Thursday, November 10, 2011

Object of the Day: A Vintage Paperweight

I recently added this paperweight to my collection. That said, I know nothing about it. It’s unsigned and undated. But, it is exceptionally well-made. A red flower rises up from a purple bud, extending petals and stamen of crimson into brilliant crystal.


If I had to guess, I would say this was made in the late 1940s. The color scheme and depiction of the flower seem to be of that era. However, while dates and signatures are important in assigning value, there’s something greater in the simple value of visual joy. And, that’s something that this little paperweight has in buckets.





Wednesday, November 9, 2011

Gifts of Grandeur: The Rose Glynn Bracelet, 1876

Bracelet, 1876
The Victoria & Albert Museum

Here, we see a half-hoop bangle set with a rectangle of cabochon turquoises and a line of half-pearls. A glazed compartment on the inside of the hoop contains the remnants of a brown textile--obviously a souvenir of some significance which has been lost over time. 


This bangle was given by Edward, Prince of Wales (later King Edward VII) to Rose Riversdale Glyn on board HMS Serapis while on a royal tour of India. Edward had a taste for ladies and was known to offer extravagant gifts to win their (sometimes temporary) favor.

Besides, Miss Glynn was fortunate to receive this bracelet. Bracelets were the height of fashion starting in 1850 and bangles such as this were worn in stacks on both arms. A bangle of this nature was the perfect accessory for daytime wear.


Sculpture of the Day: The Prince and Princess, 1845-1850

Princess Victoria and Prince Edward
Staffordshire, 1845-1850
The Victoria & Albert Museum
Staffordshire figures often depicted popular people of the era. As we know, when these figures were first produced in 1840, the first subjects were Queen Victoria and Prince Albert, so it’s only fitting that their children would also find themselves to be the subjects of these colorful porcelain sculptures.


Here we see a figure group of lead-glazed earthenware depicting Edward, Prince of Wales and his sister, Victoria, the Princess Royal—the first two children of the Queen and her consort. The Princess Victoria was the first born and was heiress presumptive to throne until the birth of her brother who, being male, took precedent in his place in the line of accession—later becoming King Edward VII.

Princess Victoria is riding in a carriage drawn by a horse on which the Prince ridden by the Prince. The oblong base is decorated by a scrolled front picked out in gilding, and inscribed “PRINCE AND PRINCESS” in black.

Unfolding Pictures: The Frederick, Prince of Wales Fan, 1751

Fan
English, 1751
The Victoria & Albert Museum

Fans had a variety of meanings. Aside from being a useful accessory, they were also used as a form of flirtatious communication. Still, fans—like all art forms—took on more serious meanings and were used to commemorate events ranging from marriages and births to illnesses and deaths.


This lovely fan commemorates the death of Frederick, Prince of Wales (son of George II) in 1751. The fan leaf is adorned with an image of Britannia with her shield, spear and lion. On the left of the leaf, a weeping allegorical figure carries a shield with the Hanoverian horse emblem, representing the Royal Family.

Like most mourning fans of this period, it is painted in grisaille (grey wash) and silver, with a border of black gouache. The leaf is supported by appropriately simple and subdued ivory sticks.


Her Majesty's Furniture: The Prince of Wales Chair, 1788

Armchair
1788, England
The Victoria & Albert Museum
This isn’t just a pretty chair. It’s a pretty chair with a message. The chair pattern, with a heart-shaped back incorporates the Prince of Wales’ emblem of three feathers. This was a very popular motif in the late 1780s and 1790s.


The chair is the work of the firm of Gillow & Company, of Lancaster and London who called the design, “Drapery and feather back” and produced it in numbers around 1788. So, what was with all the love for the Prince of Wales at the time?

In 1787, the Prince of Wales took power as Regent when his father, George III, suffered a “temporary” bout of insanity as an offshoot of the illness porphyria. Even before that, the Prince was a popular figure who took something of a prominent role in the court long before his father’s illness was made public. Funny that when he finally became King George IV, he was largely hated by courtier and commoner alike.

The chair of carved mahogany still has its original black horse hair covering beneath the upholstery which is clearly modern.

Punch’s Cousin, Chapter 389

“I ain’t touchin’ either one of ‘em.” Gerry shook his head as he and Charles watched in shock as Ulrika Rittenhouse and Barbara Allen continued to strike each other.


“Stop it!” Charles shouted. “Look at you! It’s a disgrace! Brawling like men.”

The two women did not stop.

Charles rushed toward Barbara and grabbed her by the waist, pulling her away from Ulrika.

