Antique Image of the Day: A "Vanity Fair" Cover by "Spy", 1900

Winston
"Spy," 1900
The Victoria & Albert Museum

We’ve talked about “Spy” before. The son of two of my favorite artists (E.M. Ward and Henrietta Ward), Sir Leslie Ward used the name, “Spy” when he created his famous caricatures for the cover of “Vanity Fair.”


Here, we see a print entitled “Winston” depicting Winston Churchill, which graced “Vanity Fair” in September of 1900. This is one of a series of portraits published by “Vanity Fair” under the title “Men of the Day.”

Gratuitous Bertie Dog Picture: Fender Bender

“I don’t know if you’re aware of this, Johnnie, but I like to sit in fireplaces.  So, let’s put the fire out.  Okay?  And, while you’re at it, you can take the barricade down.”

(click image to enlarge)

Image: John Forster in His Library, Edward Matthew (E.M.) Ward, 1850, The Victoria & Albert Museum

Object of the Day: “Memories of Ninety Years,” Henrietta Ward

Renowned English painter Henrietta Ward penned two memoirs during her long life. The first was Mrs. E.M. Ward’s Reminiscences which was published in 1911 and recounted her exciting life with her husband, also an accomplished and celebrated painter as well as their relationships with such luminaries as Charles Dickens and Wilkie Collins. In her second memoir, Memories of Ninety Years, published before her death in 1924, Ward spoke plainly about her life as a painter, her friendship with Queen Victoria and told tales from her scintillating life and family. She speaks fondly of her son, Sir Leslie Ward, and chronicled her time as tutor to the children of Queen Victoria and Prince Albert.


Included in the book are several attractive plates of reproductions of her works as well as intimate photographs from her own collection. These include personal photos as well as images of her friends and family.

Difficult to find, it’s a fascinating book and a rare glimpse into the life of one of Britain’s most prolific artists.

memories of ninety Years

Object of the Day: An Engraving by E.M. Ward

Edward Matthew Ward (1816-1879) was a prolific historical painter of the Victorian era. Very much against the emerging Pre-Raphaelite movement, E.M. Ward declared the works of the “brotherhood” to be “un-British” and preferred to continue to paint in the style of epic historical painters such as Hogarth. His steady “British-ness” made him extremely popular with the crown and government and he was often commissioned to do paintings for Parliament.


Ward was married to Henrietta Ward (maiden name and married name were both “Ward,” but they were unrelated), a skilled painter in her own right. Together, they associated with some of the most notable names of the era including Charles Dickens and Wilkie Collins. Henrietta was a celebrated art teacher in addition to her other work. Her intimate friendship with Queen Victoria led her to be the tutor appointed to teach the Royal children how to draw. Leslie Ward, the son of E.M. and Henrietta, went on to be a well-respected caricaturist for Vanity Fair, under the name “Spy.”

Many of E.M. Ward’s paintings were recreated as engravings so that they could be included in books and presented as wall hangings which could be enjoyed by everyday people. This engraving shows Ward’s signature style. Like his wife, he filled every inch of a composition with complicated figures, detailed scenery and theatrical costumes. The result is always a painting which is full of life and serves to give one a heightened sense of a historical scene.