Friday, May 4, 2012

Print of the Day: The Theatrical Bubble, 1805



The Theatrical BubbleJames Gillray
January 7, 1805
The Victoria & Albert Museum


This satirical print is entitled 'The Theatrical Bubble: being a new specimen of the astonishing powers of the great politico - Punchinello, in the art of dramatic puffing.”  It depicts early Nineteenth Century Irish playwright and poet Richard Sheridan as Mr. Punch, on stage blowing a bubble that contains the image of Master Betty (William Henry West Betty (1791-1874), one of the most popular child actors of his day) under which is written "Exit Garrick, Kemble, Cooke.”

The audience pictured watching the scene includes the Duke of Clarence (later  King William IV), Dorothea Bland (Mrs. Jordan), and Charles Fox. The print satirizes Sheridan for repeatedly putting juvenile actors, like Betty, on stage at Drury Lane. It is marked as having been published “7th January 1805” in London.  The image was drawn by James Gillray (1757-1815).





Object of the Day, Museum Edition: Mr. Punch and the Constable



"If I hit you, will you promise not to hit me?"
Postcard
The George Speaight Archive
The Victoria & Albert Museum


This late Nineteenth Century postcard illustrates Mr. Punch and the puppet character od the  Constable.  Part of the George Speaight Punch & Judy Collection at the V&A, this postcard is one of a series portraying Mr. Punch in various scenes from his traditional puppet play.

Each of the postcards in the series features Mr. Punch as an independent cut-out which can be manipulated by moving a paper handle on the reverse. In this scene, he is fighting with the Constable who also holds a wooden stick and a candle holder.

The text reads:

“Punch: If I hit you, will/ you promise not to hit me?”

Reasonable, and very Punch-like logic there.







Thursday, May 3, 2012

Gratuitous Bertie Dog Picture: The Student Bertie

"An iPad would be easier."





Image:  The Young Student, Pierre Lacaze (1816-1884), 1840-50, The Victoria & Albert Museum.















If you'd like to see Bertie in your own home every day, he doesn't do personal appearances, so you'll have to take a look at our online store to see how each day can be a Gratuitous Bertie Dog Day.  

Mastery of Design: The Jane Morris Topaz Brooch, 1820-30

Topaz Brooch
1820-1830
The Victoria & Albert Museum





This topaz brooch originally belonged to Mrs. Jane Morris (“Janey, as she was known”), the wife of the artist, designer and socialist William Morris.  Janey was often painted by the artist Dante Gabriel Rossetti (with whom, it is thought, that she shared a romantic entanglement).  Many of the gorgeous jewels which lined Janey’s jewel box were actually given to her by Rossetti--including this topaz brooch which was bequeathed to the V&A by her daughter, Miss  May Morris in 1938.

This topaz brooch in a gold filigree frame was made in Europe between 1820 and 1830.  








Gifts of Grandeur: A French Marquetry Inkstand, 1720


French Marquetry Inkstand
1720
The Victoria & Albert Museum




In the early Eighteenth Century, especially by 1720, desk and writing-related items were among the most fashionable of luxury goods since they could display the status and learning of the owners.  Even though a gentleman might employ secretaries to do his writing for him, it was essential that his own tools for writing were both elegant and efficient.

Large inkstands such as the one pictured above allowed for all the requisite writing equipment to be contained together. The semi-circular trough at the front of this French example dating to 1720 was designed to hold quill pens, while the three compartments at the back held (from left to right) ink in a glass pot, a sponge (for wiping the end of the pen free of unsightly blobs which would have spoiled the writing) and a pot for “pounce,” a powdered sandarac which was sprinkled over the writing to prevent runs. It is veneered in boulle marquetry of tortoiseshell and brass, with sumptuous figural brass mounts, and may well have matched the writing table for which it was first made.







Drawing of the Day: A Design for a Chippendale Desk, 1753-62


Drawing
Design for a Desk
Thomas Chippendale
1753-1762
The Victoria & Albert Museum




Thomas Chippendale (1718-1762), perhaps one of the best-remembered fashionable designers and cabinet-makers of Eighteenth-Century London, provided furniture to such famous contemporary figures as David Garrick who adored the Chippendale company’s high-quality furniture.

