Friday, April 20, 2012

Print of the Day: Sheet Music Cover for 'Le Petit Carnaval,' 19th C.


Sheet Music Cover
Mid Nineteenth Century
English
The George Speaight Archive
The Victoria & Albert Museum




Our Mr. Punch inspired many a composer, it seems, and, similarly, he has appeared on a host of sheet music covers.  Here’s one such cover for “Le Petit Carnaval” a “quadrille facile,” depicting Mr. Punch among a group of people at a carnival in a tent.

I imagine that Punch would rather enjoy a carnival, and, this is a rather posh carnival in a heavily draped tent, festooned with garlands of flowers and hung with a brilliant chandelier.  The attendees, aside from the clowns, and, of course, Mr. Punch, are attired in court dress.  Punch is greeting an elegant young lady.

This print was created in the mid Nineteenth Century with artwork by John Brandard (1812-1863).

Object of the Day: A Trade Card for J.J. Early & Co. Clothiers




This little Victorian card has quickly become one of my favorites from my collection.  The card is an advertisement for:

J.J. Early & Co
MEN’S & BOYS’ CLOTHIERS
456 & 461 Broadway
Cor. Grand St., N.Y.

But, it’s the image which thrills me.  Depicted is a little boy seated in a tree.  He is dressed as Mr. Punch complete with portly belly and hunchback.  The boy, in his left hand holds two feathers and a champagne bottle and, from his right, he lifts a champagne flute from which a dove is taking a sip.  Yay!
The reverse reads:

NOBBY

Overcoats and Suits for young men; Suitable Overcoats and Suits for older men; all kinds of Overcoats and Suits for boys and children.  Reliable Goods, Latest Styles and Lowest Prices in New York.
-------
J.J. Early & C0.,
459 & 461 Broadway
S.W. Corner of Grand Street,
NEW YORK

I’m not quite sure about the “Nobby.”  Nobby had a variety of meanings.  It’s an affectionate name for Norbert or, oddly enough, for Clark.  The nickname for Clark comes from London where “clerks” (pronounced “clarks,” just as Derby is pronounced “Darby”) wore the bolwer hats known as “nobby” hats.  Nob, in Victorian England, among other things, referred to a “posh” man. I’m guessing this could simply be “Nobby” as in Posh, but it’s American.  So, I just don’t know what this is all about.  




Thursday, April 19, 2012

Gratuitous Bertie Dog Picture: A Seated Bertie Filling His Belly


"Birds, pigs...time for the 'Turf  'n Turf' Special.  Keep your distance other dog…"



*Click picture above for enlarged image*




Image:  A Cottage Exterior: A Seated Labourer Filling His Pipe, William Redmore Bigg (RA) (1755-1828), 1793, The Victoria & Albert Museum.

















Bertie Dog wants you to share in the joy I experience every day with him.  Since he can't visit each of your houses, why not add some Bertie to your day with one of our exclusive designs available only at our online store?

Mastery of Design: The Dame Joan Evans Hair Brooch, 1754


Memorial Brooch, 1754
From the Collection of Dame Joan Evans
The Victoria & Albert Museum



We’ve looked at many jewels which incorporated hair into the design.  Though considered somewhat icky when viewed through modern eyes, this was a very normal, sentimental practice which rose to a new prominence in the Eighteenth Century (but one which had been carried out for many centuries before) and served as a way of keeping a piece of a loved one (either alive or deceased) close at hand at a time before photography.

The fact that such pieces survive to this day prove how special and important they were.
Here we see a brooch from the collection of Dame Joan Evans.  The brooch is composed of a silver openwork bow, set with rose and brilliant-cut diamonds and pink sapphires over foil, and am enameled gold ribbon which is also set with gems and inscribed ELIZ EYTON OBIT FEB 1754 AET 81, surrounding a hair locket.  The face of the locket is set with rock crystal.  Made in 1754, this piece serves as a memorial and would have been worn as a reminder of the deceased. 






