Tuesday, February 8, 2011

The Belle Epoque Today: The Art of Jeff Stultiens, RP

Her Majesty, Queen Elizabeth II
in Garter Robes
Jeff Stultiens, 2003
The Royal Society of Portrait Painters
A figurative painter with an interest in portraiture, Jeff Stultiens has been a member of the royal Society of Portrait Painters since 1991. This award-winning painter has been the focus of many an exhibition and has been surrounded by art throughout his entire life. The son of two artists-- Thomas Stultiens HMI & Kate (née Whittaker), he married Catherine Knowelden, also an artist, who whom he has two daughters.


As a child in 1953, Stultiens was witness to the passing of Queen Elizabeth II’s limousine on the day of her coronation. Fifty years later, he was asked to paint the commemorative portrait of the Queen in honor of the her fiftieth year as monarch. His larger-than-life portrait of Her Majesty in garter robes caught the attention of the world, and added another layer of notability to this already celebrated portrait artist whose ability to render almost photographic realism owes largely to his brilliantly subtle use of his media.


Richard King, Sculptor
Jeff Stultiens
The Royal Society of Portrait Painters

Punch's Cousin, Chapter 165

In their private room deep within Julian’s body, Mr. Punch lay on the plush carpet of the floor that only the two of them could see.


“Chin up, Mr. Punch.” Julian said softly.

“Don’t see how you can be so calm,” Mr. Punch moaned.

“Have we just met?” Julian joked. “Am I not always visibly calm?”

“Visibly, maybe.” Mr. Punch muttered.

“But, you know otherwise…”

“Course I do.” Mr. Punch grunted. “Nobody knows what goes on with you better than I do.”

“So, you won’t be fooled if I seem distant and unaffected by our situation?”

“’Spose not.” Mr. Punch sighed. “Only I don’t see why you’d need to pretend inside your own body.”

“Perhaps I’m trying to not upset you further than you already are.” Julian replied.

“Well, that’s awful kind of ya.” Mr. Punch said, sitting up. “You always have been kind. Haven’t you?”

“I’ve tried.” Julian nodded.

“Even when folk’ve been awful to ya. You were kind to the Duchess and the Barbara and even to the wretched nanny. You always been nice to the servants and to the people what tried to get ya to sell ‘em jewels for much less than what they’re worth. You’re gentle with folk what treated ya like ya was the dirt on their boots.”

“So, it makes sense that I’d be even more so gentle with my other half, yes?”

“Yes.” Mr. Punch nodded. “Master…”

“Please, Mr. Punch,” Julian interrupted him. “I think it’s time you stop calling me ‘master.’ If anything, we’re equal. In fact, I’d say that of the two of us, you’ve become the ‘master’ now.”

“Oh, no.” Mr. Punch shook his head. “I know me place, I do. This body is yours, it is. I can’t forget that it were you what give me life. If I don’t call ya ‘master’ what is it I should call ya? Gotta show ya some respect I do. Want for me to call ya, ‘Your Lordship’?” Mr. Punch paused. “No, that won’t do. You ain’t a Lord no more, but a Duke. Maybe I should call ya ‘Your Grace” like the others.”

“How about calling me by my name?” Julian smiled.

“No.” Mr. Punch objected. “I couldn’t.”

“Punch,” Julian smiled. “We share a body. It’s quite acceptable to call me by my given name.”

“Very well,” Punch grunted.

“Now,” Julian nodded. “I interrupted you…”

“Right.” Punch nodded. “I was gonna ask ya somethin’. Are ya scared?”

“Scared?” Julian smiled. “I’m always scared.”

“Well, I know that.” Punch sighed. “But, I mean, are ya scared of what’s happenin’ right now?”

Julian thought about it for a moment. “I suppose I should be. But, I’m not. Usually the unknown frightens me. We’re certainly facing the unknown right now, aren’t we? However, dor some reason, I’m not afraid. Perhaps it’s because we’re here together. Perhaps it’s because I know that Robert and Marjani are out there fighting to protect us. Maybe it’s a combination of the two things. I don’t know. But, no, I’m not afraid.”

“Why can’t I hear them?” Mr. Punch stood up and began pacing again as the room grew redder and hotter around them.

“I suspect they’ve left us alone.” Julian answered thoughtfully.

“Why’d they do that?” Mr. Punch asked.

