Showing posts with label box. Show all posts
Showing posts with label box. Show all posts

Wednesday, February 25, 2015

Mastery of Design: King Edward VII's Gaming Box



Gaming Box Belonging to King Edward VII

Crown Copyright
The Royal Collection
Via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.








This rectangular double-hinged gold box with chased scroll and floral borders in high relief and central engine-turned panels was made between 1826 and 1836.  Though we're not quite sure how, the box ended up in the collection of King Edward VII.

The top contains four rectangular and four circular pierced gold games counters, each chased with flowers and scrolls, and each one marked as the ace of a different suit (hearts, diamonds, cubs and spades). The base of the box contains three spiral markers.



Object of the Day, Museum Edition: A Work Box, 1815



Work Box, 1815
The Victoria & Albert Museum


Here, we see a work box of wood and leather from the early part of the Nineteenth Century. Work boxes, were ostensibly containers for sewing and embroidery tools and materials, and were made up of many small compartments which allowed for easy organization. This particular box from the Victoria & Albert Museum also features a secret drawer behind the drawer at the front—a rather uncommon design for such a box--which opens by pulling a hidden catch. Clearly, this is an expensive example for a workbox and would have been made for a lady of leisure. Its leather cover and scene-printed silk lining tell us that this box, though practical, was also meant to be a luxurious status symbol.

The box retains most of its original fittings, including two fixed pin cushions which are covered with printed silk, and several lidded compartments. It still boasts its collection of small tools and souvenirs, such as a pin cushion in inlaid wood with silk-covered cushions at each end. This adorable cushion still bears a paper label that reads 'A trifle from BRIGHTON'. An ivory tape measure with its original silk tape, and a tiny circular needle case covered in green silk complete the set.

A brass plaque on the outside of the lid has not been engraved with initials, so we’ll never know to whom this box originally belonged. It was, however, purchased in the 1930s by Queen Mary, consort of George V (ruled 1910-1936) who made great efforts to collect as many various items from the Georgian and Victorian periods as she could. As she often did, Queen Mary bought this box with the V&A in mind. She gifted the item to the museum immediately after its purchase


Friday, February 13, 2015

Gifts of Grandeur: King George V's Tortoiseshell Box, c. 1910

Box of Tortoiseshell, silver gilt and a rose-cut diamond.
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



When we think about the Royal Collection, especially from the period after the reign of Edward VII, those familiar with the provenance of most of the pieces therein, immediately think of Queen Mary, the ultimate collector.  However, Mary wasn't the only crowned head from 1910-1936 with an eye for attractive objects.  Her husband, King George V also had a knack for collecting handsome antiquities, treasures, and contemporary works.

This masculine box of tortoiseshell, gilt silver and a single rose-cut diamond dates to the early Twentieth Century and was made specifically for His Majesty George V and fits perfectly with his personal collection of simple, elegant pieces.  The polished lid is rimmed with gilt mounts set with a relief of berried laurels.  When the lid is removed, the gilded interior shows an engraved, crowned cypher--GVR.


Friday, June 20, 2014

Mastery of Design: King Edward VII's Gaming Box



Gaming Box Belonging to King Edward VII

Crown Copyright
The Royal Collection
Via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.








This rectangular double-hinged gold box with chased scroll and floral borders in high relief and central engine-turned panels was made between 1826 and 1836.  Though we're not quite sure how, the box ended up in the collection of King Edward VII.

The top contains four rectangular and four circular pierced gold games counters, each chased with flowers and scrolls, and each one marked as the ace of a different suit (hearts, diamonds, cubs and spades). The base of the box contains three spiral markers.




Tuesday, April 15, 2014

Gifts of Grandeur: A Tortoiseshell Box



Box
Gold, Silver, Tortoiseshell
Crown Copyright
The Royal Collection 
Image Courtesy of Her Majesty Queen Elizabeth II



An Eighteenth-Century creation of unknown origin, this cartouche-shaped box is crafted of tortoiseshell. The lid connect to the base by silver hinges on a gold band rim. Both cover and base are piqué with silver posé and foules point—essentially meaning that the adornment is slightly raised.

The cover depicts a scene of Venus seated with Cupid amongst a floral pattern. The base shows a hunting scene of hound and hare with a similar scrolling foliate border.

