Royal Pets: Boz, Favourite Skye Terrier of the Duchess of Kent and afterwards the Queen, 1861

Boz, the Favourite Skye Terrier of the Duchess of Kent and Thereafter Queen Victoria
Study by Friedrich Wilhelm Keyl, 1861
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II

Though Queen Victoria and her mum didn’t get on so well all the time, they did share an appreciation for dogs. So, when the Duchess of Kent finally died, Queen Victoria adopted the Duchess’ Skye Terrier, Boz.

This sketch of colored chalks on gray paper is the work of Friedrich Wilhelm Keyl (1823-71) and is dated June 1861. The drawing was made as a study for an oil painting which was commissioned by Queen Victoria in 1861.

Keyl was Sir Edwin Landseer’s only pupil and mastered his teacher’s ability to create sensitive and accurate animal portraits.

Boz lived with Queen Victoria for another three years after the Duchess of Kent’s passing, and the Queen doted on him. In honor of the friendship between Boz and Queen Victoria, this sketch is proudly displayed in the Charles Dickens Reception Room at Buckingham Palace. Only fitting since the terrier was named for Mr. Dickens.

Drawing of the Day: The Discovery of the Tomb of Punchinello, 18th C.

Click image to enlarge
The Discovery of the Tomb of Punchinello
Giovanni Battista Tiepolo, Eighteenth Century
The Victoria & Albert Museum

This Eighteenth Century drawing by Giovanni Battista Tiepolo (1696-1770) is something of a mystery. We’ve examined several drawings by Tiepolo previously. He often found inspiration in the characters from the Commedia dell’Arte, especially Pulcinella (Punchinello) and frequently depicted Mr. Punch’s ancestors in multiples and family groups.

This work of pen over red chalk has long been referred to as “The Discovery of the Tomb of Punchinello”—an English attribution, after-the-fact, based on Tiepolo’s other works more so than any context given in the piece itself.

The front of the drawing depicts a group of four men watching three others raising the slab of a tomb. The recto depicts Death giving audience.

Obviously, this is a study for a painting. Curators at the V&A--where this lives—have long thought that the piece was an early idea for Tiepolo’s “Scherzo No. 17” which was officially entitled “The discovery of the tomb of Punchinello.” The central figure is shown in a Franciscan habit, suggesting that, perhaps, a miracle of St Anthony of Padua was the inspiration for the scene.

Royal Pets: Boz, Favourite Skye Terrier of the Duchess of Kent and afterwards the Queen, 1861

Boz, the Favourite Skye Terrier of the Duchess of Kent and Thereafter Queen Victoria
Study by Friedrich Wilhelm Keyl, 1861
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II

Though Queen Victoria and her mum didn’t get on so well all the time, they did share an appreciation for dogs. So, when the Duchess of Kent finally died, Queen Victoria adopted the Duchess’ Skye Terrier, Boz.

This sketch of colored chalks on gray paper is the work of Friedrich Wilhelm Keyl (1823-71) and is dated June 1861. The drawing was made as a study for an oil painting which was commissioned by Queen Victoria in 1861.

Keyl was Sir Edwin Landseer’s only pupil and mastered his teacher’s ability to create sensitive and accurate animal portraits.

Boz lived with Queen Victoria for another three years after the Duchess of Kent’s passing, and the Queen doted on him. In honor of the friendship between Boz and Queen Victoria, this sketch is proudly displayed in the Charles Dickens Reception Room at Buckingham Palace. Only fitting since the terrier was named for Mr. Dickens.

Drawing of the Day, Part II: The Discovery of the Tomb of Punchinello, 18th C.

Clock image to enlarge
The Discovery of the Tomb of Punchinello
Giovanni Battista Tiepolo, Eighteenth Century
The Victoria & Albert Museum

This Eighteenth Century drawing by Giovanni Battista Tiepolo (1696-1770) is something of a mystery. We’ve examined several drawings by Tiepolo previously. He often found inspiration in the characters from the Commedia dell’Arte, especially Pulcinella (Punchinello) and frequently depicted Mr. Punch’s ancestors in multiples and family groups.

This work of pen over red chalk has long been referred to as “The Discovery of the Tomb of Punchinello”—an English attribution, after-the-fact, based on Tiepolo’s other works more so than any context given in the piece itself.

The front of the drawing depicts a group of four men watching three others raising the slab of a tomb. The recto depicts Death giving audience.

Obviously, this is a study for a painting. Curators at the V&A--where this lives—have long thought that the piece was an early idea for Tiepolo’s “Scherzo No. 17” which was officially entitled “The discovery of the tomb of Punchinello.” The central figure is shown in a Franciscan habit, suggesting that, perhaps, a miracle of St Anthony of Padua was the inspiration for the scene.