Polychrome Wax Relief Samuel Percy, early 19th C. The Victoria & Albert Museum |
We’ve looked at other bas relief wax tablet portraits
before. There’s something interestingly
odd about this one which is said to depict Queen Anne. We see the Queen, rendered in polychrome wax,
wearing an alarmingly low-cut gown trimmed with ermine and bands of gold across
the corsage. The dress is further adorned with the representation of a
chemisette of lace. Queen Anne’s ebony
hair falls in curls on her shoulders, and she wears a crown with applied loose
pearls on the front arch as well as an applied string of pearls around her
neck,
The wax is set within folded drapery of real puce velvet
within an oval black frame. The
collection notes’ call the velvet, “purple,” and it may have been at one time,
but it seems to have faded to a puce-like taupe. The
curators of the V&A state that, “The purple velvet mounting and possibly
the oval frame are modern. The velvet probably replaces the wax draperies
generally used by Samuel Percy.”
This is almost certainly the work of Samuel Percy (1750-1820) who seems to be responsible for the majority of these wax relief portrait plaques. His style seems to have become more confident over time and this figure from later in his life and career is far more successful than some of the crude portraits of his early life.
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