Sunday, March 20, 2011

Masterpiece of the Week: King George IV’s Bejeweled Tankard, 1823

Tankard
Silver gilt, cameos, gemstones
Rundell, Bridge and Rundell, 1823
The Royal Collection
This silver-gilt tankard with a pinecone finial is a kaleidoscope of Silver-gilt, agate, onyx, sardonyx, jasper, amethyst, Siberian amethyst, chrysoprase, emeralds, ruby, Russian aquamarine, Russian green beryl, sapphires from Sri Lanka, pink sapphire, and turquoises. The tankard features exceptional rocaille work. Rocaille—one of the hallmarks of Rococo styling—relies heavily on patterns of shells, stones and other natural motifs. The Royal Jewelers at Rundell, Bridge and Rundell crafted this tankard in 1823 with an abundance of antique cameos of mythological subject matter, intaglio, and colorful gemstones. Most of the cameos date to the Sixteenth Century


Cameo-studded tankards were quite the fashion of the time. King George III had acquired one of his own. So, it was only fitting that King George IV should have one, too. It’s unclear whether Rundell, Bride and Rundell created this tankard especially for King George IV, but it certainly tickled his fancy and he quickly added it to the Royal Collection.

Sunday Viewing: Ladies In Retirement, 1941

The comedy Arsenic and Old Lace was a Broadway sensation about the peculiar goings-on in a seemingly dignified house. The play launched a popular film starring Cary Grant. It also inspired playwrights Reginald Denham and Edward Percy to create their own tale of eccentric older women. In 1940, the stage version of Ladies in Retirement was launched. The production which takes an almost-humorous look at mental illness was quite a success and led to a 1941 film version directed by Charles Vidor (director of 1944’s Gilda) and starring Ida Lupino, Elsa Lanchester, Evelyn Keyes and Louis Hayward.

Set in an English country house, the story concerns the home’s dowager owner, Leonora Fiske (Isobel Elsom) and her housekeeper Ellen Creed (Lupino). Their life is quiet and reserved. But, that’s soon to change when Ellen learns that her two eccentric sisters are being booted from their London home by their landlord who finds their strange behavior increasingly alarming. Ellen begs Miss Fiske to allow her sisters to “visit,” and the woman reluctantly agrees. Soon, Miss Fiske finds the behavior of her guests—Emily (Lanchester) and Louisa (Edith Barrett)--to be unbearable. Emily is aggressive and rebellious while Louisa acts like a child (a really bad, deranged child). They fill the house with dead birds and brush and behave in other unseemly ways. Miss Fiske wants them out! But, Ellen knows that if she evicts her sisters they’re sure to end up in the madhouse. Ellen quickly realizes that she must protect her family at any cost. The result is a rather startling plan which could mean the undoing of all three sisters.

This film, by today’s standards, is rather tame. However, it is still an interesting thriller in its own quiet way. Lachester and Lupino give excellent performances. Ida Lupino was in her early twenties at the time. Though the character of Ellen was meant to be in her sixties, Vidor wanted to take a chance and cast the versatile Lupino in the role. With make-up and harsh-lighting, Lupino looks almost inhuman and ageless as if she’s a creature that exists purely on the basis of her own energy.

Not often remembered, the film has a steady following and always has. It is notable as having elements of Psycho—twenty years before Hitchcock’s immortal thrilled. Perhaps Mr. Hitchcock was as inspired by Ladies in Retirement as its writers had been by another work of art.








Sunday Morning Special: Elsa Lanchester and Charles Laughton Singing, 1950

When we think of the married couple Elsa Lanchester and Charles Laughton, we tend to think of serious pursuits such as Shakespeare and fine classic films.  However, the two had a great sense of fun about them as evidenced by this circa 1950 radio broadcast which features them singing, “Baby it’s Cold Outside.”




Reminder: "Punch's Cousin" Will Return on Monday

Last week, we saw some surprising events take place in Punch’s Cousin. To begin with, Charles revealed that his brother, Giovanni Iantosca wasn’t simply an unpleasant sculptor, but rather the head of a vicious gang of criminals who would hire themselves out for murder. Charles explained that Giovanni often colluded with wealthy individuals to permanently get rid of problems. One such customer was Julian’s late mother, The Duchess of Fallbridge. As Julian and Robert talked to Charles, they were interrupted by the news that Barbara Allen was downstairs and that she had abducted her child from Edward Cage. The announcement shocked Julian so much that he retreated into himself, allowing Mr. Punch to resurface.

