Tuesday, May 3, 2011

The Belle Époque Today: The Enchanted Palace

The Enchanted Palace
The Historic Royal Palaces
As part of the massive renovation of Kensington Palace, The Historic Royal Palaces, in conjunction with WILDWORKS Theatre Company has transformed Kensington into “The Enchanted Palace.” A fascinating journey through art, fashion, history and mystery, “The Enchanted Palace” is set against the backdrop of the revitalization of the palace wherein secrets from the lives of those who inhabited it over the last three centuries have been uncovered.

WILDWORKS has created an exceptional show, combining theatricality with historical accuracy as they created tableaus and installation pieces which allow the viewer to become acquainted with the six princesses who called Kensington Palace home. Visitors to “The Enchanted Palace” are given maps which allow them to explore the palace on a hunt to divulge the identities of the princesses, and, in doing so, discover fascinating tidbits about their illustrious lives. Upon completion of the hunt, the visitors come face-to-face with the princesses.

This ingenious exhibit makes good use of Kensington Palace’s majestic state rooms and gives visitors heretofore unimagined access to this magnificent structure. The Historic Royal Palaces’ Web site offers an interesting introduction to “The Enchanted Palace” and also features a truly cute and fun Flash game which complements the exhibit beautifully. I confess, I played the game, and I loved it. Give it a try!


Humanitarian of the Week: Walt Willey

ABC MediaDomain
Fans of the long-running and, now, ill-fated, daytime drama, All My Children, are quite familiar with Walt Willey who has played Jackson Montgomery, the frequent fiancé and sometimes husband of Susan Lucci’s Erica Kane, since 1987.

In addition to his daytime job, Willey also enjoys a host of other vocations ranging from managing the Crystal Mesa Farm Guest Ranch in New Mexico with his wife, Marie, to performing his popular stand-up act on comedy club stages across the country. An actor, a comedian, an entrepreneur, a husband and a father, Willey still makes time for the causes that he most cherishes. In fact, he’s selflessly set up WilleyWorld Endowment Fund, dedicated to the notion that, “together we can make a difference.” Through The Endowment Fund, Willey gifts organizations dedicated to helping children by donating the proceeds from the sales of merchandise sold at his comedy performances. Since its inception, The Endowment Fund has raised over $40,000.

For his many years of wonderful performances and his tireless efforts to help children in need, Walt Willey is our “Humanitarian of the Week.” Now that the cancellation of All My Children has gone from frequently denied rumor to sad reality, we wish Mr. Willey and his equally socially-conscious cast-mates all the best in the future endeavors. One thing is for certain, wherever Mr. Willey goes, he’ll leave a trail of good behind him.

To learn more about Walt Willey, visit his official Web site. 
 

Her Majesty’s Furniture: The Weisweiler Cabinet, Late Eighteenth Century

Cabinet
Adam Weisweiler, circa 1768
Painted Panel added 1827
The Royal Collection
King George IV had a taste for opulence and liked to be surrounded by the finest, most ornate objects and furnishings. He was known to capriciously change his surroundings to suit his tastes and moods. This would often not only mean the altering of rooms and palaces, but also of articles of furniture.


This lovely cabinet of tulipwood, gilt bronze and glass was already quite ornate when it was created in the late Eighteen Century by furniture-maker Adam Weisweiler. While Prince Regent, George IV bought this piece and was attracted to its splayed glass sides and ormolu mounts and candelabra. After living with the piece for a few years, he decided it was better suited for use in Windsor Castle—which he’d long been considering redecorating. To fit in with his desired décor, George had the front panel of the cabinet replaced with a painted roundel on an ebony ground. The scene of a basket of flowers, added in 1827, remains as bright as the day it was painted. Roses, peonies and other flowers add a bit of color and elegance to an already exceptional piece of furniture.



Punch's Cousin, Chapter 235

“Well, then,” Ulrika grinned as Edward Cage walked in defeat back to where she, Cecil and Mr. Punch stood. “You have the time to listen to me, it seems.”


“Fine, Ulrika,” Edward sighed as he glanced over his shoulder. The carriage was far out of sight.

