Wednesday, December 4, 2013

Antique Image of the Day: A Royal Christmas Card, 1938



Christmas Card with Marcus Adams' Portrait of
The Royal Family at Buckingham Palace
December 20, 1938
Pictured: Princess Elizabeth, King George VI, Queen Elizabeth,
and Princess Margaret
The Royal Collection
During the reign of King George VI, the Royal Family’s favored photographer was Marcus Adams. Adams was often employed to take the photograph that was used on the official Christmas card of the Royal Family.


Such was the case with this 1938 Christmas card which was signed, “Bertie, Elizabeth, Lilibet and Margaret." The card is dated 1939.

The photograph, taken two years into the reign of George VI, was commissioned by Queen Elizabeth. Looking at this with modern eyes is interesting. “Bertie” is King George VI whose name was actually Albert Frederick Arthur George. “Elizabeth”’ is his wife, the woman most of us have known as “The Queen Mother.” Margaret is, obviously, Princess Margaret. And, “Lilibet” is Princess Elizabeth who is now Queen Elizabeth II.

To see such a personal greeting from the Royal Family is most unusual, and, then to see them looking so happy is quite a treat. Of course, now, the most interesting thing about this card is the image of a teenaged Queen Elizabeth II—looking hearty and carefree. It reminds us that all families are basically the same at heart.






Father Christmas Through The Ages: A Christmas Card from 1890



The Victoria & Albert Museum
This Christmas card with deckled edges (rough or feathered), features a recessed and partly cut-out front which depicts Father Christmas cycling through the snow with his famous sack of presents on his back. "A MERRY CHRISTMAS" is printed on the front with a doll, ball and two Christmas crackers (The U.K. holiday tradition of paper tubes filled with gifts and a motto. The tubes are sealed with cardboard coated with gunpowder. When pulled from each end to open, they make a popping or cracking sound which Bertie dislikes.) to one side.

The wording inside reads: 

"Here's good old father Christmas 
On his bicycle astride 
May he bring you lots of presents 
And a merry Christmas-tide" 


The artwork was created by Ernest Nister in London and the card was printed in Bavaria. It is signed "To Amy from Sissy"


Tuesday, December 3, 2013

Mastery of Design: A Bohemian Garnet Hair Ornament, c. 1830

Garnet Hair Ornament
The British Museum












































Imagine an elegant ballroom, flickering in the light of candles held in chandeliers and girandoles dripping in crystals.  A lady nods a greeting to you.  Nestled in the cascades of curls which form her upswept coiffure is this ornament, a fiery shower of crimson sparks from a foliate spray.


This gold hair ornament is set with briolette-cut garnet drops and pearls hung from eight gold volutes set behind a rose gold ribbon which is also mounted with garnets.  It was made in Bohemia (or possibly Austria) circa 1830 and was collected by Professor John and Anne Hull Grundy who donated their important collection of jewels to the British Museum in 1978.





So...do you like garnets?  Do you like mysteries?  Drama?  Reading?  Me?  Do you like me?

Have you read my first novel, The Garnet Red?  I wrote it many years ago.  It even ties into the Mr. Punch stories.

Christmas is coming up.  Do you know what makes a great gift?  Books.  Books make great gifts.  Or, if you're one of those e-reader types, you can do that.  You can download it at the iTunes store by going here.  If you've got a Nook, you can buy an e-Book here through Barnes and Noble.  Or you can buy an actual book book on Amazon.

As you know, I don't hawk a lot of things here.  I keep the self-promotion to the bare minimum.  But...go on...buy a book, so I can keep doing this, and keep feeding the dog and the puppets and the cats...  



Treat of the Week: Thanksgiving Edition by Mr. Punch








Today, I’m going to hand the keyboard over to Mr. Punch so that he can share his thoughts on his third American Thanksgiving. 





Coo!  As I said last year, if I wasn’t made of wood, I’d say I gained quite a lot of weight over this holiday, I would. Well, actually, don’t think about the fact that I’m made out of wood as that would rather expose the weakness o'the whole premise o' me givin' an account o' my 'xperiences o'er the holiday.  So, put that outta your head, and, let's carry on.

