Showing posts with label dragon. Show all posts
Showing posts with label dragon. Show all posts

Tuesday, June 18, 2013

Gifts of Grandeur: A Badge of the Order of The Garter, 1640



Insignia
Order of the garter
Lesser George
Gold and Enamel, 1640
The Victoria & Albert Museum



Yay! It’s an insignia of the Order of the Garter! I always like these. I like the garter stars most of all, but these little Georges are always a treat. The Order of the Garter was founded in 1348, on St. George’s Day, by King Edward III. It’s the oldest order of chivalry in Europe. It’s also Britain’s highest order and honor.

When granted the Order of the Garter, the individual is given a set of chivalric insignia. He’s set up with a Greater George (I’ll explain more below) for formal use, a Lesser George for everyday wear, and a star to wear on his cloak. These stars, at first, were embroidered with metallic thread, but, if you were special, yours could be a pin made of gold and diamonds.

By the time of Henry VIII, the badges were designed to be worn on a collar. Henry introduced the collar which consisted of 26 Tudor roses within blue garters, with an image of St George killing the dragon hanging by a gold tassel.

That particular image of George slaying the dragon is known as “The Greater George.” So, any garter badge with that depiction is known as such. The one that we see above is known as a “Lesser George.” This version would have been worn for more informal occasions. The Lesser George depicts St. George and the dragon, pre-kill, surrounded by a garter and the motto of the Order.

The twenty-six Tudor roses on the collar symbolize the twenty-six members of the order. The order consists only of twenty-six living members at a time. The collar was not to be set with precious stones. I’m not sure why, but that was the rule. The stars and other insignia could, however, be adorned with any sort of gems that were in fashion at the time.

While the example we see here is made of gold and enamel, other examples of the period are, in fact, set with gems. Greater Georges usually boasted more gems than their informal brothers, but every once in awhile, a Lesser George sparkled with diamonds and other gems. Charles I, for example, wore one set with over 400 diamonds. He wore it to his execution—as one does.

This particular Lesser George was once owned by Thomas Wentworth, who was knighted by King James I and created Earl of Strafford by Charles I in 1640. The Earl represented Yorkshire in Parliament and though he outwardly fought for more honesty and accountability in government, he was actually a rather nasty, greedy and ruthless bloke who made himself many enemies. He was tried for treason during the war with Scotland, and, executed. Presumably, unlike Charles I, he didn’t wear his insignia to the chopping block.

I should note that since being made in 1640, this insignia has, unavoidably, suffered some damage. At one time, George would have been holding a sword or a spear or some other sharp weapon which one might use to bother a dragon. That’s long gone and he’s just holding his little hand up—empty.

Wednesday, May 15, 2013

Gifts of Grandeur: Queen Victoria’s Insignia of the Order of the Garter, 1840



Lesser George
Agate Cameo by Nathaniel Marchant
Setting of Gold and Diamonds
Early Nineteenth Century
Crown Copyright
The Royal Collection 
Image Courtesy of Her Majesty Queen Elizabeth II



Created by Nathaniel Marchant (1739-1816), this “Lesser George” insignia of the Order of the Garter is a work of brown on gray agate, gold and diamonds. While Royal Family oral history states that this chivalric badge was once worn by King George IV, it’s important to note that it was not recorded in the inventory of the Royal Collection until the accession of George’s niece, Queen Victoria, in 1837.

The badge clearly predates Victoria’s reign and is thought to be one of two which were made for King George IV while he was either still Prince of Wales or Prince Regent, filling-in for his ailing father, King George III. The more informal of the two, this badge features a lovely cameo of St. George about to vanquish the dragon, signed by Marchant. It’s likely that the setting is later.

The 1837 record of the badge, being its first mention, states only that Queen Victoria asked that this “Lesser George” be removed from Windsor Castle for “the Queen’s use.” That same year, the badge was take to Rundells where it was altered or repaired. Victoria favored this badge and wore it often. She was painted wearing the piece several times—notably by Franz Zaver Winterhalter. 




Monday, January 14, 2013

Sculpture of the Day: St. George, a Model, 1895

Model Study for a figure of St. George
The beginnings of "the dragon" can be seen around the wooden base.
SIr Alfred GIlbert, 1895
The Victoria & Albert Museum



The “New Sculpture” movement of the late Nineteenth Century called for a focus on naturalistic forms and urged sculptors to experiment with new media. Perhaps the most eager of those sculptors who supported the movement was Sir Alfred Gilbert who seems to have had a fascination with the theme of St. George and the Dragon.

This model was made of wax and plasticine as a suggestion for a sculpture group of St. George and the Dragon which was to surmount the silver Rose-water Ewer and Dish which was presented to King George V (while still Duke of York) upon his marriage to Princess May of Teck (later Queen mary) in 1896. We’ll be taking a look at the Rose-water set later I nthe week. 