As fantastic as the finished pieces were, Chippendale's most outstanding skill was his design. He produced a pattern-book, The Gentleman and Cabinet-Maker's Director, which developed through three editions in the 1750s and 60s—inspiring trade catalogues and pattern-books from fellow designers.

Here, we see one of Chippendale’s designs for a desk and bookcase which dates between 1753 and 1762. The desk features four drawers, two on each of two rows, and a drop front, and stands on sumptuous Rococo cabriole legs. The bookcase boasts two doors with an elaborate ogee arch, Rococo ornamentation, and a handsome finial above. A cusped ornamental band separates the desk and bookcase.

This design appeared as Plate 111 in the third edition of Chippendale's pattern-book  and is one of  98 plates engraved for the edition by Matthias Darly.





Mr. Punch of Belgrave Square, Chapter 27



Chapter 27:
Just Like Me

“You don’t look like your ma at all,” Mr. Punch smiled as he tickled Colin’s little belly.  Both of them had enjoyed their respective breakfasts and Mr. Punch had taken Colin into the library with him so that Miss Barrett could get some rest after her long, sleepless night and Gamilla could attend to her many assorted duties.

At least that’s the excuse he gave.  The truth was, Punch enjoyed spending time with his son and, aside from the moments that he passed with Robert, considered the tot’s companionship the happiest part of his life.  Mr. Punch could never understand why other titled men in similar positions to his didn’t spend time with their children.  Talking to Colin, playing with him, singing him songs, reading to him—these were all joys which Punch would never trade.

Punch, Colin and Dog Toby sat in their favorite spot in the library—under one of the marquetry side tables with ormolu mounts which flanked the two monumental windows at one end of the room.  Dog Toby lay on his side and watched lazily as Punch chattered to the baby.

“No, you don’t look like your ma.  You look like me.  Huh—how we gonna ‘xplain that when you get older?”  Punch studied the boy.  “Yep—you’re just like me.  Same eyes, same nose, same chin…”

Punch squinted for a moment and wondered when he began to think of Julian’s appearance as his own.  He supposed it must have been going on for awhile.  The night before he had promised to share such realizations with Robert—those little thoughts about identity.  Robert had explained that such information would be helpful to writing their book and, also, in aiding Miss Barrett’s brother.

“See…”  Punch smiled at the baby, gently touching the child’s nose with his finger.  “Your nose is like mine.  Your ma looked a bit different.  You got me hair, too—auburn.  That’s all Molliner.  Only thing I got from me pa’s side.  I look like me own ma.”

Punch sighed again, wondering as well when he began to believe that Julian’s mother was his own.  At first he’d denied it--saying that since he grew within Julian’s mind, he had no mother.  He promised to remember to share that thought, too, with Robert.

“You don’t remember your ma, do ya?”  Punch asked the child.  “Dog Toby does.” Punch chuckled.  “Coo!”  He shook his head.  “See, your ma was me sister.  And your pa…was someone else.”  Punch frowned—just for a second—“but, I want you to know that even though I’m really jus’ your uncle, I’ll always be your papa, too.”

He smiled.  “Guess I’m all sorts o’ things at once, ain’t I?”

Ticking the child’s stomach again, Punch continued.  “Don’t matter that I ain’t truly your father.  I feel like I am, and that’s what counts.  Our chum, Robert, too, he feels like your papa and he ain’t even related to you by blood at all.  See, none o’ that matters, it don’t.  When you start talkin’, and you ought to soon or so says Miss Barrett, you oughta call me  ‘Father’ or ‘Pa’, but probably best to just say, ‘Father.’  Robert’d like it if you’d call him that, too, he would, only he says folk wouldn’t care for it.  So, you can call him ‘Uncle Robert.”

The child’s eyes brightened and he reached for the ring on Punch’s index finger.  Punch turned the diamond so that the child could see it sparkle, but didn’t allow the baby to take it off his finger.

