Parian Group "The Merry Wives of Windsor" Worcester, 1850 The Victoria & Albert Museum |
Parian ware, as we know, is the unglazed development of biscuit porcelain. The medium became very popular after the Staffordshire firm of Copeland and Garrett introduced it in 1842 as a medium for busts, statuettes and reliefs.
Several different British pottery concerns marketed the
medium under a different name but “Parian” remained the generic term after
Minton used “Parian” to suggest Paros, the Greek island which supplied a lot the
marble used for Classical statuary. Now,
to be sure, Parian ware was not inexpensive,
however, it was more cost effective than marble, and it gave households
the appearance of owning a marble bust or figurine, previously only afforded by
the very wealthy.
This Worcester piece, dating to about 1850, was most likely modeled by James Hadley (1837-1903) and shows the scene from The Merry Wives of Windsor when “Mistresses Page” and Ford humiliate Falstaff in retaliation for his amorous advances by hiding him in a laundry basket which Mrs. Ford's servants, naturally, leave in the river—as one does. The front of the base incised THE MERRY WIVES OF WINDSOR.
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