“Shall we go inside? I’ve grown weary of carrying this little monster.” She nodded at the bundle in her arms.

“Not in my house.” Edward shook his head. “I don’t want to upset my wife. I’d promised her that I’d return with Holt. No doubt she’s watching from her bedroom window, beside herself, wondering how I could have had our boy so close and lost him again.”

“Chin up, Edward.” Ulrika smiled. “We’ll work something out.”

“I don’t see how this concerns you, Ulrika.” Cecil spat.

“Don’t you?” Ulrika laughed. “You’ll soon see.” She pointed her chin toward Dr. Biamenti’s house up the street. “Shall we retire to your abode, Mr. Halifax?”

“I don’t want you in me house.” Mr. Punch grumbled.

“And, I don’t want to continue to hold this drooling, little beast.” Ulrika growled.

“We’ll go.” Edward said flatly.

Cecil shrugged. “Edward, there’s nothing more to say. The boy is gone. Let him go. If you love him, let him be raised by the people who can give him the life he deserves.”

“Don’t you think I love the boy?” Edward shouted.

“I don’t think you love anyone.” Mr. Punch answered. “I think you love your money and your wax statues and your fame. You don’t love anything what’s got breath in its chest nor feelin’s in its heart.”

“Ah, the wisdom of the lunatic duke.” Edward Cage mumbled. “You’ll forgive me if I don’t give a damn what you think.”

“Are we going or not?” Ulrika whined. “My arms are tired.”

“I won’t have you in me house.” Mr. Punch shook his head. “You’re tainted. I don’t want your poison gettin’ on me rugs.”

“By rights, Your Grace, I shouldn’t be able to hear you—what with you being dead and all, really.” Ulrika chuckled. “Nevertheless, I’ll respect your wishes…”

“You ain’t got no choice, you titian witch,” Mr. Punch frowned.

“…I’ll respect your wishes,” Ulrika continued loudly. “And, I’ll simply state my own. I would like to suggest a special arrangement. I’ll return your diamond and offer you this child in exchange for the boy that Mr. Cage so badly yearns for.”

“Why would I want Iolanthe’s broken boy?” Mr. Punch laughed.

“For the very reason that he’s broken—just as you are.” Ulrika smirked. “You and your physician companion can raise him to be a healthy, functioning man. Make him your heir. Go off on your own, start a new existence. Change your names and live in the peace and freedom that you so desire.”

“There’s nothin’ that’s gonna save that poor soul.” Mr. Punch scowled. “Poor little thing.”

“The same could be said for you.” Ulrika grimaced.

“So, you’re offering His Grace the return of his own property and a deformed child in exchange for his own flesh and blood?” Cecil shook his head. “How kind of you.” He added sarcastically.

“There’s more.” Ulrika winked. “I’ll keep my silence about his theatrically-staged false death. Really, it’s right out of English theater—or Italian opera. We’ll let Iolanthe take the blame and suffer for his murder.”

“Your dear friend,” Mr. Punch grunted.

“Only when convenient.” Ulrika winced, shifting the baby in her arms. “It’s no longer convenient. Seeing her imprisoned would be more beneficial. Besides, I’m thinking only of you. The law frowns on fraud. You could be severely punished for this charade as well as for kidnapping Edward’s son. I’ll keep my silence and will guarantee that Edward keeps his.”

“If my son is returned to me, I’ll be silent.” Edward nodded.

“What’s in it for you?” Mr. Punch asked. “Seeing Iolanthe rot in prison ain’t enough for you to give up all what you stole from me already.”

“But, that diamond is just the beginning of your vast fortune, isn’t it?” Ulrika smiled. “You see, I have in my possession a document that entitles me all of the worldly goods of Barbara, Lady Fallbridge, upon the event of the deaths of herself and her heirs. I’ll keep up the pretense that you’re dead. Barbara is missing, presumed dead. With you gone, I’ll inherit the bulk of your liquid estate. You’ll still keep your land and can live quite comfortable on it. I think I’d be making a good investment.”

