Sunday, February 27, 2011

Object of the Day: A Late Victorian Chest of Drawers

This walnut cabinet dates to the late Victorian era and shows the influence of Aesthetic designs on furniture-making. It’s a simple piece of furniture with sharp, fluted legs and a low backboard. The only adornment is an elegant rail at the bottom of the piece which features carving inspired by the Aesthetic Movement, comprised of a stylized pattern of flowers and a lattice-like silhouette.


The understated piece of furniture has served me well for many years. It houses(part of) my collection of DVDs and serves as a stand for the television. While this was certainly not its intended initial use, it proves, once again, that antique furnishings have infinite adaptability and versatility.



Coming this Week at "Stalking the Belle Époque"

As we near springtime, we turn our sights to warm, bright thoughts. A visit to King George IV’s Royal Pavilion at Brighton will put us in mind of sunny days as we tour the opulent home of one of Britain’s most influential rulers. Along the way, we’ll take a look at some objects from George IV’s vast collection of art and artifacts as well as the paintings, jewels, sculpture and personal objects of his predecessors and successors.


We’ll take a glimpse at the work of an outstanding English portrait artist as well as one of the cinema’s brightest and most enduring stars. A look at the humanitarian work of an American artist will follow as we examine the difference he has made to New Orleans since the devastating hurricane damage.

Two classic films are in store as we study two vastly different films both of which deal with psychological subjects. And, let’s not forget Bertie. His time-traveling voyage through art history will be further chronicled in the coming week.

There’s a lot to look forward to in March as Stalking the Belle Époque continues into another season. I’m looking forward to sharing it all with you.



Saturday, February 26, 2011

Saturday Sparkle: The Diamond Brooch of Queen Adelaide

Tudor Rose Brooch with
Miniature of Queen Adelaide
Commissioned by William IV, 1835
Gold, Diamonds
The Royal Collection
In 1835, King William IV commissioned a British portrait artist to create a miniature on ivory of his wife, Queen Adelaide, which would be set into a diamond-encrusted Tudor rose and made into a brooch. The gold and diamond brooch features dozens of fine European cut diamonds and gracefully frames the delicate portrait.


The brooch was given by William IV to Caroline, Duchess of Saxe-Gotha-Altenburg who bequeathed it to Queen Victoria. Victoria succeeded William IV as ruler of the empire.

At the Music Hall: “She’s My Daisy,” Sir Harry Lauder

She is my Daisy, my bonnie Daisy,
she's the sweetest sugar candy and she's very fond of Sandy,
And I weary
For my dearie,
I would rather lose my spurs than lose my Daisy.

Scottish performer and songwriter, Sir Harry Lauder, popularized Scottish-themed songs as he trod the boards of U.K. music halls. Many of his songs concerned fair Scottish ladies and were rousing ballads about the joys of loving these plucky lasses.

His song, “She’s My Daisy,” became instantly popular and was featured in many films. Here’s a clip of Greer Garson singing the song in her 1942 film, Random Harvest.




The Art of Play: Princess Margaret with a Doll, 1935

Princess Margaret
Marcus Adams, 1935
The Royal Collection
In December of 1935, King George VI and Queen Elizabeth (the Queen Mother) took their daughters Princesses Elizabeth (now Queen Elizabeth II) and Margaret to the Children’s Studio to be photographed by Marcus Adams. The Princesses wore matching silk dresses trimmed with small flowers and delicate frills.


The two princesses sat for portraits together, and individually. Each was photographed with a favorite toy. Elizabeth chose to be photographed with her cherished plush cat while Margaret chose to have her picture taken with this large doll.

Painting of the Day: A Royal Fake

Portrait Miniature of the Baron Howard
of Effingham
False Signature and Date
Oil on Card, Gold Frame
1800-1899
The Royal Collection
This portrait miniature of Charles Howard, 2nd Baron Howard of Effingham, later 1st Earl of Nottingham (1536-1624) is signed and dated to appear that it is a Sixteenth Century work by Nicholas Hilliard. It is, however, a Nineteenth Century copy based on an existing portrait of the Baron Howard of Effingham.


The miniature on card in a gold frame was first recorded in the Royal Collection during the reign of Queen Victoria. It was believed to be an authentic Sixteenth Century piece. However, further inspection proved that it was not. Nonetheless, it is a clever copy and beautifully hand-painted. Now, due to its own merits, it is a cherished antique with an interesting history.

Punch's Cousin, Chapter 181

Sorry, Sir?” Charles blushed.


“Your name?” Mr. Punch smiled.

“Your Grace, I’ve already…”

“Your name isn’t Charles Van Eyck.” Mr. Punch repeated.

Charles didn’t respond.

“Your cuff buttons.” Mr. Punch pointed. “They’re engraved. They got initials on ‘em. Them initials don’t match the name what you gave.”

Charles glanced at his sleeves.

“You didn’t steal ‘em.” Mr. Punch smiled. “I know you didn’t. They’re worn and tarnished and not of any great value. I may not know much. Most things are new to me. But, I know jewelry. I learned that first-hand. If you were gonna steal cuff buttons, you’d steal some what were worth somethin’. Not those cheap things. But, the initials on ‘em are ‘C.I.’ So, what’s your name?”

