Tuesday, November 30, 2010

The Belle Époque Today: The Art of Mat Collishaw

The Magic Lantern
V&A
In 2010, in an effort to engage the entire city of London with the architecture of their museum, The Victoria & Albert Museum, commissioned artist Mat Collishaw to create a monumental animation that would illuminate the building and provide added artistic-interest on a large scale.


Collishaw created an enormous zoetrope which he calls, “The Magic Lantern.” The Magic Lantern projects a series of rapidly-cycled images which create the illusion of movement atop the museum. The display creates the effect of dozens of enormous moths flocking around a lantern in the museum’s cupola. At dusk, each night, the zoetrope is started, allowing viewers from many angles and long distances to witness the enchanting show.

Midnight Icarus
V&A
Collishaw rose to prominence as an artist in the 1990’s for his clever use of film and light in his artistic installations. For this installation, he also created a smaller replica of the magic lantern which can be viewed during the day in the interior garden of the V&A.

The Magic Lantern will be active through the end of March, 2011 and can be seen from Cromwell and Exhibition Roads and from the South Kensington tube.


Her Majesty’s Furniture: The Highlander Candelabra, 1854

The Highlander Candelabra
Designed by Sir Edwin Landseer, 1854
Commissioned by Queen Victoria
Balmoral
The Royal Collection
The royal estate at Balmoral in Scotland has long been a favored retreat for the Royal Family. Queen Victoria was especially fond of the spot. To accommodate their growing family, Prince Albert orchestrated an elaborate renovation and addition to the existing house.

As part of that remodeling, new furnishings were commissioned. The queen wished the estate to be decorated in an appropriately Scottish theme. We can see a Scottish influence in almost every detail. Take these exquisite candelabra, for example. Herbert Minton and Company created these magnificent parian figures which stand atop bases of gilt and bronze-plated silver. The figures hold the candelabra which are adorned with large, ornate stags’ heads.

A multinational effort, the candelabra were designed by Sir Edwin Landseer. The figures were sculpted by John Bell and the stags’ heads were created by French sculptor A. E. Carrier-Belleuse.

Punch's Cousin, Chapter 109

“You most certainly will not.” Robert said firmly to Mr. Punch who frowned.


“If Cecil gets to go, I don’t see why I can’t.” Mr. Punch answered. “Chum, I can keep him from…”

“Cecil isn’t going anywhere either.” Robert said, interrupting Mr. Punch.

“Now, listen, little brother,” Cecil began.

“No.” Robert answered sternly. “Cecil, I understand your frustration, but I can’t allow you to let that color your judgment. You need to keep your wits about you. We have a plan. It’s a good one, I might add. So, there’s no reason to act rashly and diverge from what we’ve already decided.”

“Well, then.” Cecil sputtered. “I don’t suppose you’re going to stop me.”

Robert grabbed Cecil by the arm. “Is that a wager you’d really care to make.”

Mr. Punch whooped. “People! You’re a strange lot, you are. Always findin’ things what you wanna fight ‘bout. Here, I’m gonna say somethin’. Maybe you got no faith in what a puppet man’s gotta say, but I’m gonna say it anyway.”

Robert released Cecil’s arm. “Go on, dear Punch. We put a great deal of faith in your opinion.”

“I was gonna go with Cecil, I was. But, see, that was me thinkin’ with me heart. I learned somethin’. Can’t just go hittin’ things with sticks and firin’ pistols at ‘em. Look what we got with Arthur, what. Didn’t work out so well, now did it? I gotta say, me chum is right in what he says. If the two of you got a plan, then you’d best stick with it. See, that’s somethin’ you thought out already, it is. That’s gotta be better than goin’ off with rage in your heart. Nothin’ good’ll come o’ that, it won’t. Here, I understand what you’re thinkin’, Cecil, me chum. I do. But, you gotta think before you do somethin’. This ain’t no pantomime. What happens here is real and it’s permanent, it is. Ain’t no comin’ back from it. Ain’t no other Cecil waitin’ in a trunk, ready to come out if the first Cecil gets hurt. There’s only one of ya. And, you got a family to think of. Goin’ out with a pistol is only gonna get you hurt. What’re the rest of us gonna do if that happens?”

“I say,” Cecil grunted. “For a ‘puppet man,’ you’re awfully wise.”