“See, Uncle Robert’s gone to visit Miss Barrett’s brother and the man what looks after ‘im.  We’re gonna try to help him, we are.  Uncle Robert will be back soon.  And, Miss Barrett’s takin’ a nap since she were out all night with her brother.  So, it’s jus’ you and me and Dog Toby.  I gotta draw some pictures for His Majesty later.  Pictures of gems with teeth.  Fool thing, that.  Maybe you can help me.  I’ll put some paper and colors on the floor and we’ll see what you can do.  Would you like that?”

The child gurgled.

“A fine boy, you are, me Colin.” Mr. Punch smiled.

Punch looked up as he heard the library door open and grinned at Charles as he entered.

“Your Grace?” Charles said softly.  He looked around the room, finally spotting Punch and company under one of the tables.  “I’m sorry to interrupt you and Master Colin.”

“We’re  jus’ havin’ a chat, Charles.  Dog Toby, too.”

“Yes, Sir.” Charles nodded. 

“Somethin’ you need to tell me?” Punch asked cheerfully.

“There’s a gentleman here to see Dr. Halifax, Your Grace.”

“Bloody…” Punch scowled.  He caught himself.  “Ooop.  Not in front of the baby.” He giggled.  “What I mean to say is…not again?”

“Yes, Sir.” Charles smiled softly.

“Is it a sick person?” Punch asked with an unusual hopefulness, “you know—one of Dr. Halifax’s patients?”

“I don’t think so, Sir.  He looks quite healthy.”

“Oh.” Mr. Punch shrugged.  “Well, did ya tell ‘im that the doctor ain’t here?”

“I did, Sir.  He asked if he could see you instead.”

Mr. Punch grunted.  “I seen enough folk yesterday to last me awhile, I did.”

“I understand, Your Grace.”

“What did he say his name was?”

“William Stover, Sir.”

“You don’t say?” Punch grumbled, rolling out from underneath the table.  Charles offered his master a hand to steady him as he rose.

“Do you know the gentleman, Sir?”  Charles asked.

“No, I don’t.” Punch muttered.  “But, the doctor does…”

“Shall I send him away, Sir?”

“No.” Mr. Punch smiled.  “I think I shall see him.  Have him wait for me in the morning room, please.”

“As you wish, Your Grace.”  Charles nodded.  “Shall I take Master Colin back to the day nursery?”

“Hmmm…”  Mr. Punch shook his head.  “I’ll take him up me-self.  Please tell this Mr. Stover that I’ll be down shortly.”

“Yes, Your Grace.”

After Punch had taken Colin to the nursery and rang for Gamilla to watch the boy, he paused in front of the tall glass in the passage.  He arranged his hair in a manner more befitting the Duke of Fallbridge and descended the stairs, stiffening his back as he did.  He wished he didn’t have those bruises on his neck, but it wasn’t to be helped.  Fixing his face into his “Julian expression,” Mr. Punch opened the morning room door and entered.

“Mr. Stover,” Punch said in his best Julian imitation.  “I am Julian, Duke of Fallbridge.”

“Good morning, Your Grace,” William Stover replied nervously.  “Thank you for taking the time to see me.”

“Of course,” Punch replied, gesturing to one of the coral-collared armchairs which flanked the morning room fireplace.  “Do sit, please.”

As William sat, Punch studied the man.  Robert had been accurate in his description of William.  The man was balding with a ring of fine blond hair around the crown of his head.  He wasn’t fat, but was shaped, as Robert had said, like a barrel.  And, yet, he had long, elegant fingers.  He was dressed handsomely, but not finely and had the red cheeks of a man who’d been too long in the weather.  Mr. Punch smiled at the height of the man.  He was quite short, and Punch thought this tremendously fitting and convenient.  He imagined how easy it would be to smash something over this little fellow’s head, and, though he’d never dream of actually doing so, the idea pleased him fully.

“This is a lovely home, Your Grace.”  William said self-consciously.  “So grand.”

“Thank you, Mr. Stover.  We’re quite happy here.”

“Does your family live here?”  He added, “Your Grace,” awkwardly to the end of the question.

“Yes.” Mr. Punch nodded.  “You could say so.  My blood family is all deceased.  I am joined in this house by my companion, whom you know, and my son.”

“You have a son, Sir?”  William asked.

“I have.  I adopted him while we were abroad.”

“You were abroad with Dr. Halifax, Your Grace?”

