifully made little video is a wonderful slideshow of Victoria, the Princess Royal and her husband, Emperor Frederick William, King of Prussia. You’ve seen most of the images of Princess Victoria on this web site. They’re not credited in the video. And, even though I didn’t make the video, my friendly relationship with the Royal Collection and Historic Royal Palaces compels me to note that they are, in fact, all “Crown Copyright.” As for the images of Frederick III, I don’t know where they came from.


Nevertheless, it’s a great video and rather soothing, too. Enjoy!

Unfolding Pictures: The Empress Frederick William Iron Fan, 1862

This and all related images from:
The Victoria & Albert Museum


This unusual fan is made of cast iron filigree with floral and architectural motifs. The individual blades of thin iron are held together with ribbon at the top and a pin at the bottom. This was one of a pair designed by Edward Schott at Ilsenburg-am-Harz as an example of the fineness which could be achieved with iron castings.


This other of the two fans was shown at the International Exhibition of 1862. This example was presented to Princess Frederick William (later the Empress Frederick William) of Prussia (1840-1901), formerly Victoria, the Princess Royal, Queen Victoria's eldest daughter.

The identical fan is now in MAK: Austria’s Museum of Applied Art in Vienna.

The reverse of the fan, which looks a lot like the front.

Obscure Book of the Day: Princess Victoria and Kaiser Frederick


Traditionally, British princesses were married to “foreign” princes. It was considered a good way to expand the bloodline and form favorable ties with other empires. Germany, it seems, was thick with princes. So, by the time Queen Victoria ascended the throne, let’s be honest, her bloodline was more German than it was British, and then, she married a German Prince.


So, when it came time for the eldest daughter of Prince Albert and Queen Victoria to marry, the natural inclination was to match her up with a German Prince (also a Prince of Prussia) who would eventually ascend as Emperor of Germany and King of Prussia. Enter Prince Frederick. Queen Victoria liked the idea. Prince Albert definitely liked the idea. And, no one was happier than Uncle Leopold who had arranged the marriage of Victoria and Albert and who had long been a champion of getting a German stronghold on the British throne.

Princess Victoria and Prince Frederick greatly admired the relationship of Queen Victoria and Prince Albert and decided that when Frederick ascended the throne of Germany they would rule in a similar Monarch/Consort arrangement as Princess Victoria’s parents. They waited 30 years for their chance. In 1888, Frederick and Victoria ascended as Emperor and Empress of Germany and King and Queen of Prussia. But, then, after 99 days on the throne, Frederick died a painful, horrible death from cancer of the larynx at the age of 57. And, that was that.

Princess Victoria remained in Germany throughout her widowhood. She kept constant communication via post with her mother and her younger brother, the future King Edward VII. Victoria would die in 1901 after suffering for two years from breast cancer.

The twenty-fifth in the series “Royal Romances: The Love Affairs that Shaped History” chronicles the relationship of Princess Victoria and Kaiser Frederick.

Let’s take a look inside:














Object of the Day, Museum Edition: A Miniature of the Eye of Princess Victoria, 1857

Crown Copyright
The Royal Collection
Courtesy of Her Majesty Queen Elizabeth II
We’ve looked at a variety of miniature eyes. This beautiful example is attributed to Sir William Charles Ross (1794-1860) and depicts the eye of Victoria, Princess Royal (1840-1901), the eldest daughter of Queen Victoria and Prince Albert. The Princess Royal would later become Empress Frederick III of Germany.


This watercolor on ivory miniature is laid on card and mounted in a gold pendant set with a ruby. The Royal Collection lists the creation of the piece as 1857 and notes that it was commissioned by Queen Victoria.

Typically these miniature eyes were given as tokens to a male suitor. The date of creation puts this piece smack dab in the middle of the engagement of Victoria and Albert’s daughter to the Prince Frederick of Prussia (The German Emperor and King of Prussia) who were engaged in 1856 and married in 1858. It’s a safe bet that this miniature was intended for the future Kaiser Frederick III. Whether or not he received it, I don’t know, but it’s back in the Royal Collection.

Thursday, August 4, 2011

Card of the Day: H.R.H. Mary, the Princess Royal

Mary, the Princess Royal (seen here in this, the seventh card in the Silver Jubilee series by Godfrey & Phillips) was the third child and only daughter of King George V and Queen Mary. At the time of her birth, her great-grandmother, Queen Victoria, passed letters of patent to ensure that all children of the then Duke and Duchess of York would be styled as Royal Highness. Mary was created Princess Royal. She was the sixth Royal daughter to hold that title. She was also known as Princess Mary of Wales, and, after her marriage, the Countess of Harewood.