“I learned a lot, I did.” Mr. Punch grinned. “Here, look at Toby. All curled up with me wooden chum, just sleepin’. Shouldn’t we be doin’ that? Now, Toby knows that when he wakes up there’s gonna be all sorts of challenges he’ll have. Don’t know what kind. Dog challenges, I ‘spose—like whether he should dig a hole in the dirt or whatever it is dogs think ‘bout. But, you don’t see him stalkin’ ‘round at night. No. He knows he’s got to be a good dog and take care o’ himself so that he can be with me and Robert and the whole bunch o’ us.”

Cecil looked confused. “Yes, of course, Mr. Punch. But, we’re not dogs. We’re people. Our challenges are far greater than where to bury our bones.”

“It’ll be your bones we’re buryin’ if you go out like you’re thinkin’.” Mr. Punch said plainly.

“Very well.” Cecil answered flatly.

“Adhere to our scheme, Cecil.” Robert said gently. “We’re going to be triumphant. We just need to be smart about it.”

“Here.” Cecil handed his pistol to Robert. “Take this. I’ll have no more lectures tonight.”

“Cecil…” Robert began.

“Don’t say another word.” Cecil grumbled.

With that, he went back to his room.

“I do understand.” Mr. Punch said to Robert once he was alone. “I found meself caught up in the spirit o’ what he was thinkin’, I did. It’s easy to run out and fight without thinkin’. But, it takes a brave man to be wise ‘bout how he protects his family.”

Robert smiled. “Well put, dear Punch.”

“Here, now, all this talk ‘bout plans and schemes. But, nobody’s seen fit to tell ol’ Mr. Punch just what they are.”

“We didn’t want to worry you.” Robert said.

“I’m worried anyway. Maybe knowin’ will help me not to worry. Remember, I got double the worry, I do. I got me own and I got Julian’s to trouble me. Might help me to know what’s goin’ on.”

“I hadn’t thought of it that way.” Robert sighed. “I’ll explain it all in the morning.”

“Not in the mornin’.” Mr. Punch shook Julian’s head. “Now.”

Meanwhile, at Miss Iolanthe’s Bawdy House, the Duchess of Fallbridge shrieked wildly.

“You’re married?” She screamed. “To whom have you been married.”

“To the father of my child.” Barbara answered vacantly.

“Which is?” The Duchess demanded.

“Arthur.”

“The footman?” The Duchess shouted. “Arthur? My Arthur?”

“What do you mean, ‘your Arthur’?” Barbara stuttered.

“Nothing.” The Duchess grunted. “How could you do this to me? How could you disgrace the family?”

“Why do you think I’m here, Mother?” Barbara said, he speech still slurred. “Why do you think I traveled across the sea to get away from you? Isn’t it better to think I’m dead than to think I’ve disgraced the family name? Go home, Mother. Go back to Fallbridge Hall and tell everyone that Lady Barbara is dead.”

“You’ve ruined us.” Pauline hissed.

“I’ve ruined…” Barbara growled. “What of Julian? Perhaps you should concern yourself with your son! He’s gone completely mad! He thinks he’s someone else.”

“It’s really quite charming,” Iolanthe smiled. “He is utterly insane.”

“You, hold your tongue.” The Duchess spat at Iolanthe.

“Temper, Your Grace.” Iolanthe winked. “That’s no way to speak to your hostess.”

The Duchess walked slowly to a chair and flung herself in it dramatically. “Everything is crumbling. This is not what I wanted at all.”

“Sometimes you just don’t get what ya want.” Iolanthe chuckled. “Sometimes, you can make it happen anyway.”

“I told you to hold your tongue.” The Duchess answered sharply.

“I’ll hold my tongue.” Iolanthe smiled. “After I tell your daughter who it was that murdered her father.”

“Keep quiet!” The Duchess growled.

“What is she talking about, Mother?” Barbara asked.

“Don’t call me ‘mother.’ I’m not your mother. I don’t know who or what you are.”

“Go to your room, Miss Allen.” Iolanthe said. “Assuming you’ve come to stay.”

“I have.” Barbara nodded.

“Get some sleep, then. Tomorrow’s gonna be right busy for ya.” Iolanthe winked.

Barbara stood awkwardly in the center of the room and stared at the Duchess.

“Go.” Iolanthe said firmly.

Barbara did as instructed.

“Now, now,” Iolanthe smiled at Pauline. “Looks like you got nothin’. Daughter’s a whore. Son’s a lunatic. Husband’s dead. Just you left—you and all that wealth. Maybe now, you’ll realize that I’m all you’ve got. Maybe now you’ll know that we have to help each other.”