The figures mated to the finished Rose-water set don’t exactly match these earlier models and studies, so, we can see that Gilbert altered the sculptures considerably. A perfectionist, Gilbert (1854-1934), was also known as a medallist, goldsmith and draftsman. He took these commissions quite seriously and strove to be a fitting representative for the “New Sculpture” Movement. 



Sunday, August 26, 2012

Mastery of Design: Queen Victoria’s Insignia of the Order of the Garter, 1840


Lesser George
Agate Cameo by Nathaniel Marchant
Setting of Gold and Diamonds
Early Nineteenth Century
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



Created by Nathaniel Marchant (1739-1816), this “Lesser George” insignia of the Order of the Garter is a work of brown on gray agate, gold and diamonds. While Royal Family oral history states that this chivalric badge was once worn by King George IV, it’s important to note that it was not recorded in the inventory of the Royal Collection until the accession of George’s niece, Queen Victoria, in 1837.

The badge clearly predates Victoria’s reign and is thought to be one of two which were made for King George IV while he was either still Prince of Wales or Prince Regent, filling-in for his ailing father, King George III. The more informal of the two, this badge features a lovely cameo of St. George about to vanquish the dragon, signed by Marchant. It’s likely that the setting is later.

The 1837 record of the badge, being its first mention, states only that Queen Victoria asked that this “Lesser George” be removed from Windsor Castle for “the Queen’s use.” That same year, the badge was take to Rundells where it was altered or repaired. Victoria favored this badge and wore it often. She was painted wearing the piece several times—notably by Franz Zaver Winterhalter. 




Gifts of Grandeur: A Badge of the Order of The Garter, 1640

Insignia
Order of the garter
Lesser George
Gold and Enamel, 1640
The Victoria & Albert Museum



Yay! It’s an insignia of the Order of the Garter! I always like these. I like the garter stars most of all, but these little Georges are always a treat. The Order of the Garter was founded in 1348, on St. George’s Day, by King Edward III. It’s the oldest order of chivalry in Europe. It’s also Britain’s highest order and honor.

When granted the Order of the Garter, the individual is given a set of chivalric insignia. He’s set up with a Greater George (I’ll explain more below) for formal use, a Lesser George for everyday wear, and a star to wear on his cloak. These stars, at first, were embroidered with metallic thread, but, if you were special, yours could be a pin made of gold and diamonds.

By the time of Henry VIII, the badges were designed to be worn on a collar. Henry introduced the collar which consisted of 26 Tudor roses within blue garters, with an image of St George killing the dragon hanging by a gold tassel.

That particular image of George slaying the dragon is known as “The Greater George.” So, any garter badge with that depiction is known as such. The one that we see above is known as a “Lesser George.” This version would have been worn for more informal occasions. The Lesser George depicts St. George and the dragon, pre-kill, surrounded by a garter and the motto of the Order.

The twenty-six Tudor roses on the collar symbolize the twenty-six members of the order. The order consists only of twenty-six living members at a time. The collar was not to be set with precious stones. I’m not sure why, but that was the rule. The stars and other insignia could, however, be adorned with any sort of gems that were in fashion at the time.

While the example we see here is made of gold and enamel, other examples of the period are, in fact, set with gems. Greater Georges usually boasted more gems than their informal brothers, but every once in awhile, a Lesser George sparkled with diamonds and other gems. Charles I, for example, wore one set with over 400 diamonds. He wore it to his execution—as one does.

This particular Lesser George was once owned by Thomas Wentworth, who was knighted by King James I and created Earl of Strafford by Charles I in 1640. The Earl represented Yorkshire in Parliament and though he outwardly fought for more honesty and accountability in government, he was actually a rather nasty, greedy and ruthless bloke who made himself many enemies. He was tried for treason during the war with Scotland, and, executed. Presumably, unlike Charles I, he didn’t wear his insignia to the chopping block.

I should note that since being made in 1640, this insignia has, unavoidably, suffered some damage. At one time, George would have been holding a sword or a spear or some other sharp weapon which one might use to bother a dragon. That’s long gone and he’s just holding his little hand up—empty.

Monday, June 18, 2012

Mastery of Design: The St. George and the Dragon Brooch, 1855

Brooch
Froment-Meurice, 1855
The Victoria & Albert Museum



This brooch pin is the work of the famed Parisian jeweler François-Désiré Froment-Meurice (1802-1855) whose distinguished work was considered to be of the highest quality. Additionally, Froment-Meurice was known to employ the most talented designers, enamellers, goldsmiths and silversmiths of his era. This enameled gold depiction of St. George and the Dragon was part of Froment-Meurice’s display for the Exposition Universelle of 1855. The brooch would win the gold medal, but Froment-Meurice never saw it. He died suddenly before the opening of exhibition.

The Victoria & Albert Museum purchased the brooch immediately following its first-place win at the Paris Universal Exhibition of 1855. Oddly enough, the pin was stolen during or immediately after the Second World War, when the collections were dispersed for their own safety. The piece was recovered, minus its fittings, in 1953 in time for the coronation of Queen Elizabeth II.