Monday, January 17, 2011

Sculpture of the Day: The Vénus Africaine, 1852

The Vénus Africaine
Charles-Henri-Joseph Cordier
Bronze, 1852
Purchased by Queen Victoria
The Royal Collection
By the 1840’s, with the rise of photography and the increasing number of archeological excavations and anthropological studies, English-speaking people were becoming more familiar with images of people from faraway lands.


Sculptor Charles-Henri-Joseph Cordier was fascinated with ideal beauty and desired to create busts showing “ideal heads.” Here, we see his representation of the feminine ideal in a bust of an anonymous female, African sitter. Cordier sculpted from life, often taking casts of the features of his sitters. In this case, admittedly, he “ironed out” any flaws in the woman’s face so that she would approximate his vision of the ideal.

Queen Victoria was quite taken with this sculpture as well as its companion piece, purchasing both in September of 1852. The sculpture was considered so unusually attractive that many reproductions were created of it.

Painting of the Day: “God Speed” by Lawrence Alma-Tadema

God Speed
Lawrence Alma-Tadema
1880-1890
Presented to King George V
and Queen Mary, 1893
The Royal Collection
The Dutch-born painter, Lawrence Alma-Tadema, moved to England in 1870 following the Franco-Prussian War. There, he honed his skills, quickly becoming one of the most notable painters of the late Nineteenth Century. His fluid compositions of languid women in regal, almost ethereal, settings made his work all the more popular. Known for his masterful painting of marble and stone, he initially had difficult depicting such textures—an issue which caused one of his teachers to comment that his work had the look of cheese. Alma-Tadema took this criticism to heart and was soon able to produce marbleized textures which could pass for the real thing.


In 1893, as a wedding gift to King George V and Mary of Teck, Alma-Tadema presented this painting entitled God Speed. The couple displayed the painting proudly, and, now, it remains in The Royal Collection.





Person of the Week: Debbi Morgan

Since the start of her film career in 1975, Debbi Morgan has been enchanting audiences for over thirty-five years. Her realistic portrayals make her characters likable and relatable, even in the strangest of circumstances.


Despite her long list of credits and many award-winning performances, Debbi Morgan is best known for playing Dr. Angela Hubbard—a character she created on All My Children in 1982. Her first run as Dr. Hubbard lasted until 1990. She later would reprise the role on another ABC show, Loving. Loving was later revamped into The City. This makes Miss Morgan the first actress to play the same character of three separate daytime shows. In 2008, Debbi Morgan returned to All My Children.

Miss Morgan brought more than exceptional acting to ABC in 1982. She brought an endearing quality which quickly made the show’s fans embrace her. Her character is a role model, showing African American women that they can achieve their dreams. Along with Darnell Williams as Jesse Hubbard, Debbi Morgan gave us one of the first portrayals of an African American “super couple” with a bond strong enough to triumph over anything, even death.

We should celebrate Debbi Morgan’s beauty and talent, yes. But, more so, we should applaud her for offering much-needed inspiration and friendly guidance to people from many different circumstances.

In 2011, Miss Morgan revealed that she was taking a brief leave of absence from All My Children to recover from a recurrence of Lyme Disease. She’s expected to return in February. We wish her a speedy recovery.

Treat of the Week: An Amazing Applesauce Cake

To simply refer to this masterpiece as an “applesauce cake” is to not do it justice. It’s so much more than that. A dense, incredibly moist Bundt cake, this delightful confection is spiced to perfection with cardamom. Cardamom has a rich, sharp taste which brilliantly compliments the creaminess afforded the cake from the applesauce. If you’re a fan of spice cake, this is definitely for you.


With a wonderful crumb, the cake is tender and melts-in-your mouth. It’s as beautiful as it is delicious—perfectly sculpted from a delicate Nordic Ware pan. My mother heartily recommends the Nordic Ware pans for their beautiful patterns and ease of use. Dusted with confectioner’s sugar and served with rosettes of whipped cream, this is the ideal cake for a chilly afternoon tea.








