The Palais Garnier as it is today |
The Grand Foyer |
Construction was slated to begin in 1862. The Empress Eugénie is rumored to have asked Garnier if he considered his creation to be in Greek or Roman style. His response was, “It is in the Napoleon III style, Madame!” And, so it was. Napoleon selected the land upon which the Opéra was to be built—a section in the 9th arrondissement of Paris. The land, however, was not terribly cooperative owing to its swampiness and the presence of a subterranean lake. Water was pumped from the location for eight months, but the lake would not abate. Garnier was forced to amend the designs for the foundation to be built over the lake. And, so it remains today.
The Grand Staircase |
But, before chandeliers could crush anyone, or, even, before a singer could belt out a note, the Opéra had to be finished. The construction was stalled by numerous setbacks—not the least of which was the Franco-Prussian War and the resulting collapse of The Second Empire. For awhile, the Opéra feared that the skeleton of their new home would have to be demolished due to lack of funds and a distinct political disinterest in finishing the building.
In 1873, circumstance forced the completion of the new opera house when a fire rampaged through the Salle Le Peletier—raging for twenty-seven hours and completely destroying the home of the Paris Opéra. The Palais Garnier was completed in 1874, giving the Opéra a permanent new home and the people of France a reason to celebrate.
The Theater |
The dome of the theater itself was repainted in 1964 by Marc Chagall in a modern style and color palette which proved to be controversial. While some felt that Chagall’s fresco was a fitting addition to a building which was, in essence, a temple to the arts, others believed that Chagall’s work was out of place and inappropriate to the Beaux Arts style and velvety architecture of the Palais Garnier. Forty-seven years later, Chagall’s work remains, and while quite accepted, still raises some eyebrows.
Chagall's Dome |
Aside from Chagall’s painting and some technological changes, the Palais Garnier remains much as it was in 1874 and gives one a sense of the epic scheme that Napoleon III had for Paris. Though the Second Empire did not survive, Garnier’s creation of “Napoleon III style” has remained relatively untouched and has served as a source of inspiration for generations of artists of all media.
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