Figure of the Day: The Tithe Pig, 1765


The Tithe Pig
Derby Porcelain
1765
The Victoria & Albert Museum




This figural group by Derby, England’s William Duesbury & Co is entitled “The Tithe Pig.”  A work of soft-paste porcelain, it is painted with enamels, and depicts a farmer's wife offering her baby to a clergyman in payment of tithe (in this instance, a religious contribution of money, but a compulsory one), instead of a pig which is held by her husband.

I suppose in 1765, when this was made, babies were easier to come by than pigs.



Print of the Day: Souvenirs & Regrets, 1870


Napoleon III depicted as a pig.
"Souvenirs and Regrets," 1870
The Victoria & Albert Museum




This satirical print depicts France’s Napoleon III, wearing a dunce's cap, with his lower body drawn as that of a pig, limping along on crutches and dragging an eagle behind him, en route for Cassel.

In the right background is a sign-post marked “Route de Cassel.”  This refers to Kassel, Germany (near Hesse) where Napoleon III, in 1870, was sent as a prisoner in the Castle of Wilhemshohe after the Battle of Sedan.  He was released after the preliminaries of peace were signed by France and Prussia.  Kassel was also the home of the Brothers Grimm.

This print is from a set of caricatures, broadsheets and illustrations in ten volumes.  It was made in Paris, France between 1870 and 1871 by Napoléon Charles Louis , De Frondat (born 1846) as the caricaturist a man called only Barousse as lithographer.

The illustration is accompanied by the following inscription:

SOUVENIRS & REGRETS Ah!  Mon chapeau plein de lard et mon
aigle de Boulogne ou êtes vous !

This loosely translates to… “Ah!  My hat full of bacon and my eagle of Boulogne, where are you!”

Mr. Punch of Belgrave Square, Chapter 15


Chapter 15:
For the Best

“Bloody rotten teeth,” Mr. Punch grumbled as he counted out the contents of the little velvet pouch which Prince Albert had thrown at him.  

He looked up at Robert who sat nearby.  “Does he really think the Queen’s gonna want to wear a brooch all hung full of teeth?”

Robert smiled, looking up from his copy of “The Illustrated London News.”  “Didn’t you once make a bracelet for Her Majesty which included the milk teeth of Princess Victoria and Prince Bertie?”

“No,”  Punch shook his head.  He paused for a moment, “Or did I?”  he scratched his head, frowning.  “Coulda done.  To be sure, chum, I don’t remember all what Julian did—not with the business.  When he were doin’ jeweler things, I tended to stop payin’ attention.  ‘Spose I could look through his records.”  He grunted.  “Wait a tick. No, I know we didn’t do that.  I’d remember that.  Musta been Garrard’s.  No wonder Her Majesty granted them the task of cuttin’ the Koh-i-Noor last  year.  They earned it with all them little infant teeth.”

“Ah,”  Robert nodded, folding his paper and walking across the luxurious library of No. 65 Belgrave Square to put his hands gently on Punch’s shoulders.  “I’m impressed that you remember that.  I didn’t even know that about the Koh-i-noor.”

“Funny what I remember and what I don’t, ain’t it?  Long ago I gave me-self the task of bein’ the keeper o’ information.”  He sniffed.  “Sure, I’m certain I didn’t have nothin’ to do with that baby tooth bracelet.  It were a bracelet.  I know it.  It were Garard’s.”

“I imagine one would recall handling a sack of little royal teeth.”  Robert joked, rubbing Punch’s shoulders.

“At least those teeth woulda been small, they would.  These are big.  Big and ugly.”

“Animal teeth aren’t the most attractive.”  Robert nodded, reaching down to pick up one of them.  He studied it and chuckled, replacing it on the velvet cloth which Punch had placed over the japanned table at which he sat.  “How many are there.”

“Thirty-two.”  Punch snorted.  “How many stags did the bloke have to kill to get all these teeth?”

“I’m not sure how many teeth a stag has.”  Robert shrugged.  “I didn’t study stag anatomy.  Only people.”