“Braver than I am,” Gerard muttered.

“Stay out of this!” Ulrika shrieked.

“She tried to kill me, Charles!” Barbara spat.

“Charles?” Charles smiled. “You know me?”

“Well, yes.” Barbara growled.

Charles grinned.

“What are you looking at?” Ulrika sniffed. “This doesn’t concern either of you.”

Gerard began to laugh. “The two of you are somethin’.”

“Shut your mouth.” Ulrika barked.

“She tried to kill me,” Barbara repeated.

“I didn’t do a thorough enough job of it.” Ulrika snapped.

“Come with me, Barbara.” Charles whispered, just relieved that Barbara seemed to have finally come to her senses. However, his relief turned to terror as Barbara began to rant.

“I’ll come with you, Charles. For now.” Barbara began. “However, this is far from concluded. Ulrika, I’ll make you suffer. And once I’m satisfied that you’ve had enough agony, I’ll send you to blazes! Not just you, but anyone who treads upon me. From this moment on, I will dedicate my life to pain! Any soul I deem deserving of suffering…I…”

“Do your worst!” Ulrika howled with laughter.

“I shall.” Barbara grinned and with that grin, Charles realized that though Barbara Allen was finally in the present, he had lost her forever. She had changed into a creature of pure cruelty. All of Arthur’s influence had taken hold and any remaining shred of gentility was gone. Gone also was the last shred of softness and human kindness that had once shown so clearly in Barbara’s eyes—that gentle flicker that had weakened Charles’ heart—it was replaced with a sick, orange glow of unadulterated contempt.

“At least,” Barbara continued, “My son has been returned to people who will love him. Now, I have not one thing about which to worry. I can devote my life to cruelty knowing that I have no impediments.”

“You don’t mean that,” Charles said softly, knowing, still, that she did.

Barbara looked at him gravely. “You know that’s false. But, I will leave with you. For now.”

Charles led Barbara from the workshop leaving Gerard alone with Ulrika.

“So,” Gerard said uncomfortably. “Are ya hurt?”

“No.” Ulrika grumbled, feeling her face and mouth with her fingers.

“You fight good.” Gerry nodded.

Ulrika sneered at him.

“Guess I’ll be goin’, then.” Gerard nodded after awhile. “Unless you need somethin’.”

Ulrika continued to sneer.

“Well, then,” Gerard snorted. “Off I go.” With that, he left.

Alone in the workshop, Ulrika leaned against a table and sighed. “So close. Still, I’ll triumph. I still have one weapon in my armory.”

At that very moment, the elder officer, Robert and Mr. Cage quietly entered Corliss Cage’s room.

“Corliss, dear,” Edward oozed false gentleness. “Are you awake?”

Corliss gurgled, looking up in confusion.

“Good evening, Mrs. Cage.” Robert said. “I’m sorry to bother you again. There’s some confusion downstairs and…”

“I will speak to my wife.” Edward interrupted. “Corliss, just tell these men that you were delivered the boy we call Holt. Tell them that you are his mother, than you gave him life.”

“I…” Corliss rasped.

“Yes, my dear.” Edward grinned.

“I did not…”



Did you miss Chapters 1-388? If so, you can read them here.

Obscure Book of the Day: His Royal Highness, The Prince of Wales


“His Royal Highness, The Prince of Wales: The Origins of His Ancient Titles and the Ceremonial of Investiture” is another book by the Pitkin Publishing Company which was produced as part of their mid-Twentieth Century “Pride of Britain” series. The book chronicles the early life of a young Prince Charles—the first son of Queen Elizabeth II and the Duke of Edinburgh--and shows you images from his early days before his mother ascended the throne and after.


The book was published between 1957 and 1958 and not only tells us about Prince Charles, but also the history of the title of “Prince of Wales” and the traditions associated with the style. In fact, the back cover of the book shows a family tree of the “House of Windsor” and shows how Charles fits into the history of the Royal Family.

Aside from official portraits, we are treated to candid images of the young prince with his grandmother, the Queen Mother and his parents as well as his sister and aunt, Princess Margaret. Baby pictures and images of the Prince at play give us glimpses of the man that we know as the heir to the throne and father of Princes William and Harry.

Let’s take a look inside:


Then-Princess Elizabeth admires her firstborn son.

You can see the face of the adult Prince in this early photo.

This letter from 1948 reads:
"The Princess Elizabeth, Duchess of Edinburgh, was safely delivered of a Prince at nine fourteen PM today.  Her Royal Highness and son are both doing fine." 


Charles and Anne.






The coronation in 1953.

With the Queen Mother.