“I couldn’t tell you.” Julian chuckled. “Most likely to give us a rest. Or, perhaps, to fetch something that we need.”

Punch strained to listen. “I think I hear something again.”

Julian nodded. “You do.” He smiled at Mr. Punch. “You see, they’ve come back.”

“I hear the baby crying.” Punch said. “Poor little fella. He don’t know why his Uncle Punch can’t play with him. Coo! I hope they’re not gonna let him get too close. If I—we—got a fever I don’t want him catchin’ it.”

“I don’t suspect it’s the kind of fever that he could catch.” Julian shook his head.

“Wonder if they’re feedin’ the dog.” Punch continued, beginning one of his chattering rants. “So much what needs lookin’ after and us here not able to move…”

“I’m sure that they’re taking care of everything that needs attention.” Julian replied gently. “Do settle down, if you can.”

Punch grunted, and flung himself into the chair across from Julian, wiping the sweat from his imaginary brow.

“Here, what do I look like?” Mr. Punch asked.

“What do you mean?” Julian smiled.

“I just wiped me face and what I felt didn’t feel like no puppet head. What do I look like? If I’m in here with you, and I can see that you look like you, what do I look like?”

“You look like me—like us.” Julian said. “The man I see in here with me looks like Julian, the Duke of Fallbridge.”

“Here,” Mr. Punch said, feeling his face. “You mean, I don’t look like a puppet no more?”

“No.” Julian shook his head. “You look like the man that you are.”

“Coo.” Mr. Punch repeated. He paused. “What’re they doin’ out there?”

“Let’s just be quiet and listen for a moment.” Julian said softly. “Besides, we need to conserve our energy. The more we move around in here, the hotter it becomes.”

“Right,” Punch nodded.

Together, they listened.

Outside of their body, Marjani and Robert had gathered Cecil and Adrienne. Adrienne held the baby who whimpered restlessly in her arms. She looked with worry at Julian’s sweating body.

“I say,” Cecil grumbled. “Just how is Marjani intending to get Naasir up here? The man can barely sit, let alone walk. Is it absolutely necessary to disturb him?”

“She says it is,” Robert shrugged. “I don’t know what she’s doing. But, I trust her.”

“So, do I.” Adrienne nodded.

“I’m glad for ta hear it.” Marjani smiled as she came into the room, carrying Naasir in her arms. Again, Marjani carried the man as if he was simply not a burden at all.

“Good Heavens!” Cecil barked. “Let me help you, woman!”

“I got him.” Marjani said sweetly. “You could move a chair over by the bed, if you would.”

“Certainly.” Cecil did as instructed.

Marjani gently placed Naasir in the chair. He looked up—clearly in pain—and studied Julian.

“Oh, Great Man of the Rocks, I hate to see you in pain.” Naasir croaked.

“We hate to see you in pain, too, Naasir.” Adrienne whispered.

“My pain will pass.” Naasir answered softly. “I’m afraid that the Great Man’s pain has only just begun.”

“Are you strong enough to begin?” Marjani asked.

“I am.” Naasir said softly.

“Mrs. Halifax,” Marjani said, “Will you place young Master Fuller next to His Grace?”

“I will.” Adrienne said, putting the baby on the bed next to Julian’s boiling body.

Naasir painfully reached forward and put his charred hands on Julian’s chest.

“Let’s begin.” He said.



To you miss Chapters 1-164? If so, you can read them here.

Goal for the Day: Stay True to Yourself

Many people would have you bend to their will. We’re barraged with information—constantly. We are told what to think and what to feel. Very often, we may not agree with what we’re told. We may not believe what’s being espoused. It’s up to you to decide what you feel and what you think. It’s your responsibility to decide what path you’ll take with your life.


Though the other voices may be louder than yours, and though they will never relent, you are ultimately in control of who you are. So, stay true to yourself. The secret to a successful life is not how loud you can be, but how clear your voice is. Even if you’re the only person who ever hears your voice, you can take comfort in knowing that you are the only person responsible for your own thoughts.

Object of the Day: An Amethyst Stickpin

This unusual stickpin is significant inasmuch as it marks several notable changes in fashion. Toward the end of the Victorian era, as Queen Victoria remained in a permanent period of mourning following the death of her beloved husband, men’s fashions began to become more somber. Upon her death, when Edward VII became King, men’s fashions would again change—becoming tweed-ier and sportier. However, this stickpin dates to the late Victorian period and shows the trend toward more sober jewelry styles for gentlemen.