“All I know is that there’s far too many for a brooch, less we want it to be drippin’ with the things.  And, I don’t think she’ll want to wear that.  Maybe I’ll make a necklace, too.  Poor woman, Queen or not, she’s with child.  Ain’t no woman with a baby in her belly gonna want to wear a necklace o’ teeth nor even a pin.”

“She’ll have borne the child by the anniversary of her own birth.”  Robert patted Punch’s shoulder.

“Is that so?”

“I just read about it, in fact,” Robert nodded, pulling out the chair next to Punch’s and taking a seat at the table.  “She should give birth in early April.”

“Lot of children, them two.”  Punch nodded.  He wrinkled his nose.  “Here, you think Colin’ll want a brother or sister?”

Robert smiled.  “Regardless of whether or not he does, I highly doubt we’ll be having more children.”

“Oh…right.”  Punch sighed.  “We can’t do that.”

“No.”  Robert laughed. 

“For the best, then.”  Mr. Punch replied.  “That way, Colin’ll always get all our love and ‘tention.”

“Yes,” Robert nodded.

Robert watched as Mr. Punch squinted at the velvet cloth covered in teeth.  Very carefully and methodically, Punch arranged five of the teeth into a cluster in one corner, and, then, with just his index finger, dragged each of the twenty-seven remaining bits into an arc in the center.”

“I think…”  Punch muttered.  “The necklace could be done in the Etruscan style…with little drops in rose gold in between.  Maybe garnets, too.  Wee garnets.  Or demantoid--them's green garnets.  Her Majesty likes them, she does.”  He looked up and nodded, smiling.  “What you think?”

“Sounds attractive.”

"Red or green?"  Mr. Punch asked.

"Red."  Robert smiled.  "Punch red."

“Coo!"  Mr. Punch chirped gaily.  "And, then, at the clasp, we could hang a wee gold oak leaf to match the pin.”  Mr. Punch grinned.

“You’re quite clever at this.”

Mr. Punch shrugged.  “Never thought so. It’s Julian what’s clever.  I just…you know…like I did today.  I’m parroting him.”

“But, Julian didn’t just have that idea.  Did he?  You came up with that design on your own.”

“I did, I ‘spose.  Only because that’s what he’d do.”

“So, you’re not just parroting.  You’re thinking independently.”

“If you say so,”  Mr. Punch laughed.

Robert paused for a moment to weigh his words—all the while he could hear his brother’s voice in his head.  “Robert, you must write your book.  Write of Mr. Punch.  Tell his story so that others like him can be helped.  You can’t truly imagine he’s the only one like him.”

Punch looked up.  “There you go, ‘gain, Chum.  What you thinkin’ ‘bout so hard?”

“I was just wondering about something.”

“What?”

“Do you ever…”  He sighed.  “Do you ever wonder how it works?”

“It?”  Mr. Punch widened his eyes.  “What…it?”

“You.  You and Julian?”

“And the others.”  Punch raised an eyebrow.

“Well, they’ve been very quiet since we returned, but, yes, them, too.  You all live together in that body.  You’ve told me that you can hear them speaking.”

“Sometimes.  Not all the time.  Mostly Julian.”

“And, you recall things that Julian saw and did.”  Robert continued.  “That’s how, in your own words, you’re able to do what you’re doing now and how you were able to so brilliantly navigate our interview with His Majesty this morning.  And how you've been able to converse in French with Adrienne...”

Mr. Punch nodded.

“So, how does it all function?  You’re in control of them all.”

Mr. Punch frowned.  “I don’t know and I don’t much like thinkin’ ‘bout it, Chum.  Ain’t a concern how it works long as it does.”  His bottom lip began to quiver.  "Ain't..."  He gulped.  "Ain't nothin' long as it works..."

With a snort, Mr. Punch rose from his chair and walked away from the table, retreating behind the papier mache screen in the corner of the room.

Robert rose, too.  His eyes feeling hot.  He wanted to cry.

