Showing posts with label Rowlandson. Show all posts
Showing posts with label Rowlandson. Show all posts

Friday, January 17, 2014

Print of the Day: Picturesque Etchings and Other Rural Studies, 1792




Picturesque Etchings and Other Rural Studies
Thomas Rowlandson, 1792
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II






Every so often, as I've said before, the Royal Collection exhibits something that's not been seen in a very long time, and, in some cases, centuries.  I was excited to see this etching by Thomas Rowlandson (1757-1827), a favorite Georgian-era artist of mine, especially since it also touches on one of my favorite subjects.

The hand-colored etching was published in 1792 and depicts a series of seven vignettes of the sorts of people and places which were common to every day life in London at the time.  We see ladies being assisted from their carriage by a Navy Man, a rather stout vicar on horseback, a Punch and Judy show (hooray!), rowers, an assembly of horses, fishermen and a group of soldiers and civilians drinking.

It's hard to say when the print came into the Royal Collection, but it's only recently popped up in the archives.



Detail
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II

Object of the Day, Museum Edition: Masquerading, 1811



Masquerading
English, 1811
After Rowlandson
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II






Today, I happened upon an item in the Royal Collection which was new to me, and, since it is "Punch" Friday, I thought I would start with this colorful chromolithograph.


Printed after Thomas Rowlandson (1757-1827), the print, published on August 30, 1811, depicts a fancy dress ball. Amongst the revelers, we see a lady magician complete with wand and spell-book, a lass dressed as a lad, and another as Janus, half male and half female. But, center stage, we see Punchinello, and, that always makes for a good party.


And, now, for the amusement of myself and other Phantom-folks...


Why so silent, good messieurs?
Did you think that I had left you for good?
Have you missed me, good messieurs?
I have written you an opera!
Here I bring the finished score -
"Don Juan Triumphant!"
I advise you
to comply -
my instructions
should be clear -
Remember
there are worse things
than a shattered chandelier . . .

Your chains are still mine -
you will sing for me!







Friday, June 28, 2013

Object of the Day, Museum Edition: Masquerading, 1811

Masquerading
English, 1811
After Rowlandson
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



Good morning, all.  I'm getting a slow start on this Friday morning, but, Bertie and I have been focussing on the boring business first, so we could spend some quality time with all of you now.

Today, I happened upon an item in the Royal Collection which was new to me, and, since it is "Punch" Friday, I thought I would cut through the heat and humidity with this very cool chromolithograph.

Printed after Thomas Rowlandson (1757-1827), the print, published on August 30, 1811, depicts a fancy dress ball.  Amongst the revelers, we see a lady magician complete with wand and spell-book, a lass dressed as a lad, and another as Janus, half male and half female.  But, center stage, we see Punchinello, and, that always makes for a good party.

And, now, for the amusement of myself and other Phantom-folks...