Barbara Allen—she’s just one series of bad decisions after another. Her renewed maternal instincts fall into the category of “too little, too late.” After seeing her son for the first time since she allowed Iolanthe Evangeline to sell him to Edward and Corliss Cage, Barbara was overcome and snatched the baby from the kitchen of the Cages’ Royal Street mansion. After encountering Marjani and Adrienne, Barbara begged them for help. Of course, big-hearted Adrienne agreed despite Marjani’s fears. Adrienne worried how Cecil would react to her involvement. Cecil, though quite dismayed at first, was surprisingly supportive and, with Robert’s help, concocted a plan to get Barbara back to England with the child she had renamed “Colin” after her late father. Charles, whose feelings for Barbara seem to be increasing, volunteered to accompany Barbara and Colin on their voyage.

Meanwhile, Mr. Punch bonded with his nephew. Sitting in the nursery with Fuller, Colin, Columbia (and his dog and puppet), Punch vowed to protect his nephew and to ensure that he would receive his rightful inheritance.

When the others came to the nursery to tell Mr. Punch of their plan, he quickly refused stating that the child was his and that there was no way that they were traveling to England without him. At that very moment, Edward Cage and Ulrika were beating on the door after Edward realized where his stolen son had gone. Will Mr. Punch’s touching attachment to the baby actually mean that the child is returned to the Cages? Will this complication put a rift between Punch and his companions? What does this mean for Barbara? And, furthermore, how will Iolanthe react when she learns of Barbara’s crime from Ulrika? We’re going to see a lot of explosive action in the coming week of Punch’s Cousin.

Monday marks the two hundredth chapter of Punch’s Cousin. On Monday, I’ll also provide a thorough recap of the first two hundred chapters. My heartfelt thanks to all of you who have been reading Punch’s Cousin since the beginning. We’ve got some exciting surprises in store!


Goal for the Day: Let Curiosity Lead You

We all have something to learn. Each day we’re surrounded by ideas, things and people who make us think and wonder. So often, we’re too busy to take the time to learn more. However, we can’t miss an opportunity to discover something new.


Today, make some time to explore new things. Learn something about another culture. Brush up on your history. Explore a new hobby. See where your curiosity can take you. It’s always an exciting journey.

Object of the Day: A Portrait of General Ignacio Zaragosa

I bought this 1860’s-era print several years ago. At the time, I didn’t know who the subject was, but there was something familiar about him. The two seals at the upper corners indicated that this was a figure from Mexican history. As it turns out, this is a portrait of General Ignacio Zaragosa.


Ignacio Zaragosa was one of the most celebrated Generals of the Mexican army of the mid-Nineteenth Century. Knowing nothing about Mexican history, I discovered that Zaragosa is best known for leading the defeat of French forces at the Battle of Puebla on May 5, 1862 (Cinco de Mayo). He died shortly afterward at the age of thirty-three of Typhoid fever. He is pictured on the Mexican $500 bank note.


A photograph of Zaragosa, 1862

Coming this Week at "Stalking the Belle Époque"

This week we’ll continue our journey into the world’s beauty with visits to The Lady Lever Gallery in Port Sunlight, Merseyside, England, as we look at some exceptional works of art by the Pre-Raphaelite Brotherhood. The Lady Lever Gallery was established in 1922 by Sunlight Soap magnate, William Lever, 1st Viscount Leverhulme who dedicated the gallery to the memory of his beloved, late wife. The gallery houses an amazing collection of Eighteenth and Nineteenth Century English masterpieces in addition to one of the most impressive collections of Wedgwood in the world.


Our exploration of The Royal Collection will take us to England’s stately homes as we examine the paintings, sculpture and jewels that defined centuries of style. From England’s castles, we’ll voyage to the U.S. to take a tour of one of America’s castles in Rhode Island.

We’ll cast a spotlight on the talent and good works of two remarkable celebrities and we’ll also remind ourselves of the elegance of Golden Age Hollywood with a review of a classic film. As always, Punch’s Cousin, will continue with Chapter 200 and we’ll remind ourselves what’s been happening with the Duke of Fallbridge and his companions since Punch’s Cousin started.

There’s quite a bit of fun in store for you this week at Stalking the Belle Époque. As Spring blooms around us, let’s let our imaginations grow.