The day before Thanksgiving, the human one took me and the Bertie Dog to his parents’ house.  Took quite a while to get there.  The human what's called Joseph was cussin' in the car, he was.  But, we did get there, we did, and all were relieved.  

Once we did, there was a whole lot of choppin’ up o’ things like onions and celery and fresh cornbread. I remembered that this had somethin’ to do with the holiday, so it didn’t bother me none. ‘Sides, I like to see folk usin’ knives. 

There'd been lots o' bakin’, too, there was. All manner of lovely biscuits--two different shapes (round and square), and what you call cookies 'round these parts, and pies and such. The house smelled right good, it did.


The next mornin’, we ate some of that lovely cornbread—seems Joseph’s mum made two of ‘em, one for the dressin’ and one what we could eat on its own. We had sausages! Hooray! I loves sausages! And scrambled hen eggs which is always a treat, it is. 

I saw the table—lookin’ all sparkly with crystal glasses and pretty silver. Joseph’s mum and pa put ornaments for the Christmas tree out at each person's place setting. Each person got one—even Bertie Dog! The human folk each got one which fitted their personalities.  Ha!  I think that's nice.  Bertie got one shaped like a squirrel made out of glass.  Bertie likes to watch the squirrels.  They're natural enemies, they are.


Then, out comes this large turkey bird. It were sittin’ in a pan and Joseph’s mum and dad put cheesecloth on it and a marinade o’ wine and such things. They even shoved some nice root vegetables into its belly. Into the oven went the bird. I laughed as it struck me funny. Dunno why.   Seemed like a fairy tale where the witch goes into the oven.




But, it weren’t just the bird what we was eatin’. No—there was lovely mashed potatoes with buttermilk, garlic and rosemary, green beans with maple-candied pecans, them nicely baked biscuits, berry and orange compote. Me favorite part was that fine, fine dressin’—made with cornbread, white bread, all sorts of savory things and herbs and fine, fine sausage. Baked up, it was, in a big casserole and, coo!, it were lovely. 











Them folk started that big, glorious meal with bowls of beautiful soup. Seems the soup were made of butternut squash and cream and pears! I think that’s just the nicest thing. Smelled as good as it looked—all topped with a mixture of sour cream and heavy cream and a sprinkle of them pecans candied with maple syrup. Even the Bertie Dog had some and he liked it an awful lot, he did.  Didn't have any of the nuts those, Bertie didn't.





What else were there? You ask. Well, there were pies. Pumpkin pie with a tender crust and these wee leaves made of crust to adorn it. And, there was a chess pie (or Derby pie, as some call it) with pecans, lovely chocolate chips and bourbon. That was for me human as he don’t care for pumpkin pie.  Weird little fella--likes squash, he does, but don't care for pumpkin.  Peculiar bloke, but he's good to me.






Then, she had made fine sugar cookies, Joseph's mum did, that were shaped like turkeys and pumpkins and all! The mum decorated 'em with icing and they were so very pretty and so very delicious!



I think it were a grand day. I like it here in America. You lot know how to eat. And, I knew that, in addition to eatin’, I should be thankful. And, I am. Everyone from person to puppet to puppy had a fine time, they did.


Gifts of Grandeur: The Prince Albert Bracelet, 1844





Portrait Bracelet
Commissioned by Prince Albert, 1844
William Essex
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



William Essex (1784-1869), a well-known jeweler and miniaturist favored by the Court of Queen Victoria was commissioned in 1844 by Prince Albert to create a portrait bracelet for (one of) his Royal wife’s Christmas present that year.

The bracelet of gold and enamel consists of five gold knots and four enamel panels of York and Lancaster roses, each one surrounded by a Garter. The piece terminates in a watercolor on ivory portrait miniature of Prince Albert.

Albert (1819-1861) quite enjoyed designing jewelry for Queen Victoria—a fact which I much exploit in 
Mr. Punch of Belgrave Square and A Recipe for Punch. However, he really did have a good head for such design work and also had a knack for incorporating sentiment into the pieces which he commissioned.