There’s no record in the inventory of the Royal Collection which states how or why this box came into Royal hands, but, if I had my guess, I’d say it had something to do with Queen Mary.




Tuesday, April 8, 2014

Mastery of Design: A Gold Box with a Bust of a Medieval Emperor, c. 1824




Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II




Made in Vienna between 1824 and 1866, this oval, gold, hinged box boasts a lis with a cast and enameled relief bust of a medieval King/Emperor.  He's wearing a crown and a regal cloak adorned with roundels emblazoned with imperial eagles. The entire box is decorated with elaborate enamel decoration overall--scrolls, swags, and husks on a matted ground. The base is appointed with a funerary urn in relief.

Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II

The box was given to King George V, King of the United Kingdom (1865-1936) by the Earl of Iveagh on His Majesty's birthday on June 3, 1924.



Monday, March 31, 2014

Gifts of Grandeur: A Jeweled Box by Fabergé, 1908




Box
Crown Copyright
The Royal Collection 
Image Courtesy of
Her Majesty Queen Elizabeth II


Made in 1908 by an unknown Fabergé workmaster, this oval silver-gilt box is mounted with two-color gold, pale blue guilloché enamel, and diamonds.




An intricate foliate frieze of enamel on a white ground leads your eye to the diamond thumb-piece. The lid of the box is mounted with a bi-color gold wreath which surrounds a glittering diamond stud. Lest you think that this box was one of the many collected by Queen Mary, I should point out that this one was first recorded in the Royal Collection in 1953. It’s possible that Queen Mary purchased it before her 1953 death, but we can’t be sure.

Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II

Click on image to enlarge.



Saturday, March 29, 2014

Gifts of Grandeur: The Union of England and Scotland Box, 1707



Crown Copyright
The Royal Collection
via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.



A circular box of tortoiseshell, this object boasts a cover with concave sides inset with a silver medal of Queen Anne in profile to the left.  Her Majesty wears regalia and a crown.  The medallion is inscribed, "Anna Dei Gratia Mag. Britan Fra. et Hib. Regina."  

The box and medal were made to commemorate the union of England and Scotland in May of 1707.  The reverse of the medal depicts a figure of Britannia engraved "Novae Palladium Troiae."

King Edward VII (1841-1910) was presented with this treasure by a now unknown party in 1907.


Crown Copyright
The Royal Collection
via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.

Wednesday, January 8, 2014

Mastery of Design: A Gift to Queen Mary from the Royal Household, 1928

Crown Copyright
The Royal Collection
Via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click on Image to Enlage





Made by Ovchinnikov of St Petersburg this box of enamel, gold, topaz, sapphires, and was presented to  Queen Mary, consort of King George V, King of the United Kingdom (1867-1953), from the Royal Household on her May 26, 1928.

The square circular lilac guilloché enamel box's raised inset cover is mounted with a faceted blue topaz.  The neck of cream guilloché enamel, and shoulders are mounted in colored gold with chased floral swags. The illusion of pendants of enamels is heightened from raised set diamonds and surrounding cabochon sapphires.

Thursday, December 5, 2013

Mastery of Design: King Edward VII's Gaming Box

Gaming Box Belonging to King Edward VII

Crown Copyright
The Royal Collection
Via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.







This rectangular double-hinged gold box with chased scroll and floral borders in high relief and central engine-turned panels was made between 1826 and 1836.  Though we're not quite sure how, the box ended up in the collection of King Edward VII.

The top contains four rectangular and four circular pierced gold games counters, each chased with flowers and scrolls, and each one marked as the ace of a different suit (hearts, diamonds, cubs and spades). The base of the box contains three spiral markers.






Thursday, November 21, 2013

Mastery of Design: The Union of England and Scotland Box, 1707

Crown Copyright
The Royal Collection
via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.








A circular box of tortoiseshell, this object boasts a cover with concave sides inset with a silver medal of Queen Anne in profile to the left.  Her Majesty wears regalia and a crown.  The medallion is inscribed, "Anna Dei Gratia Mag. Britan Fra. et Hib. Regina."  

The box and medal were made to commemorate the union of England and Scotland in May of 1707.  The reverse of the medal depicts a figure of Britannia engraved "Novae Palladium Troiae."

King Edward VII (1841-1910) was presented with this treasure by a now unknown party in 1907.


Crown Copyright
The Royal Collection
via The Royal Collection Trust
Image Courtesy of Her Majesty Queen Elizabeth II

Click image to enlarge.