Punch's Cousin, Chapter 146

Iolanthe Evangeline turned toward Robert and Mr. Punch and glowered.


“What do the two of you know about this?” She hissed.

“Whatever do you mean?” Robert asked.

“No.” Iolanthe shook her head. “I want to hear from the daft Duke.”

“I don’t know nothin’.” Mr. Punch grunted.

Iolanthe’s back stiffened as she drew in a deep breath. “I don’t believe you and I don’t want you thinkin’ that I do. If I’m not to get any answers from you, I’ll address the lady herself.”

Iolanthe spun around quickly and walked toward Adrienne and Cecil—upon whom all eyes were fixed.

“Look alive, darling,” Cecil whispered. “She’s headed toward us.”

“Who dares to mock Iolanthe Evangeline?” Iolanthe growled as she came forward.

“Mock you?” Adrienne replied, “Dear Miss Evangeline, what makes you think you’re being mocked?”

“Adrienne,” Iolanthe grumbled. “I should have known it was you. Wouldn’t you consider this display to be mocking me?”

“Perhaps it’s an homage.” Adrienne grinned. “An homage to your very essence.”

“And, why would you wish to pay me homage?” Adrienne asked.

“Aren’t you one of the most beautiful women in New Orleans?” Adrienne asked. “And, one of the most famous?” She grinned. “Look at everyone. All eyes are on me. And, there’s not a soul in this room who doesn’t know—on sight—who I am meant to be. Isn’t a masquerade about fantasy? Look around. The room is filled with fantastical figures—famous visages from history and legend. Don’t you rightfully have a place amongst Marie-Antoinette and Queen Elizabeth. Aren’t you, yourself, an equally important figure?”

“I don’t disagree with that.” Iolanthe laughed. “However, I can’t help but think that your fancy dress is less of a tribute than it is a condemnation. Why pay me such flattery?”

“Is it too late to make my peace with you?” Adrienne asked.

“It’s never too late,” Iolanthe shook her head. “When it’s sincere. Yet, I find myself distrustful.”

“I’ve gone to a lot of effort to properly represent you this evening.” Adrienne smiled. “From the gown—which I must say was quite dear—to the elaborate wig.”

“Too much effort, I’d say,” Iolanthe frowned.

Sensing unrest at his party, Edward Cage lurched forward. “Well, then, I think we have a contender for our best costume, tonight. Wouldn’t you all agree?” He began applauding—an act which elicited the parroting of many in the room who also weakly applauded.

“And, truly, how could I expect anything less creative from the wife of my brilliant sculptor, Cecil Halifax. Ladies and gentlemen, will you allow me to present the clever mind and hands responsible for many of the excellent sculptures you’ll see tonight in my marvelous museum. Cecil Halifax!”

The applause grew stronger as the crowd fell for Mr. Cage’s showmanship.

Cecil bowed slightly.

“And, of course, his beautiful wife, Adrienne, who seems to have caught all of your attention with her ever-so clever costume. My dear lady, who are you meant to be? No. Don’t answer, let me guess. You’re meant to be the very spirit of New Orleans—are you not? New Orleans where our ladies are the finest in the world!”

A ruckus of whooping and cheers rose in the ballroom.

“Mr. Cage, I am meant to be the most famous of all of the ladies in New Orleans. More famous than Marie Laveau herself.” Adrienne answered loudly.

“Brilliant, just brilliant.” Edward Cage interrupted. “Now, I think it’s time for music and dancing! Maestro!” He signaled to the orchestra leader. “Begin!”

From the rear of the ballroom, the orchestra began to play.

“I will not have a scene here tonight,” Edward hissed at Cecil and Adrienne.

“But, a scene is just what we propose, Mr. Cage,” Cecil smiled.

“If you value your employment, I suggest that you blend into the crowd.” Edward spat. “We’ve had enough chaos for one evening.”

“What chaos would that be?” Cecil asked.