“Dear, dear Punch,”  Robert called out, following his companion.  He found Punch seated—his back against the wall—behind the screen, his knees drawn up to his chest and his face resting on his knees.  He was crying softly.

“Oh, my dear.”  Robert knelt down next to Punch.  “Forgive me.  I didn’t mean to upset you.  I truly didn’t.  I’d never wish to do anything to upset you.  Please, forgive me.”

Mr. Punch looked up, tears running down his face.  He wiped his eyes on his sleeve.  “I know.  Only I don’t like thinkin’ ‘bout it.”

“I’m sorry that I asked.  It’s just that I’m…well, I’m curious.  Remember, I’m a doctor.  I’m a scientist.  So, naturally, my mind becomes curious…”

“I un’erstand.”  Punch nodded.  “Only…”

Robert smiled.

“Only I don’t got no answers.  I’m doin’ the best what I can.”

“You’re doing brilliantly—splendidly.  I was so impressed today.  You were exquisite.  You always are.”

Mr. Punch shook his head and frowned. “I ain’t though.  I’m an imitation.  I ain’t really Julian.  I’m a fake.”

“No.”  Robert said firmly.  “You are no such thing.  You’re your own man—clever and talented in your own right.  You’re loving and kind and good.”

“But, I ain’t Julian.”  Mr. Punch answered, wiping his eyes again.

“No.”  Robert replied.

“Do you wish I was?”

“No.”  Robert took Mr. Punch’s hand.

“It were him what you loved first.  Not me.  You gotta miss him.”

“I do miss him, but I don’t love him more than you.  I’d say that I loved you  both equally, but it’s not true.”

“I thought so.”

“Hear me out, dear Punch.”  Robert said quickly.  “I love you more.  It’s a fact.  Honestly, dear Punch, my time with Julian was short.  Most of this time has been spent with you.  It was you I was with mostly in America and it was with you I came here to make a home.  Julian is something of a memory now.  You share a body with him, so, of course, you’re similar looking.  But, despite the shared shell, you even look different.  You’re the one I chose to live with, to raise Colin with.  It’s you that I love.  When I ask questions it’s not because I want Julian back, it’s because I care about you and I wonder how…it…how your mind, how everything works for you.  It’s because I want to maintain your happiness and health.  For no other reason.”

“Really?”

“Yes, really.”  Robert replied, rising to his feet and offering both hands to Punch. 

Punch took Robert’s hands and allowed himself to be pulled to his feet.

Robert embraced Punch.  “Never doubt my affection and loyalty.  Nothing will ever change that and I want nothing more than to share each moment with you—dear Punch.”

“Only it’s got to be difficult for ya.”  Punch pulled back a bit.

Robert held on tightly. 

“I wouldn’t say that it’s difficult.  I’d say that it’s exciting and interesting.  And, I know I’d not want it to be any other way.”

Punch chuckled happily.  “Sorry I were a actin' like a baby just now.”

“I’m sorry that I upset you.”

“Nah.”  Mr. Punch sniffed.  “Ain’t nothin’ to worry ‘bout.  I ‘spose it’s already been a long day for both of us.  Maybe we're all on edge.  First, you had to dismiss that awful Hortence…”

“Yes,”  Robert sighed, leading Punch from out behind the screen and into the library.

“And, then, we had the Prince who, let’s be honest, ain’t the most pleasant company.”

“No.”  Robert laughed.

“You know what we need?”

“What’s that?”  Robert asked.

“Let’s take tea in the nursery with Colin and Miss Barrett and Dog Toby.”

“I think that’s a grand idea.”

“We can tell ‘em both ‘bout the Palace and all them…” he frowned, glancing at the table… “teeth.”

“Let’s.”  Robert nodded.

As they walked from the library, Robert glanced up at the many books which lined the walls.  He resolved then that his own would never be among them.



Did you miss Chapters 1-14?  If so, you can read them here.  Come back tomorrow for Chapter 16 of Mr. Punch of Belgrave Square.