Prince Albert asked Essex to copy in miniature his countenance from Thorburn’s portrait of the prince in armor. That painting has been presented to the Queen as a birthday gift from Prince Albert that same year. She wrote in her journal on May 24, 1844 of Thorburn’s portrait:


“My beloved Albert is painted in armour, which I so much wished … I cannot say how beautiful it is, nor how exactly [it] portrays the dear original.”

The Prince Consort also cleverly incorporated into the bracelet the design of the collar of the Garter which had been made especially for Queen Victoria. Her Majesty was quite pleased with the bracelet and wrote in her journal on Christmas Eve that year:
“[Albert] took me to his room, where he gave me a most lovely bracelet, with his dear picture, also after Thorburn beautifully enamelled, set with a replica in small of the Collar of the Order of the Garter, in enamel work. It is his own exquisite taste & one of the loveliest things I ever saw. How I shall value it, & what extreme pleasure it gives. I put it on at once, & it was much admired.” 

By all accounts, the Queen really did favor the bracelet and wore it frequently. She is pictured wearing the piece in a watercolor by Carl Haag, “Evening at Balmoral Castle.”



"Evening at Balmoral Castle"
Carl Haag
Watercolor, 1854
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



The Home Beautiful: Christmas Trees of the Duchess of Kent and the Royal Children at Windsor Castle, 1850




Queen Victoria's Christmas Tree
William Corden, the Younger
after James Roberts, 1851
The Royal Collection
Queen Victoria loved Christmas! She loved it. I think she loved it largely because she really liked to get presents. I mean, she really, really liked to get presents. And, Prince Albert liked to give her presents. So, the Queen had her own little tree on a table upon which she could show off the many opulent gifts she received, and she would admire them and make visitors do the same.  

The image to the left shows one such display of gifts at Windsor Castle in 1851.

So, as you can see, Her Majesty really enjoyed Christmas.  And, why not?  Look at what she was given.  Still...

At a point, she also had nine children. I would assume that most of them enjoyed getting presents, too. But, they, naturally, didn’t get to put their gifts on the Queen’s gift table. They had their own. And their own tree.

Oh, yes, and the Duchess of Kent—Queen Victoria’s mum. Victoria didn’t like her mum too much most of the time. They had, after all, some rather strange history stemming back to the Kensington Palace days. But, Christmas meant that the Duchess of Kent would be hanging around Windsor Castle, and, since she was the mother of the Queen, she did deserve some cheer as well. So, she got to share the royal kiddies’ spot. She did, however, get her own tree. 


How nice. 

And, here’s a drawing of that phenomenon. Created by James Roberts (1800-1867), this beautiful watercolor shows a topographical view of a gorgeous, but unnamed, room in Windsor Castle. Painted in 1850, this image gives us a glimpse at the Christmas trees—dangerously aglow with candles--of the Duchess of Kent and the Royal children and a look at the gifts that they received that year.

Throughout the year, Victoria and Albert commissioned these watercolor drawings of the Royal residences to serve as records of their decor.  Their Majesties always made a point to have paintings created of their Christmas displays.  The Royal Collection contains several such scenes.



The Christmas Trees of the Duchess of Kent and the Royal Children
James Roberts, 1850
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II

A Recipe for Punch, Chapter 21




Chapter 21:
Gut


"There's a queer smell in here,"  Charles wrinkled his nose and shook his head as he and Violet cautiously made their way into Jackson's pantry.

They'd made sure that only Georgie was in the servants' hall.  The native staff of Fallbridge Hall had all gone off to see to their other duties while Jackson, Gregory and William attended table at upstairs dinner.  With Georgie standing guard and Mrs. Pepper and Maudie keeping an eye on the stairs so they might distract anyone coming down, Charles felt comfortable taking Violet into the peculiar butler's domain.

"There is."  Violet frowned.  "Like perfume and rot."  She clucked her tongue.  "Not two smells what you think of when ya put your mind to a butler's pantry.  Our Mr. Speaight would 'ave a fit if even the bogs at home smelled like this.  Wish we were home now."

"I rather do as well."  Charles nodded.  "I suspect we won't be home before long.  God knows His Grace doesn't wish to linger here, and, I have a feeling Lady Fallbridge has quickly realized that this is not the delightful ancestral home of which she'd dreamed."

Violet raised her eyebrow.  "I don't think Her Ladyship quite knew what to expect."