Wednesday, May 22, 2013

Gifts of Grandeur: The Geneva Snuffbox, 1810



Click image to enlarge.

Snuffbox
One of a Pair
Sene and Detalla of Geneva
1810
The Victoria & Albert Museum



This is one of two very similar lavish enamel and diamond snuffboxes made in Geneva (by the firm of Sene and Detalla) which are found in the V&A’s Gilbert collection. Like its mate, this one was likely made for export from Switzerland to the Ottoman market in 1810.

The oval box features a cover enameled in translucent red. The cover boasts a double diamond border and the topmost panel is applied with a diamond spray. The sides of the box’s base are enameled with a blue trellis pattern which is mounted with enameled “pearls.” The inside of the lid has been set with an enameled plaque which depicts doves and a basket.




Monday, May 20, 2013

Gifts of Grandeur: King George V's Tortoiseshell Box, c. 1910

Box of Tortoiseshell, silver gilt and a rose-cut diamond.
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



When we think about the Royal Collection, especially from the period after the reign of Edward VII, those familiar with the provenance of most of the pieces therein, immediately think of Queen Mary, the ultimate collector.  However, Mary wasn't the only crowned head from 1910-1936 with an eye for attractive objects.  Her husband, King George V also had a knack for collecting handsome antiquities, treasures, and contemporary works.

This masculine box of tortoiseshell, gilt silver and a single rose-cut diamond dates to the early Twentieth Century and was made specifically for His Majesty George V and fits perfectly with his personal collection of simple, elegant pieces.  The polished lid is rimmed with gilt mounts set with a relief of berried laurels.  When the lid is removed, the gilded interior shows an engraved, crowned cypher--GVR.



Friday, May 3, 2013

Mastery of Design: The Louise of Denmark "Fly" Box, Early Nineteenth Century

Silver Gilt Box set with European Cut Diamonds and Table-Cut Rubies and Emeralds
Bequest of Queen Louise of Denmark
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



In 1926, Queen Mary was bequeathed this handsome, jeweled box from Queen Louise of Denmark.  The silver-gilt box is set with rubies, emeralds and diamonds within a black enamel border.  Curiously, the jewels form the shape of a fly.  

While we know that the box was made in Denmark, it's hard to decide on the year of creation, but all signs point to it having been made in the early Nineteenth Century or Late Eighteenth.



Tuesday, April 30, 2013

Gifts of Grandeur: The Cabochon Agate Box by Perchin, 1935

Box
Michael Perchin
Pre-1896
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II




One of the great things about the Royal Collection is that there's so much of it that, I'll never run out of things about which I can write.  Every so often, I'll go back to the archives to look for something about which I've written before, and will be unable to find the object again.  You see, the collection on display changes all the time.  But, the upshot of this is that I'll find something new to me, often by a favorite artist.

Take this box for instance.  It's the work of Michael Perchin, or, more accurately, Mikhail Evlampievich Perkhin (1860-1903), who, along with Viktor Aarne, was one of the greatest workmasters in the history of Fabergé.  I've a particular fondness for the work of Perchin (Perkhin) and Aarne.  Queens Mary, Alexandra and Elizabeth (the Queen Mother) did as well, and, therefore, there's quite a lot of it in the Royal Collection.  So, I was quite pleased to see a piece I've not seen before.

This oval-shaped box was created by Perkhin (Perchin) before 1896, and was added to the Royal Collection in 1952 by Queen Mary, shortly before her death.  The box, influenced by asian design is constructed of gold, guilloché enamel, and an impressive cabochon of banana-colored agate.  The whole of the lid is bordered by gorgeous European-cut diamonds, and the thumbpiece is set with a most impressive solitaire flanked by two smaller diamonds.

The underside bears the mark of Michael Perchin; FABERGÉ in Cyrillic; and a gold mark of 72 zolotniks which indicates that it was made before 1896.

I know it's not a banana, but I count the color of the agate as being appropriate to our theme today.