“Yes.”

“Is that where you met?” 

“No.  Well, to be accurate we’d met previously, but not officially following the Great Exhibition.  We became actually acquainted while we were both traveling.”

Mr. Stover nodded.  “Your son is very fortunate, Sir, to live in such a fine home and to have someone in his life like the doctor, and you, of course, Your Grace.  He…Robert…errr….Dr. Halifax was always so kind to my sister’s children.  They adored him.”

“Dr. Halifax is quite good with our boy.”  Punch replied, smiling confidently.

“I’m glad.”  William replied softly.

They sat in silence for several seconds and, with each tick of the clock, Punch became more annoyed, but he cleverly didn’t show it.

Instead he forced a smile and began, “Mr. Stover, I believe you were informed that Dr. Halifax was not present.”

“I was, Your Grace.”

“However, you wished to see me?”

“I did.”

“May I ask why?”

William pinched his lips together.

“You may speak plainly to me, Mr. Stover.  I think you’ll find I’m not the typical peer.”

“Well, Sir, since I may speak freely, I will say that I was curious to see you.  I have heard that Dr. Halifax was your companion and when I read his address, I couldn’t help but to wish to see him again and to see that…that he was happy and well.”

“I assure you that Dr. Halifax is both well and happy.  From whom have you heard that Dr. Halifax was my companion?”

“It’s the talk of London, Sir.” William blushed.

“I imagine that it is.  However, rest assured, by the time Her Majesty brings this next child into the world, Society will find other matters about which to gossip.”

“Yes, Your Grace.”

“Now, that you’ve seen me, is your curiosity satiated?”

“Yes, Sir.  You’re much handsomer than I imagined.”  William suddenly seemed horrified by what he had just said.  “Please don’t think me impertinent, Sir.”

“I don’t.” Mr. Punch replied stiffly.  “It’s only natural that you’d wish to see how your old friend lives and with whom.”

“Has Robert mentioned me?”

“No.”  Mr. Punch answered, being careful not to show how much it delighted him to say so.  “The first I’d heard of you was yesterday when we’d received your card.  Dr. Halifax knows so many people and has such a vast list of patients and casual acquaintances that it, surely, would be impossible for him to mention all of them to me, or, in fact, remember all of them.” 
Punch knew he was being terribly rude, but, he didn’t mind.  He concluded that it was his own home and that this man had barged in uninvited.  Furthermore, the price that Mr. Stover paid for not being bludgeoned with a blunt object was mild rudeness.  Still, our Punch couldn’t help but feel that he was being a bit too hard on the little man and added, with a genuine smile, “Dr. Halifax did mention that you had opened a porcelain concern.  I do hope that it’s going well for you.”

“Yes, Your Grace.”  William nodded.  “Fairly well, indeed.”

“How pleasing,” Mr. Punch replied.  “Have you a message for Dr. Halifax?”

“Only that I wish him all the best, Your  Grace.”

“That’s kind of you, Mr. Stover.” Mr. Punch rose.  “I shall see to it that Dr. Halifax will always have the best of everything.”

William rose, too, blushing again.  “I’m glad, Your Grace.  Thank you, again.  I do hope I haven’t intruded on your home too terribly.”

“You haven’t.” Punch shook his head as he rang for Charles who appeared surprisingly quickly.  Punch wondered if—after what had happened the day before—Charles hadn’t been standing at the ready outside the door.

“Charles,” Punch smiled.  “Will you show Mr. Stover to the door, please?”

Charles nodded.

“Good morning, Your Grace,” William bowed his head.

“Goodbye, Mr. Stover,” Punch said, a bit of the triumphant creeping into his voice.

Charles, as he ushered the man from the room, looked quickly over his shoulder at the Duke and flashed a brief, but sly, smile which told Punch that the valet had, in fact, been standing at the door.

Punch waited until William had left the house and then whooped loudly.  “Silly little egg-shaped bloke!”  With a joyful smile he bounded up the stairs to collect Dog Toby from the library and join Colin in the nursery.




Did you miss Chapters 1-26 of Mr. Punch of Belgrave Square?  If so, you can read them here.  Come back tomorrow for Chapter 28.