Unusual Artifacts: The Fabergé Parasol, 1896-1903

Parasol
Mikhail Perchin
Bowenite, Gold, Enamel and Diamonds
1896-1903
The Victoria & Albert Museum

Parasols were designed to shield a lady’s delicate skin from the sun, certainly, but they also served a more social purpose, creating another means to draw attention to a lady and display her wealth, taste, fashion and standing in society.

This parasol, designed by Fabergé between 1896 and 1903, while certainly affording a utilitarian purpose, existed mostly as a means of showing off. The handle of bowenite is both practical and beautiful. The hard stone, in hot weather, would have cooled a lady’s hand while showing her sense of taste. The collar with its trelliswork borders and yellow enamel, resembles the Imperial Coronation Egg (now in the private Vekselberg Collection) and a Fabergé box with similar visual characteristics which can be seen in the Victoria and Albert Museum. Each triangular section of the pommel’s collar is set with a central diamond.

Fabergé’s Mikhail Evlampievich Perchin (1860-1903), created this parasol. It was commissioned, actually, to be used during Queen Victoria’s Diamond Jubilee in 1897, however, records show that it was probably not finished in time and was not completed until 1903. 

Mastery of Design: The Colonnade Egg by Fabergé, 1910

The Colonnade Egg
1910, Fabergé
Bowenite, Four-Color Gold,
Diamonds, Platinum, Silver,
Enamel
The Royal Collection

This remarkable work of art is one of four Imperial Fabergé eggs which incorporated a clock into the central design. Designed by Henrik Wigström for Fabergé in 1910, the egg was originally presented to Russian Tsar Nicholas II as the traditional Easter gift for his wife.


The centerpiece of the egg is a rotary clock by Henri Moser et Cie. The clock is supported by bejeweled and enameled columns and surmounted by the egg itself so that it takes on the look of a temple. It is meant to represent the “temple of love.” Two platinum doves symbolize the Tsar and Tsarina, with four cherubs representing their daughters and a fifth putti at the apex of the dome—a symbol of their long-awaited son. The entire piece is adorned with diamonds, enamel, four-color gold, platinum and silver.

When Nicholas II was overthrown and his family killed in 1917, most of the Russian treasures were confiscated by the provisional government. The Colonnade Egg was among those items which were seized. It was presumed lost. However, in 1931, it reappeared in the hands of Mary of Teck who presented it as a gift to her husband, King George V.

Unusual Artifacts: The Fabergé Parasol, 1896-1903

Parasol
Mikhail Perchin
Bowenite, Gold, Enamel and Diamonds
1896-1903
The Victoria & Albert Museum

Parasols were designed to shield a lady’s delicate skin from the sun, certainly, but they also served a more social purpose, creating another means to draw attention to a lady and display her wealth, taste, fashion and standing in society.

This parasol, designed by Fabergé between 1896 and 1903, while certainly affording a utilitarian purpose, existed mostly as a means of showing off. The handle of bowenite is both practical and beautiful. The hard stone, in hot weather, would have cooled a lady’s hand while showing her sense of taste. The collar with its trelliswork borders and yellow enamel, resembles the Imperial Coronation Egg (now in the private Vekselberg Collection) and a Fabergé box with similar visual characteristics which can be seen in the Victoria and Albert Museum. Each triangular section of the pommel’s collar is set with a central diamond.

Fabergé’s Mikhail Evlampievich Perchin (1860-1903), created this parasol. It was commissioned, actually, to be used during Queen Victoria’s Diamond Jubilee in 1897, however, records show that it was probably not finished in time and was not completed until 1903. 

Mastery of Design: The Lang Quartz and Jewels Box, 1770

The Victoria & Albert Museum

This magnificent quartz box for holding sweetmeats is mounted in engraved and chased gold and encrusted with stones carved in the form of a woman, birds, flowers and insects. Made in Augsburg, c. 1770, this is the work of the jeweler Heinrich Gottlob Lang who managed to incorporate a host of gorgeous colored stones into his design. The stones, carved and faceted, include: sapphire, pink tourmaline, white opals, garnets, marcasite, lapis lazuli, bowenite, malachite, turquoise, jasper, agate, and chalcedony.