Wednesday, February 27, 2013

Object of the Day, Museum Edition: A Work Box, 1815



Work Box, 1815
The Victoria & Albert Museum


Here, we see a work box of wood and leather from the early part of the Nineteenth Century. Work boxes, were ostensibly containers for sewing and embroidery tools and materials, and were made up of many small compartments which allowed for easy organization. This particular box from the Victoria & Albert Museum also features a secret drawer behind the drawer at the front—a rather uncommon design for such a box--which opens by pulling a hidden catch. Clearly, this is an expensive example for a workbox and would have been made for a lady of leisure. Its leather cover and scene-printed silk lining tell us that this box, though practical, was also meant to be a luxurious status symbol.

The box retains most of its original fittings, including two fixed pin cushions which are covered with printed silk, and several lidded compartments. It still boasts its collection of small tools and souvenirs, such as a pin cushion in inlaid wood with silk-covered cushions at each end. This adorable cushion still bears a paper label that reads 'A trifle from BRIGHTON'. An ivory tape measure with its original silk tape, and a tiny circular needle case covered in green silk complete the set.

A brass plaque on the outside of the lid has not been engraved with initials, so we’ll never know to whom this box originally belonged. It was, however, purchased in the 1930s by Queen Mary, consort of George V (ruled 1910-1936) who made great efforts to collect as many various items from the Georgian and Victorian periods as she could. As she often did, Queen Mary bought this box with the V&A in mind. She gifted the item to the museum immediately after its purchase



Monday, January 14, 2013

Gifts of Grandeur: The Greyhound Box, c. 1888

Micromosaic, gold and agate box
England, 1888
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



This handsome circular agate box and cover boasts gold rims and an intricate micromosaic of a greyhound set against a background of brilliant sky blue. The inside of the cover is engraved with the Prince of Wales’ feathers, his motto and the cipher “AE.” 

This box has a rather interesting history within the Royal Family. It was made for Edward VII when still Prince of Wales. The box was a gift from Mr. Percy Doyle who’d asked that the interior be engraved with the prince’s cipher for his birth name, Albert Edward. 

After King Edward VII’s death in 1910, the box was passed to his sister, Princess Victoria (daughter of Queen Victoria and Prince Albert, who lived FOREVER) who would later give the box to her nephew, the new King George V on his birthday in 1932. Of course, George’s consort, Mary, was quick to get her hands on it, and, in doing so, preserved this masterpiece in the Royal Collection. 


Friday, January 4, 2013

Mastery of Design: The Revelstoke Bloodstone Box, 1910

Bloodstone, Gold and Diamond Box, c. 1910
Given to HM Queen Mary by Lord Revelstoke, 1910
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



This handsome circular box is crafted of bloodstone with shaped sides. The center of the cover is surmounted by a chased gold mount depicting, on a field of flowers, Cupid. The outer edge is set with an undulating band of brilliant-cut diamonds intertwined with an enamel foliate border. The hinges and other mounts are reeded gold.

The box was a birthday gift to Queen Mary, consort of King George V, presented on May 26, 1910 by Lord Revelstoke.





Tuesday, December 18, 2012

Gifts of Grandeur: A Tortoiseshell Box

Box
Gold, Silver, Tortoiseshell
Crown Copyright
The Royal Collection
Image Courtesy of Her Majesty Queen Elizabeth II



An Eighteenth-Century creation of unknown origin, this cartouche-shaped box is crafted of tortoiseshell. The lid connect to the base by silver hinges on a gold band rim. Both cover and base are piqué with silver posé and foules point—essentially meaning that the adornment is slightly raised.

The cover depicts a scene of Venus seated with Cupid amongst a floral pattern. The base shows a hunting scene of hound and hare with a similar scrolling foliate border.

There’s no record in the inventory of the Royal Collection which states how or why this box came into Royal hands, but, if I had my guess, I’d say it had something to do with Queen Mary.




Friday, September 21, 2012

Mastery of Design: The Geneva Snuffbox, 1810

Click image to enlarge.

Snuffbox
One of a Pair
Sene and Detalla of Geneva
1810
The Victoria & Albert Museum



This is one of two very similar lavish enamel and diamond snuffboxes made in Geneva (by the firm of Sene and Detalla) which are found in the V&A’s Gilbert collection. Like its mate, this one was likely made for export from Switzerland to the Ottoman market in 1810.

The oval box features a cover enameled in translucent red. The cover boasts a double diamond border and the topmost panel is applied with a diamond spray. The sides of the box’s base are enameled with a blue trellis pattern which is mounted with enameled “pearls.” The inside of the lid has been set with an enameled plaque which depicts doves and a basket.