“Carlo.” Charles sighed. “Carlo Iantosca.”

“That’s a right nice name.” Mr. Punch nodded. “Italian?”

“Yes,” Charles nodded.

“So, why use a different name?”

“Distance, Sir.” Charles said softly.

“From whom?” Mr. Punch asked.

“You’re not the only one with a difficult sibling, Sir.” Charles smiled.

“I see.” Mr. Punch answered. “So, you’re runnin’ away from somethin’?”

“I suppose you could say that.” Charles shrugged. “Though I’ve been running for so long now that I don’t think you could even call it ‘running’ anymore. Now, I’m just living—trying to live anyway.”

“So, in the short time we’ve known you, we can see you’ve already lied about your name and about your references.” Mr. Punch said, pulling the bedcovers up higher.

“Does this mean that you don’t wish to employ me, Sir?” Charles asked.

“No.” Mr. Punch answered. “I’m just tryin’ to understand you. Here, don’t look so frightened. You still got your job. It’s just that ‘round here, we try to be as honest as we can. We got ‘nough goin’ on without having to create extra dramas for ourselves.”

“You’re very wise, Your Grace.”

“That’s what folk keep tellin’ me. Coo! I don’t see it me-self. Now, go on, go collect your things. We’ll talk more later.”

“Of course, Sir.” Charles bowed his head. “And, thank you.”

Mr. Punch nodded.

“May I get anything for you before I go?”

“No.” Mr. Punch shook his head. “Just close the door on your way out.”

Charles bid his new employer “good evening” and walked downstairs. He thanked Cecil, Adrienne and Robert and headed out of the back door of the house. There, in the alley, he was not surprised to see Barbara Allen waiting for him.

“Well?” Barbara asked.

“Your brother is a curious fellow.” Charles sighed.

“I told you.” Barbara smiled slightly.

“And his companions are fiercely loyal.” Charles continued.

“But, did they hire you?” Barbara asked.

“Yes.” Charles nodded.

“Oh, I’m so glad.” Barbara sighed with relief.

“Why are you so glad?” Charles asked.

“Well, now I know that someone will be looking after my brother.” Barbara answered quickly. “And, of course, you’ll have an opportunity for a much more fulfilling life.”

“What’s it to you?”

“We already discussed this.” Barbara frowned.

“I defended you in there, Miss Allen—a woman I don’t even know. They don’t care for you much. Seems you’ve done some pretty wicked things.”

“I confessed to you all that I’ve done.” Barbara blushed.

“I don’t think you have—not all of it.” Charles narrowed his eyes.

“The important points.” Barbara muttered.

“I think maybe you’d best tell me the things that you consider unimportant, then.” Charles tilted his head to one side. “I’ll not be tricked. If I’m to do this, I need to know everything.”

“Very well,” Barbara whispered. “Come with me, and I’ll tell you the rest.”

Meanwhile, Ulrika Rittenhouse brushed the filth from the sleeve of her gown as she stood, shivering in a seedy little shop on one of the French Quarter’s side streets. To distract herself from her unsavory location, she browsed the contents of the shop. Costume jewelry, feathers, masks, tattered finery, threadbare coats and worn hats lined the walls.

“Can I interest you in anything else?” A toothless hag croaked from a corner of the shop.

“No.” Ulrika said firmly. “Just see to it that your husband is quick about his work.”

“Can’t rush these things.” The woman growled.

“Try.” Ulrika hissed.

“Might help if he could see the real thing again.” The hag winked.

“No.” Ulrika answered flatly. “It stays with me.”

“Wherever did a little thing like you get such a big diamond?” The hag chuckled.

“That’s none of your concern.” Ulrika spat.

“I figured you’d say that. I should know better than to ask questions. We’re not in the business of askin’ questions. For the right price, we’ll say nothin’ at all.”

“We’ve already negotiated our price,” Ulrika barked. “I’ve been more than generous. And, I can assure you, if you don’t keep your silence, I’ll burn this shack down around your ears.”

“Settle down there.” The old woman laughed. “You’re as fiery as your hair, ain’t ya?”

“You have no idea.” Ulrika smirked. “Now, go check on that man. Surely he’s finished by now.”

“You can’t rush genius!” The old woman howled. “You want it to look real, don’t ya?”

“As long as it passes for a few minutes, I’m happy.” Ulrika said, beginning to pace again.

“What’s your hurry, Red?” The woman asked.

“The longer this takes, the farther away someone gets.”

“You ain’t dealin’ in nothin’ shady, are ya?” The old woman narrowed her eyes.

“As I told you, I just want a copy made of that diamond so that I can wear it without worry.” Ulrika said forcefully.

“And you paid out the nose to keep us quiet?”

“Well, it’s embarrassing.” Ulrika grinned.

“As you say.” The hag cackled.

“You do ask too many questions.” Ulrika spat.

“Just tryin’ to be friendly.”

“I don’t need any more friends.” Ulrika shook her head.

“Whatever you say, Red.” The crone winked. “Whatever you say.”



Did you miss Chapters 1-180? If so, you can read them here. Come back on Monday, February 28, 2011 for Chapter 182 of Punch’s Cousin.