“Never mind about that,” Edward grunted. He turned to Iolanthe and frowned, “I’m going to continue to think that I don’t know who you are. Presently, I shall only consider you to be St. Joan since that’s the guise you wear, but I will warn you, too. If I were to look at the list of people I’ve invited here this evening, I don’t think I’d find your name. If you wish to stay, I reckon you’d do well to keep to yourself.”

“You’ll have no trouble from me,” Iolanthe purred. “In fact, Mr. Cage, the pleasure I can offer you is enormous.”

“That’ll do.” Edward sighed. “I warn all of you, we’re going to have a fine evening—without any trouble.”

“Of course,” Cecil nodded. “Tonight is a night for honest merriment. That’s all we shall offer you.”

“See that it is,” Edward smiled falsely, before walking away.

“We’d best join the others in our party.” Adrienne nodded to Iolanthe. “If you’ll excuse us.”

“Your brother and his mad ward are over there.” Iolanthe said stiffly. “I shall be keeping my eyes on you.”

“And ours shall be on you,” Cecil nodded as he took Adrienne by the arm.

Cecil and Adrienne met up with Mr. Punch and Robert.

“She’s quite upset.” Robert said.

“She’ll be more upset when our pantomime begins.” Adrienne said breathlessly.

“Are you quite well, my dear?” Cecil asked.

“Overheated, and a trifle nervous.” Adrienne answered.

“We don’t gotta do this.” Mr. Punch whispered anxiously.

“Yes, we do.” Adrienne nodded. “Don’t fear, Mr. Punch.”

Punch looked from side to side nervously. “Not to argue, but I think it’s only right that we should fear what’s dangerous.”

“Do you know your parts?” Cecil asked.

“I do.” Robert nodded.

“Dear, Mr. Punch?” Adrienne asked.

“I do as well, only I wish I could say that I do not.” Mr. Punch answered.

“Shall we begin, then?” Cecil asked.

Mr. Punch gulped. “If we must.”

“Go on, Mr. Punch,” Cecil said. “Remember what to do.”

“I remember,” Punch muttered. He looked to Robert, “Please, Chum, there’s got to be another way.”

“I assure you that we’ll be quite safe.” Robert said. “I’d never put any of you in harm’s way.”

“Very well,” Punch said uneasily. “I’ll leave you to it.”

With that, Mr. Punch walked to the rear of the ballroom and climbed upon the raised platform from which Edward Cage had given his speech. He began speaking, startlingly, as Mr. Punch—not as himself—but as the puppet. His voice was curiously like that of the puppet—as uncanny an approximation of Mr. Punch’s voice could be without a swazzle.

“Dooo-deee-doooo-deee-doooo.” Mr. Punch squawked. “What a fine ball, this is.”

The orchestra leader looked at Mr. Punch and tapped his podium, thinking that one of the revelers was about to delight the crowd with some spirited fun. The musicians stopped playing.

From a corner of the ballroom, Edward Cage grunted furiously.

“Dooo-dee-dooo,” Mr. Punch continued to squawk. “On a night such as this, a man fancies a kiss. Who will give us a kiss? No one?” Mr. Punch looked theatrically out into the crowd. “Who will kiss me on my beautiful nose? Who will give a kiss to Mr. Punch?”

The crowd began to laugh good-naturedly.

“Oh, my kingdom for a kiss, if a kingdom I so had to give. Such a lonely man, I am. And, sad, too for one so handsome as me-self. What a tragedy that my beautiful nose should go unkissed on such a fine night.”

The revelers chuckled heartily.

Edward Cage wrung his hands nervously.

“If I can’t come by a kiss honestly,” Mr. Punch continued his squawking. “Perhaps I can come by one in the manner known to lonely men. Perhaps I can buy a kiss for me-self. But, truly, what fine woman would sell her kisses to one such as me?”

“I would, Mr. Punch,” Adrienne said in a frighteningly deep voice, not unlike Iolanthe’s.

She cut through the crowd and ascended to the platform to join Mr. Punch.

“And, who might you be, lovely lady? You’re not Pretty Polly, you’re not.” Mr. Punch screeched.

