This unusual pair of paintings is somewhat mysterious. Painted on thick wooden board, they are quite heavy. Their framing is incredibly solid. Lifting the original paper backing of the frames (very carefully so as not to tear it) reveals that the boards are rough on the reverse and that when the boards were mounted in the frame (by means of rather chunky cross-pieces); the artist’s signature has been obscured.
There are clues, however, to their origin. We can deduce from the fact that these were painted on board that these were not necessarily the work of a professional artist, but rather someone who painted recreationally. The brushstrokes are fine and neatly controlled and the use of color is excellent. Clearly, the artist is trying to emulate the works of Classical landscape painters. For this reason, I would place these paintings as originating from England (or Scotland) in the early Nineteenth Century—a period during which British artists were fascinated with Classical depictions of nature. Though I can’t be certain, this is the most logical conclusion.
One day, if I’m feeling particularly brave and reckless, I may, in fact, attempt to remove these from their frames to get a better look for signatures and dates. However, I am always reluctant to disturb something that is in its original state. To me, more so important than the monetary value of a work of art is its visual value and historical integrity. To upset an object that has remained untouched for centuries simply seems wrong.
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