"I wasn't saying anything disrespectful about Lady Fallbridge, Vi."  Charles smiled.

"Oh, I know you weren't, Charlie."  Violet nodded.  "I just feel sad for her, is all.  Poor, little thing.  I could tell she was frightened by that Ivy woman, and, this place does make her feel ill at ease. Rotten luck that she and the master got such a wicked mum.  Both o' 'em bein' such lambs as they are."

"At least Lady Fallbridge never had to know the Duchess."  Charles nodded.

"Can't argue that."  Violet sighed.  "From what all I heard--from you and Gamilla and Gerry. His Grace don't like to speak of it.  Lord Colinshire's made a comment to me now and again 'bout the Duchess bein' a cow when she were livin', but he stops 'imself when His Grace or M'Lady is 'bout."

"With good reason."  Charles replied.

"Yet, all these blokes here, they act like the woman was some kind of saint.  It don't figure.  Is it because she was so beautiful?  I'll give 'er that.  She was pretty."

"Not when I saw her."  Charles half-chortled.  "Still, I can see that she was a handsome woman.  Her daughter looked much like her."

"Miss Lennie don't look a thing like those portraits..."  Violet began.  She paused.  "Oh, you mean the other one.  The one you had..."

"Barbara."  Charles nodded.

"Did you love her?"  Violet asked.

"I thought I did."  Charles answered honestly.  "I was very fiercely devoted to her.  I'd have done anything she'd asked of me.  In fact, I did.  However, it wasn't love, Vi.  She'd cast some sort of spell over me.  I can't describe it.  She was very much like her mother, I think.  Devious.  Wicked."

"She's still livin'."  Violet said softly.  "Ain't she?"

"As far as any of us are concerned, Vi, she's dead.  Lady Barbara is dead."  Charles replied.

"But, she ain't, though."  Violet shook her head.

"Lady Barbara died the moment she left this house with her child in a canvas sack."  Charles said firmly.

"She done that?"  Violet's eyes widened.

"She did."

"You mean...Colin.  Colin?  Little Colin?  She done that to that sweet angel?  I knew she was the lad's real mum, and his pa was any number o' men, but..."

"Now, you see, Vi."  Charles nodded.  "As far as we're all concerned, Lady Barbara is dead.  As far as anyone must ever know, Colin was adopted by His Grace from a wealthy American family lost to the Yellow Fever.  The woman is not worth remembering, and, frankly, neither is her mother.  That's why the devotion to the late Duchess of Fallbridge is so confounding."

"You said when  you and Gerry was told somethin' by William earlier what gave ya pause.  'Bout how Jackson and that Land Agent and the Parson all went off for awhile after the Duchess were killed.  You seem to think it strange--strange 'nough for us to be snoopin' 'round in here.  But, why?  Maybe they 'ad estate business to tend.  Place like this--all sorts of business needs doin'."

"Business involving a butler, a Land Agent and a vicar?"  Charles shook his head.  "We know that the Duchess enjoyed the...company of her male servants.  Not just Johnny Donnan in Scotland at Grange Molliner."

"M'Lady's pa."  Violet nodded.

"I know for a fact that the Duchess had her way with one o' His Grace's past footmen--Arthur."  Charles continued.

"The wicked one what was caught up with Lady Barbara."  Violet nodded.  

"And who knows how many others?"  Charles sighed.  "You see how keenly devoted Jackson is.  What's to say that he wasn't one o' her many paramours?"

"And, if he was?"  Violet shrugged.

Charles shook his head.  "I don't know."  He looked around.  "All I know is that I've got that same uneasy feeling in my gut--that same feeling I had when Ulrika Rittenhouse showed up in London.  I just want to see if there's anything in here that could be of danger to the masters, Lady Fallbridge or little Colin."

"Charlie!"  Violet hissed, grabbing his arm.  "Shhh..."

"What?"

"Georgie's talkin' to someone."

Charles paused.  He could hear George's loud voice on the other side of the door.  The lad sounded frantic.

"But, Mr. Jackson..."  George was saying...



Did you miss Chapters 1-20 of A Recipe for Punch?  If so, you can read them here.  Come back tomorrow for Chapter 22.