“No, I am far more beautiful than Polly, and far more adventurous.” Adrienne grinned.

“But are you a virtuous lady?” Mr. Punch asked.

“For the right amount of gold, I am as virtuous as you wish,” Adrienne answered.

The crowd erupted into laughter and applause.

“Whatever is your name, oh virtuous one?” Mr. Punch continued.

“I call myself the name of violets.” Adrienne said dramatically, “though you’ll find that my buds smell far sweeter.”

The party-goers went wild with laughter.

“Will you kiss me, Flower of New Orleans?” Mr. Punch asked.

“I shall, Mr. Punch. I shall kiss your beautiful nose.”

“Go on, then.” Mr. Punch leaned forward.

“But, not first, without you giving me something.” Adrienne smiled theatrically.

“Whatever you desire.” Mr. Punch said. “Is it gold you seek? Is it diamonds? Is it exotic silks?”

“To be sure, I do desire those things,” Adrienne played along. “But, I desire something far greater still.”

“I want your kisses,” Mr. Punch opined broadly. “I shall give you whatever you wish.”

“You see, handsome man, I have a hunger.”

“Don’t we all?” Mr. Punch winked exaggeratedly at the audience. “For what is your hunger?”

“Souls, dear man,” Adrienne replied comically. “Souls!”

Iolanthe groaned, looking angrily at the display before her.

“Souls?” Mr. Punch asked. “But, I am a man of wood.”

“All men are of wood,” Adrienne chuckled in a stagey manner. “But, surely, short of offering me your soul, you’ve got something else I can use.”

“What’s that?” Mr. Punch asked.

“Your blood!” Adrienne replied.

The crowd’s laughter became silent.

“I take the blood of men and women alike…”

“Stop this!” Iolanthe shouted from the crowd. “Stop it at once!”



Did you miss Chapters 1-145? If so, you can read them here.

Goal for the Day: Ease into a Healthy Lifestyle

You’ve resolved to engage in a healthier lifestyle. Perhaps you’ve vowed to wake up early and get some exercise, perhaps you’ve decided that you’re going to eat healthier, or perhaps you’ve challenged yourself to get more sleep. Whatever your resolution, you can’t just change your previous behavior overnight. Cut yourself some slack. The habits you developed over time, will take time to undo. If you decide to just change your behavior immediately, you might find that you’re setting yourself up for failure.


Ease into your new lifestyle. Go into it gradually. If you’ve vowed to get more sleep, for example, start going to bed a little earlier each night. If your body is accustomed to staying up until 1:00 A.M., you’re not going to fall asleep at nine. Ease into it. The same concept applies to exercise. If you’ve been inactive for the past several months, getting up at 5:00 A.M. to go workout is going to seem like a monumental task. Instead, start waking up half-an-hour earlier and take a walk around your block. If you approach new habits gradually, they’ll seem less daunting, and you’ll quickly find that you’ll reach your goals sooner than if you force yourself into them unnaturally.

Object of the Day: A Vintage Frameless Mirror

Borrowing a concept from Venetian glass-makers, the frameless beveled mirror rose in popularity during the 1920’s. Considered quite the height of fashion in the U.S. and Britain, frameless mirrors soon dominated the market and found themselves in use in a variety of decors. Such mirrors had been around since the late 1800’s, but reached their pinnacle in the early Twentieth Century as designers relied more on shine and shape than they did ornamentation.


Frameless beveled mirrors took a variety of shapes, often mimicking the cuts of gems and adapting the more formal shapes of heavily-framed mirrors. These objects were at once informal and elegant, affording a sense of architecture without imposing the structure of a framed mirror.

This mirror—while appearing round, is actually comprised of thirteen straight edges. Mirrors such as this one can be found frequently in antique shops. If you find one that you lake, but don’t wish to hang it on the wall, you’ll discover that they also make great “table lakes.” Such a mirror can be placed on a flat surface to reflect the objects placed on top of it, creating a handsome display which playfully reflects the light of the room.