Tuesday, May 28, 2013

Masterpiece of the Week: Marie, Queen of Hanover, 1861



Marie, Queen of Hanover
German School, 1861
Portrait: Watercolor on Ivory
Frame: Gold, Enamel, Diamonds
The Royal Collection
I just think this is very pretty. This watercolor on ivory miniature painting of Marie, Queen of Hanover is set into a gorgeous blue enamel frame with diamond flower-head spandrels.


The painting by an unknown German artist was presented to Marie by Queen Victoria as a souvenir. The piece was then given to Princess Mary Adelaide who was also the Duchess of Teck. As often happened, the little portrait ended up in the hands of—you guessed it—Queen Mary (of Teck) who managed to get hold of everything.



Unfolding Pictures: The Lilies Fan, 1895


The Lilies Fan
French, 1895
Presented to Queen Mary
The Royal Collection
A beautiful example of the art of late Nineteenth Century fan-making, this delightful hand fan features a paper leaf backed with kid leather mounted à l’anglaise with blond tortoiseshell guards and sticks decorated in gold, enamel and diamonds.

Known as “The Lilies Fan” for its floral decoratio, it was a gift to Queen Mary (Mary of Teck, Consort of King George V) from Princess Hélène (1871-1951), the second daughter of the Comte de Paris and the younger sister of Princess Amélie.

Now, that might not seem too strange--one Princess giving another former Princess (then Queen at the time) a luxurious gift. But, let’s examine the history between these two women for a moment.

In August 1890 the Princess Hélène had become engaged to Prince Albert Victor, Duke of Clarence. Albert Victor (known as Prince “Eddie”) was the eldest son of the Prince of Wales (son of Queen Victoria and Prince Albert, later King Edward VII) and his wife, Princess Alexandra (later Queen Alexandra. Prince Eddie was obsessed with Princess Hélène. But, Eddie had a habit of becoming infatuated with pretty young ladies. In fact, that’s about all he was good for.

The Great Grandchildren of French King Louis-Philippe
That's Princess Hélène there on the left, sitting up in the
dark dress.
The Royal Collection
The engagement was called off. Some say that it was on the instruction of Princess Hélène’s father, but there’s strong evidence to suggest that Queen Victoria disapproved of her grandson’s choice of mates. Princess Hélène was, after all, a Catholic (gasp!) and that just wasn’t going to work. The Prince of Wales—as heir presumptive to the throne—was expected to be King one day, and therefore, head of the Church of England. For his consort to be Roman Catholic would have been problematic to say the least.

And, so, Eddie being the resilient chap that he was found himself, in December 1891, engaged to Princess Victoria Mary of Teck (later Queen Mary). We’ve discussed what happened next. After Eddie’s unexpected death in that coming January, both of his fiancées grieved his loss. Princess Victoria Mary (May) of Teck soon accepted the marriage proposal of Eddie’s younger brother, the Duke of York (later King George V). In June 1895, Princess Hélène married Prince Emanuele of Savoy (1869-1931), 2nd Duke of Aosta.

The Princes Albert Victor and George of Wales
The Royal Collection
This fan was given to her for her wedding. The guards are adorned with the arms of France and Savoy, set in diamonds. But, was Princess Hélène happy with her new husband or did she always mourn the death of Eddie who—even had he lived—would not have been her husband in the first place.

Queen Mary’s biographer, James Pope-Hennessy, wrote in 1953:


On the grandiose tomb erected to the Duke of Clarence’s (Eddie’s) memory [at Windsor] there hung until quite recently a wreath of immortelles inscribed simply, ‘Hélène’. And Princess Hélène it is who deserves to have the last word on the subject of the Duke. In November 1892 Queen Victoria had a conversation with this charming girl who had so faithfully loved her not very lovable grandson. Je l’aimais tant, said Princess Hélène, adding, somewhat surprisingly, Il était si bon.
So, it’s rather odd that Princess Hélène would present this fan to Queen Mary who had, in effect, taken her place as the bride-to-be to the Prince of Wales. But, good ol’ Mary had a way of getting things that she admired from people. We’ll never quite know how this fan came to rest in the Royal Collection.

The floral painting on the leaf is by Madeleine Jeanne Lemaire (née Colle; 1845-1928). She was a prominent French fan-painter and illustrator who was quite popular with the court, particularly amongst the descendants of Queen Victoria. A watercolor by Lemaire was listed in the catalogue of the contents of Queen Victoria’s summer home, Osbourne House in 1876. Said painting was a gift from the Prince de Joinville to Queen Victoria, but it seems to be missing. No trace of it can be found. However, a concert program designed by Lemaire from June 1898 remains in the Royal Collection—preserved in one of the Duchess of Connaught’s photograph albums.


Gifts of Grandeur: Queen Mary's Snuffbox, 1780



Crown Copyright
The Royal Collection
Courtesy of Her Majesty Queen Elizabeth II



Made in France in 1780, this snuff box of gold and enamel depicts a scene of an allegory of Peace. The box was a birthday gift from King George V in 1934. During the early 1930’s Queen Mary amassed a huge collection of antique snuffboxes, and was, no doubt, thrilled with the gift.