Throughout her life, Mary was the great-granddaughter of the Sovereign (Victoria), grand-daughter of the Sovereign (Edward VII), daughter of the Sovereign (George V), sister of the Sovereign (Edward VIII, briefly, and George VI), and aunt of the Sovereign (Elizabeth II). After that whole abdication kerfuffle in 1936-7, Mary sided with her eldest brother, “David,” (Edward VIII and, later, Duke of Windsor) with whom she was forever close. This, I’m sure, irritated Queen Mary. In 1947, when Princess Elizabeth (now Queen Elizabeth II) married Lieutenant Phillip Mountbatten (now the Duke of Edinburgh), Mary refused to attend the wedding because her brother, the Duke of Windsor had not been invited. Oh my!

Princess Mary of Wales marriage to
the Viscount Lascelles, 1922
Princess Mary, in 1922, married Henry Charles George, Viscount Lascelles and 6th Earl of Harewood. Some believe that their marriage was a loveless, arranged union. The Viscount, fifteen years Mary’s senior, was said not to have been an affectionate mate. However, their two sons both contend that this wasn’t true. They state that their parents were actually quite well-matched and had a very happy union.

Mary’s devotion to the empire took the form of years of charitable works, mostly in the field of nursing. She shared her mother’s interest in the arts and would often accompany Queen Mary on her almost-daily museum/shopping jaunts, making sure they could return to Buckingham Palace in time for the Queen to pour King George V’s tea. The Princess Royal passed away in 1965 while walking in the gardens of her impressive estate, Harewood House.


Mary, the Princess Royal in 1901
The Royal Collection

Monday, July 11, 2011

Painting of the Day: A Portrait of Victoria, The Princess Royal, at her Christening, 1841

The Princess Royal at her Christening
Charles Robert Lesie, 1841
The Victoria & Albert Museum
A similar portrait of Queen Victoria in the same
christening gown resides in the Royal Collection.
The first child of young Queen Victoria and Prince Albert was baptized Victoria Adelaide Mary Louisa, the Princess Royal on February 10, 1841 at Buckingham Palace. In attendance was painter Charles Robert Leslie who had previously painted the Queen.
Leslie made several sketches of the event, taking special care to represent the Royal personages who stood around the radiant child. The painter took great pains with his sketches of the infant whom he described as, “then three months old, and a finer child of that age I never saw.”

This small portrait of the Princess Royal was the result of those sketches and one of Queen Victoria’s most prized possessions. The Princess Royal would later become German Empress and remained a confidant to her mother until her death.

Friday, July 8, 2011

Antique Image of the Day: Queen Victoria and the Princess Royal, 1845

Queen Victoria and
The Princess Royal
1845
The Royal Colelction
This is the earliest known photograph of Queen Victoria. The Queen was an avid fan of photography, even going as far as staging a recreation of her wedding day so that it might be photographed.


Here, we see a young Queen Victoria with her first child and daughter, Victoria, the Princess Royal who was known to the family as “Vicky.” At the age of seventeen, Vicky was wed to Prince William Frederick of Prussia. She was later the Empress of Germany and Queen of Prussia.

Queen Victoria had a great affection for her eldest daughter, making sure that she was created Princess Royal, a title often bestowed upon the eldest daughter of a Royal family. Victoria praised her child’s curiosity and intelligence—two traits which were not demonstrated in Victoria’s eldest son, the heir presumptive, Prince Albert Edward (later King Edward VII).

Monday, June 20, 2011

Painting of the Day: A Portrait Miniature of Mary, the Princess Royal, 1912

Victoria Alexandra Alice Mary
The Princess Royal
Aged Fifteen Years
Turrell, 1912
The Victoria & Albert Museum
Painted in 1912 by Charles Turrell, this watercolor on ivory miniature shows the King George V’s and Queen Mary’s third child, Mary, the Princess Royal around age 15.


Wearing the Garter of the Order of Victoria and Albert, Mary looks quite a lot like her mother. With her creamy skin and wheat-colored curls, she carries herself with the same dignity that Queen Mary did.

Oddly enough, Turrell painted this miniature and never presented it to the King and Queen. Instead, he kept it. His widow presented the piece to the Victoria & Albert Museum in 1932.