“My daughter is dead.” The Duchess moaned. “Dead…”

At that very moment, back in Marionneaux, Marjani staggered out of the shack and fell to her knees in the cold, damp earth. She wailed horribly and beat her breast with her fists.

Several of the field workers rushed toward her, but stopped a few feet away—fearful of the Fever seeds.

“My baby is dead!” Marjani screamed. “My little girl is gone!”

“She’s gone to Heaven, honey.” One of the workers said. “She’s gone for to be with the Holy Mother.”

“How am I gonna tell that little girl that both her mama and her daddy are gone?” Marjani fell to the ground and clawed at it with her hands. “How am I gonna do it?”



Did you miss Chapters 1-108? If so, you can read them here.

Goal for the Day: Let Your Inner Child Play

This is the season to welcome nostalgia and simple comforts into our lives.  As Hanukah begins tomorrow and with Christmas just around the corner, we can let our guards down a bit and allow ourselves to become excited about simple things.  Don’t feel silly about being joyful about those things you enjoyed as a child.  Toys, chocolate, the shimmer of the decorations—those are all wonderful things.  It’s a grand thing to let your spirit and your imagination have the freedom to be playful.  Take advantage of the spirit of the season, and let yourself be excited.  The joy you feel will be contagious.

Object of the Day: A Sapphire and Diamond Stickpin

As Edwardian styles transitioned into the more geometric patterns of the Art Deco, jewelry designers began to embrace the contrasting beauty of diamonds and sapphires. Deep blue sapphires began to find themselves set against fields of white gold, nestled between the cool shimmer of white diamonds.


This stickpin from 1915-1925 shows that burgeoning love of contrasts and the emergence of geometric compositions. Set in white gold, two princess-cut sapphires, set at angles, gleam a brilliant blue between two sparkling diamonds. A gentleman could have worn this in the day or the evening. The understated elegance of this piece would have matched any outfit in a gentleman’s wardrobe.

Monday, November 29, 2010

Vote for "Person of the Year!"

For the past nineteen weeks, I have selected a “Person of the Week” who has made a positive impact on the world through his or her work in the arts and humanities (both past and present). Each of these people has made a significant contribution to our collective quality of life through their career and their cultural efforts.


Now, it’s your chance to decide who will become Stalking the Belle Époque’s first “Person of the Year.” Voting is easy; simply select the name of your choice from the poll located in the right-hand navigation bar of Stalking the Belle Époque (under the Blog Archive).  Voting will end on December 12, 2010.

The winner of “Person of the Year” will receive special recognition for their outstanding achievements.

I can’t wait to see who you pick!

For more information about the nominees, links to their specific articles are below:



John Alderton and Pauline Collins, OBE: actors, performers
Susan Lucci: Actor, Entrepreneur
Kitty Carlisle Hart: Actor, Singer, Patron of the Arts
Robert Verdi: Style Expert
Robert Osborne: Film Historian
Diana, Princess of Wales: Patron of the Arts, Activist
Tim Gunn: Fashion Executive, Style Expert
Ann Curry: Reporter, Anchor
Leigh Keno: Historian, Antiques Expert
Joan Fontaine: Actress
Catherine Tate: Actor, Comedienne
Louis Van Amstel: Dancer, Instructor
Julie Harris: Actress
Betty Buckley: Singer, Teacher, Actress
Matt Lucas: Actor, Comedian, Writer
Patti LuPone: Singer, Actor
Rod Taylor: Actor, Painter
Yeardley Smith: Actor, Artist, Writer
Martha Stewart: Designer, Writer, Business Person

Sculpture of the Day: Narcissus by William Theed, the Younger, 1845

Narcissus
William Theed, The Younger
1845
The Royal Collection
We all know the story of Narcissus—the youth who was so enchanted by the sight of his own reflection. As the story goes, Narcissus saw his visage reflected in the water and wished to speak to the beauty he saw beneath him. Frustrated that he could not speak to his beloved, he wept bitterly. As his tears fell into the water, they disturbed the reflection, causing it to distort and disappear. He was so upset by the loss of his love, that he died of a broken heart. Sounds like someone needed a hobby.


Queen Victoria and Prince Albert had a hobby. They liked to collect things and be surrounded by beautiful art. While they were remodeling Buckingham Palace (upon discovering that it really was kind of a mess), they employed sculptor William Theed, The Younger, to assist them with many of the ornaments of the palace. They became quite fond of Theed and his work and invited him to work with them on renovations to Osborne House. They also collected a number of the artist’s sculptures. This marble figure of Narcissus was purchased by Queen Victoria in 1845.