Showing posts with label inkwell. Show all posts
Showing posts with label inkwell. Show all posts

Tuesday, April 29, 2014

Object of the Day, Museum Edition: The Fontana Inkstand, c. 1550



Inkstand
Fontana Workshop, c. 1550
This and all related images from:
The Victoria & Albert Museum



Made in the mid-Sixteenth Century, this tin-glazed earthenware inkstand comes from the Fontana Workshop in Urbino, Italy. The inkstand is surmounted by a figure of a young man playing an organ. He is joined by his faithful spaniel who is getting his ear scratched by his master. An inkstand such as this would have been made to appeal to a young gentleman for use in his private study. During this era, a class of urban professional men was developing and many workshops created specialized items to appeal to them. Desk accessories and ink stands were the centerpieces of these collections. Very often, these stands were fitted with compartments for pen, pounce, a paper knife, and scissors. This example once had a sliding drawer which is now missing. 



The scene depicted here shows a fashionable young gentleman dressed in the “uniform” of a nobleman. He sits at an architecturally-designed organ which is being operated by a boy at the reverse operating bellows. The entire group rests on a rectangular stand supported by lion's paws at the corners. At one point in the last five hundred years, the stand was broken, and, then, restored. There’s evidence of restoration to the chair, the brim of the hat, one of the capitals of the organ’s pilasters and the boy’s toes and bellows. 









Wednesday, December 4, 2013

The Home Beautiful: The Hildburgh Inkwell, 1600-25



This and all related images from:
The Victoria & Albert Museum


For centuries, curators have debated about this object. What exactly is it? Most believe that it’s probably an inkwell. The top of the object has been lost, and so, its original function is uncertain. It was given to the Victoria & Albert Museum by Walter Leo Hildburgh, one of the most dedicated and generous patrons in the history of the V&A whose passion for the art of Spain and Portugal, allowed the museum to acquire the finest collection of Hispanic silver in the world. Hildburgh developed a delightful habit of giving the Museum presents at Christmas and on his own birthday. This was one of them.

The object features a round body of yellow marble with black streaks, a gilt brass lip band, and a silver cartouche with an oval center decorated with strapwork on a ground of dark blue.  A unicorn perches at the apex. It is thought to have been made between 1600-1625 in Spain. Clearly, it is damaged and missing pieces at the top. Some suggest that it might have once surmounted a clock or another more monumental base. Nevertheless, it’s a beautiful object even in its current mysterious form.



Saturday, February 23, 2013

Object of the Day, Museum Edition: The Pierrot Inkwell, Early 20th C.



Click image to enlarge.

Pierrot Inkwell and Liner
France, Early Twentieth Century
The Victoria & Albert Museum


A work of hard-paste porcelain, the cover of this inkwell takes the form of Pierrot’s head. The base of the inkwell is formed by his ruff. Enamel colors adorn the inkwell the whole of the piece which also features a detachable liner and a small hole in the ruff for the pen.

Made in Becquerel, France, in the early Nineteenth Century, the underside is marked:

“BERCQUEREL”
“ALADDIN, MADE IN FRANCE”




Saturday, August 18, 2012

Unusual Artifacts: The Pierrot Inkwell, Early 20th C.


Click image to enlarge.

Pierrot Inkwell and Liner
France, Early Twentieth Century
The Victoria & Albert Museum


A work of hard-paste porcelain, the cover of this inkwell takes the form of Pierrot’s head. The base of the inkwell is formed by his ruff. Enamel colors adorn the inkwell the whole of the piece which also features a detachable liner and a small hole in the ruff for the pen.

Made in Becquerel, France, in the early Nineteenth Century, the underside is marked:

“BERCQUEREL”
“ALADDIN, MADE IN FRANCE”


Monday, July 9, 2012

Object of the Day, Museum Edition: The Fontana Inkstand, c. 1550

Inkstand
Fontana Workshop, c. 1550
This and all related images from:
The Victoria & Albert Museum



Made in the mid-Sixteenth Century, this tin-glazed earthenware inkstand comes from the Fontana Workshop in Urbino, Italy. The inkstand is surmounted by a figure of a young man playing an organ. He is joined by his faithful spaniel who is getting his ear scratched by his master. An inkstand such as this would have been made to appeal to a young gentleman for use in his private study. During this era, a class of urban professional men was developing and many workshops created specialized items to appeal to them. Desk accessories and ink stands were the centerpieces of these collections. Very often, these stands were fitted with compartments for pen, pounce, a paper knife, and scissors. This example once had a sliding drawer which is now missing. 



The scene depicted here shows a fashionable young gentleman dressed in the “uniform” of a nobleman. He sits at an architecturally-designed organ which is being operated by a boy at the reverse operating bellows. The entire group rests on a rectangular stand supported by lion's paws at the corners. At one point in the last five hundred years, the stand was broken, and, then, restored. There’s evidence of restoration to the chair, the brim of the hat, one of the capitals of the organ’s pilasters and the boy’s toes and bellows. 














Sunday, January 29, 2012

The Home Beautiful: The Hildburgh Inkwell, 1600-25

This and all related images from:
The Victoria & Albert Museum


For centuries, curators have debated about this object. What exactly is it? Most believe that it’s probably an inkwell. The top of the object has been lost, and so, its original function is uncertain. It was given to the Victoria & Albert Museum by Walter Leo Hildburgh, one of the most dedicated and generous patrons in the history of the V&A whose passion for the art of Spain and Portugal, allowed the museum to acquire the finest collection of Hispanic silver in the world. Hildburgh developed a delightful habit of giving the Museum presents at Christmas and on his own birthday. This was one of them.

The object features a round body of yellow marble with black streaks, a gilt brass lip band, and a silver cartouche with an oval center decorated with strapwork on a ground of dark blue.  A unicorn perches at the apex. It is thought to have been made between 1600-1625 in Spain. Clearly, it is damaged and missing pieces at the top. Some suggest that it might have once surmounted a clock or another more monumental base. Nevertheless, it’s a beautiful object even in its current mysterious form.