Gifts of Grandeur: Queen Mary’s Convolvulus, 1900


The Royal Collection

Carl Fabergé created a series of miniature floral arrangements in enamel, gold and precious stones. Many of these objects ended up in the collection of Queen Mary. This elegant bouquet of convolvulus dates to 1900. It was purchased from Fabergé's London branch in 1908 for £35 by the Hon. Mrs Harold Nicolson who, in 1949, auctioned it at Sotheby's where it was purchased by the Royal Family as a gift for Queen Mary on her birthday on May 26, 1949.


The impressive collection of Fabergé in the Royal Collection had been started by Queen Alexandra. King George V and Queen Mary added further examples to the remarkable collection of Fabergé flowers. This example is one of the finest. The flowers are rendered in enamelled gold which has been set with rose-cut diamonds. The leaves are of white nephrite. The plant sits in a bowenite trough. Originally, when Queen Mary acquired it was mounted on a an additional base of white jade, but that has since been lost. 

Mr. Punch of Belgrave Square and the Treat of the Week Coming Tomorrow!






As Bertie and I catch up from the holiday weekend, we're preparing a new chapter of Mr. Punch of Belgrave Square and a double-feature "Treat of the Week" for tomorrow.  In the meantime, let's continue our belated celebration of the birthday of Mary of Teck.







Happy Belated Birthday Mary of Teck




Happy belated birthday to my favorite deceased Royal, Her Majesty Queen Mary, the one-time Princess Mary of Teck, Duchess of York, Princess of Wales.  The consort of King George V, she was the mother of two kings--one brief and selfish (the Great Kerfuffler™, King Edward VIII) and one who led the empire through the Second World War (King George VI).  Queen Mary died just before her beloved granddaughter ascended the throne as Queen Elizabeth II in 1953.




Object of the Day: A Magic Lantern Slide of Mary of Teck and Princess Mary Adelaide




Queen Mary
Regular readers know my deep affection for the late Queen Mary. I have long admired Her Majesty’s dedication to the history of Britain, her adoration of art and jewelry, and her steadfast loyalty to not only the Royal Family but to her people.

Queen Mary’s interest in the history of the Royal Family was quite natural considering that she, herself, was the daughter of Her Serene Highness, Princess Mary Adelaide of Cambridge, one of the few remaining granddaughters of King George III.

Queen Mary had a particular fascination with George III and his wife Queen Charlotte whom Mary thought she resembled (she did, in fact, look quite a lot like Queen Charlotte). Princess May—as she was known before her marriage to the future King George V—learned a bit about the history of her family at her mother’s knee and, on her own, researched as much as she could about her lineage.

Princess Mary Adelaide of Cambridge,
The Duchess of Teck

Princess Mary Adelaide of Cambridge was a peculiar figure in history. She was wildly popular with the people of Britain. Known as “Fat Mary” due to her girth, she was also known for her equally large personality and generous spirit. The princess was the patron of many a charity and was, more often than not, engaged in helping others in some way. Queen Victoria was terribly fond of her cousin, but also found Mary Adelaide to be problematic. She was loud and opinionated, scatter-brained and dramatic. Queen Victoria often lamented about Mary Adelaide’s inability to answer a simple letter in a timely fashion. But, worst of all, Mary Adelaide could not control her spending. She spent, and spent, and spent some more—jewels, art, carriages, clothes and the best food. She was a singular drain on the Royal Family, and, Victoria feared, totally unmarriageable.

Queen Victoria—while quite strict about other things—was not quite the stickler about rank that others were. As Queen, she herself had to marry someone of a lesser rank (Prince Albert of Saxe, Coburg and Gotha)—after all, there weren’t any unmarried Kings to be her mate. Still this marriage was quite a success, and, therefore, Victoria saw no reason for a woman of higher birth to not marry a man of slightly lower rank. The clear choice for Princess Mary Adelaide was the rather excitable Duke of Teck. Though Princess Mary Adelaide's marriage to the German Duke of Teck was morganatic (meaning that he was, technically, not her equal being simply a Duke while she was a Princess, albeit a Serene Highness and not a Royal Highness), Mary of Teck, as an adult, took Queen Victoria’s point of view and didn’t let these minor differences distract her from realizing the importance of her father’s family history as well.

Mary Adelaide relied heavily on her daughter. Before Mary of Teck’s two engagements—one to Prince Albert Victor (Known as “Eddy”) which ended upon his unexpected death, and the second to his brother and, then, heir presumptive, Prince George—Mary Adelaide enjoyed her daughter’s orderly mind and steady manner to keep her correspondence current and monitor her spending. The two, in fact, were inseparable.



Click above image to enlarge


This magic lantern slide which I recently acquired features a photograph of Mary of Teck and her mother, Princess Mary Adelaide seated together (with a beagle) at their private suite of rooms at Kensington Palace. The photo and the slide both date to early 1893 and were published to mark the occasion of the engagement of “Princess May” to the future King George V.



I looked for a non-lantern version of this photo and gave up since most of the results directed me back to my own web site.  So, I'm sorry to have only the slide to show you.  This is as clear a scan as I can get.

If you’re as much of a fan of Queen Mary as I, you might enjoy our line of “Teck Support” products—available only at our online store.