Often called “Silent Butlers,” these papier mache objects were usually accompanied by a decorative brush which was used to sweep crumbs from a tablecloth and into this shallow receptacle. This crumb catcher dates to the middle of the Nineteenth Century and is most likely English in origin. What’s unusual about this particular “Silent Butler” is its shape. Often, these items took a shell-shape with a scalloped bottom. This one features a stylized asian shape which fits nicely with the scene that was painted on the front.
The painted scene depicts Asian villagers gathering food. Their clothes have been rendered in gold paint. Their faces are inset Mother-of-Pearl. Large rusty-red flowers surround the entire scene and offer a distinctly Chinoiserie touch to the piece.
For an object whose main purpose was strictly utilitarian, the fact that this item remains at all is something of a triumph. Not only has this delicate papier mache crumb catcher survived, it has done so in remarkably good condition.
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