Mr. Punch laughed hysterically. “I’ll take me chances, I will. I’ll keep Colin and my fortune. You keep the diamond and the little beast what you carry in your arms and Iolanthe be damned. I don’t care what falls upon her. Nor upon you, Ulrika. Nor even on Edward Cage.”

“Well said, I say,” Cecil nodded.

“You’ve made a terrible mistake.” Ulrika sighed. She looked Cecil. “I hope you got a good look at your wife, Mr. Halifax. The image of her in that carriage is the last you’ll ever see of her.”

At that very moment, Robert slowed the carriage as he spotted a familiar face near the French Market.

“Marjani!” Robert shouted.

Marjani’s eyes brightened as she saw Robert atop the carriage.

“Get in!” He shouted, stopping the carriage long enough for Marjani to climb inside.

Marjani looked at Adrienne and little Colin. “Somethin’s not right. Where’s Punch and Dr. Halifax?”

“We had to leave them. Punch is with Cecil. Ulrika and Edward Cage stopped us. Robert very bravely took the reins.” Adrienne explained, cuddling the child which began to cry. For a moment, she thought of her own son—waiting for her at their borrowed house.

“It was brave.” Marjani nodded. “But, it ain’t gonna work out the way you hope.”



Did you miss Chapters 1-234? If so, you can read them here.

Goal for the Day: Don’t Try to Steal Focus

When working with other people as a team, it’s important to remember that the overall goal has more value than the individuals involved. Let’s use the example of a particular Prime Time reality show dance competition. How many times do we see the professional dancer try to steal focus from his or her “celebrity” contestant? It’s unseemly and uncomfortable to watch one member of the team mug for the camera and try to be the center of attention.


The same applies to the rest of us. Though few of us are being broadcast on live television, we all occasionally have to work with other people as a unit. In those instances, it’s not the triumph of one part of the team that matters; it’s the victory of the team as a whole.

We all have skills and strengths. Bring those to the competition of life—all the while remembering that you’re not the star, but simply a member of the cast.

Object of the Day: An Antique Gold and Diamond Filigree Stickpin

The art of filigree is often associated with antique and vintage jewelry. Filigree—with its winding, florid lines, refers to a pattern of curving soldered metals—usually gold or silver.


Here, we have a late Nineteenth Century example of filigree in a fourteen karat gold stickpin accented by small diamonds. Designs such as this defined the jewelry of the late Victorian period when men and women alike sported delicate creations of precious metals and stones which reflected the preferred visual references to natural motifs.

Elegant and understated, designs such as this one are an interesting phase in the transition of jewelry design. The lines of such creations are the beginnings of the heavier, geometric and architectural creations which would begin to develop and mark the overall looks of the gems of the Edwardian period.





Monday, May 2, 2011

Gifts of Grandeur: Queen Mary's Fabergé Column, 1900

Column and Frame
Fabergé, 1900
Presented to Mary of Teck
by Queen Elizabeth,
The Queen Mother, 1946.
The Royal Collection
Everyone wants to make a good impression on her mother-in-law. Sometimes, that’s not an easy task. Sometimes, it’s downright daunting. Consider, if you will, if your mother-in-law is the Queen Consort and the wife of King George V. That was the situation Elizabeth Bowes-Lyon found herself in when she married “Bertie,” also known as The Duke of York (also the future King George VI).


The woman who would later be called, “The Queen Mother” wasn’t as meek and quiet as she appeared in public and was, in reality, quite sharp and savvy. She knew that Queen Mary had a great passion for jewels and art and they bonded over their mutual attraction to the work of Fabergé.

On May 26, 1946, Queen Elizabeth, the Queen Mother presented her mother-in-law, Queen Mary (the then-Queen Mother) with this magnificent Fabergé creation from 1901. The object of Nephrite, two-colour gold, guilloché enamel, rose diamonds, mother-of-pearl features a delicately carved green column which supports an elaborate frame of diamonds.

This remarkable piece was the perfect addition to Mary of Teck’s existing collection of Fabergé and was rumored to have been one of her favorites. Though part of the Royal Collection, this frame and stand still appears to be on display within the State rooms at Buckingham Palace.

What a great way to make a good impression.