The pin features an interesting coffin-shaped amethyst mounted in a deep setting of engraved gold. The amethyst, with its elegant deep color, is particularly fine and flawless. This pin would have been worn during the day or during a period of mourning. While jet jewelry was worn during the initial stages of mourning, after a set period of months (depending on who died), a man was permitted to wear amethysts as purple was an acceptable mourning color.

The angularity of the cut and the decided lack of pearls or other stones stylistically brings us toward the more reserved jewelry designed for gentlemen in the Twentieth Century.


Monday, February 7, 2011

Painting of the Day: Queen Victoria with Prince Edward, 1845

Queen Victoria with Edward VII When Prince of Wales
Robert Thorburn, 1845
Miniature
Watercolor and Ivory
The Royal Collection
Edward, the Prince of Wales, was a precocious boy who, though not terribly interested in his studies, showed a spark of intelligence which proved he would make a fine king one day. This portrait miniature of watercolor on ivory was painted in 1845 by Robert Thorburn at the request of Queen Victoria.


It’s a happy image of mother and son and not indicative of the rift that would arise between the two of them following the death of Prince Albert. Here, we see the future King Edward VII looking adoringly at his mother, the woman in whose footsteps he would one day follow as monarch.

Person of the Week: Tim DeKay

Tim DeKay
With appearances on almost forty television programs and in twenty films, you’ve, no doubt, seen the talented Tim DeKay in something. Since 2009, he’s been known as Special Agent Peter Burke on USA’s White Collar in which he stars with Matt Bomer. DeKay’s portrayal of the steady and level-headed Agent Burke is proof of this talented actor’s vast range. Let’s remember that this is the same man who portrayed “Jonesy” on Carnivàle and who--as “Bizarro Jerry” on Seinfeld--flinched when Elaine Benes helped herself to some olives without asking. DeKay is one of those rare actors who slips into a character without leaving traces of himself on the surface. When you’re watching him, you are not constantly reminded, “This is Tim DeKay.” Instead, you believe that he’s truly the character that he’s portraying. That sort of ego-free acting is increasingly rare, the sign of an artist who is truly dedicated to his craft, and evidence of Mr. DeKay’s dedication and training.


Born in Lansing, New York, DeKay was an athletic youth who was a star on both the basketball court and the baseball field. In High School, he found himself attracted to theater and performed in several local productions. LeMoyne College was the next stop for Mr. DeKay who intended to study Business and Philosophy while also playing baseball. However, the lure of the theater was very strong, and, before long, Tim was back on stage. Upon his graduation, DeKay worked at a casket company. Training in direction at Syracuse University led DeKay to Rutgers where he pursued a Masters of Fine Arts in acting. While there, he also met his wife—Elisa Taylor—with whom he now has two children. In 2010, DeKay returned to his alma mater, LeMoyne University, where he was welcomed as a commencement speaker and given an honorary Doctor of Humane Letters degree.

For his contributions to the arts, his dedication to his craft, his winning charm and for continuing to entertain us, Tim DeKay is our “Person of the Week.” To learn more about the versatile Tim DeKay, visit his Web site. And, be sure to tune in to the new season of White Collar on the USA Network, Tuesday nights at 10:00/9:00 Central.




Sculpture of the Day: “Persimmon” by Fabergé, 1908

Persimmon
Henrik Wigström, 1908
Commissioned by King Edward VII
Silver, Nephrite
The Royal Collection
As a young man, King Edward VII took a keen interest in horseracing and steeple-chasing. Of his many horses, one of his favorites was his many-time champion, Persimmon. Persimmon had won both the Derby Stakes and the St. Leger Stakes among many others. King George V, Edward’s son, recalled watching his father’s magnificent horse at the Derby, “it was a splendid victory & it was only won by a head, Papa led 'Persimmon' in, he got a tremendous ovation, I never saw such a sight & I never heard such cheering. I won £300 on the race.”


King Edward VII commissioned a silver figure of Persimmon from Fabergé’s Henrik Wigström who had sculpted jeweled figures of many of the Royal animals. Edward was so pleased with the figure that he commissioned six more bronze versions of it. He gave the bronze replicas to friends and family.