Showing posts with label Duchess of Devonshire. Show all posts
Showing posts with label Duchess of Devonshire. Show all posts

Wednesday, February 19, 2014

History's Runway: The Duchess of Devonshire's Schiaparelli Gown, 1953



Ballgown
Elsa Schiaparelli, 1953
The Victoria & Albert Museum

Celebrated designer Elsa Schiaparelli (1890-1973) was born in Rome and, as a young woman, studied philosophy. After she married, she traveled to Boston and New York, moving to Paris in 1920.

The design which first cast the spotlight on Schiaparelli was a black sweater knitted with a trompe l'œil bow in white. The sweater was spotted by a store buyer and the orders she received put her into business. By 1928 she had launched her own boutique called Pour le Sport. An exclusive salon would open a year later where Schiaparelli garnered much acclaim and attention for her witty, smart, sophisticated, theatrical and elegant evening ensembles. Her eccentric designs earned her many loyal fans, among them, a good many popular artists. Many of these artists collaborated with Schiaparelli to create sumptuous, innovative new looks. Among these artists were Salvador Dalí, Christian Bérard and Jean Cocteau who each designed fabrics and accessories for her lines. Cubism and Surrealism influenced Schiaparelli's work considerably. She also loved to experiment with color, dying furs and textiles unusual colors. She favored shocking pink--like the gown we see here.

This dress from the Summer of 1953 was worn by the Duchess of Devonshire and now is part of the Cecil Beaton Collection at the V&A. The under dress of her trademark pink is crafted of Thai silk. It features short sleeves and a pleated off-the-shoulder neckline with a dropped waist and flared skirt with an over-lain white silk organza pattern of apple blossom embroidered in pink, green, yellow and white on velveteen appliqué. 



Thursday, February 13, 2014

Object of the Day, Museum Edition: A Jeweled Miniature of Georgiana, Duchess of Devonshire, 1812



The Duchess of Devonshire
Hone, 1812
The Victoria & Albert Museum



Georgiana, the Duchess of Devonshire (born Georgiana Spencer, 1757-1806) was the toast of English Society in the late Seventeenth Century. Her marriage to an older man, William Cavendish, the Duke of Devonshire, proved to be a disappointment and despite a home life filled infidelity and treachery, Georgiana managed to become one of the most important female social, fashion and political figures of her day. An ancestor of both the late Diana, Princess of Wales (the one-time Lady Diana Spencer) and the Duchess of York (Sarah Ferguson--who is descended from Georgiana’s illegitimate daughter), the Duchess of Devonshire was heralded for her beauty as well as her intellect.

This jeweled miniature of the Duchess of Devonshire is the work of Horace Hone who based this enamel on copper painting on an earlier portrait of Georgiana with her good friend Lady Elizabeth Foster who was also the Duke of Devonshire’s longtime live-in mistress and mother of a couple of illegitimate boys. Hone’s painting was completed six years after Georgiana’s death and was likely meant as a memorial piece to be given to a close friend or family member. The oval portrait miniature shows the Duchess of Devonshire in a blue and white dress. She wears a blonde wig—one of the many fine wigs for which Georgiana was famous. The oval gold rim frame is set with diamonds. Today, the piece is part of the Gilbert Collection at the V&A and still retains its original presentation case.







Tuesday, February 26, 2013

Object of the Day, Museum Edition: A Jeweled Miniature of Georgiana, Duchess of Devonshire, 1812

The Duchess of Devonshire
Hone, 1812
The Victoria & Albert Museum



Georgiana, the Duchess of Devonshire (born Georgiana Spencer, 1757-1806) was the toast of English Society in the late Seventeenth Century. Her marriage to an older man, William Cavendish, the Duke of Devonshire, proved to be a disappointment and despite a home life filled infidelity and treachery, Georgiana managed to become one of the most important female social, fashion and political figures of her day. An ancestor of both the late Diana, Princess of Wales (the one-time Lady Diana Spencer) and the Duchess of York (Sarah Ferguson--who is descended from Georgiana’s illegitimate daughter), the Duchess of Devonshire was heralded for her beauty as well as her intellect.

This jeweled miniature of the Duchess of Devonshire is the work of Horace Hone who based this enamel on copper painting on an earlier portrait of Georgiana with her good friend Lady Elizabeth Foster who was also the Duke of Devonshire’s longtime live-in mistress and mother of a couple of illegitimate boys. Hone’s painting was completed six years after Georgiana’s death and was likely meant as a memorial piece to be given to a close friend or family member. The oval portrait miniature shows the Duchess of Devonshire in a blue and white dress. She wears a blonde wig—one of the many fine wigs for which Georgiana was famous. The oval gold rim frame is set with diamonds. Today, the piece is part of the Gilbert Collection at the V&A and still retains its original presentation case.








Thursday, December 27, 2012

History's Runway: The Duchess of Devonshire's Schiaparelli Gown, 1953

Ballgown
Elsa Schiaparelli, 1953
The Victoria & Albert Museum



Celebrated designer Elsa Schiaparelli (1890-1973) was born in Rome and, as a young woman, studied philosophy. After she married, she traveled to Boston and New York, moving to Paris in 1920.

The design which first cast the spotlight on Schiaparelli was a black sweater knitted with a trompe l'œil bow in white. The sweater was spotted by a store buyer and the orders she received put her into business. By 1928 she had launched her own boutique called Pour le Sport. An exclusive salon would open a year later where Schiaparelli garnered much acclaim and attention for her witty, smart, sophisticated, theatrical and elegant evening ensembles. Her eccentric designs earned her many loyal fans, among them, a good many popular artists. Many of these artists collaborated with Schiaparelli to create sumptuous, innovative new looks. Among these artists were Salvador Dalí, Christian Bérard and Jean Cocteau who each designed fabrics and accessories for her lines. Cubism and Surrealism influenced Schiaparelli's work considerably. She also loved to experiment with color, dying furs and textiles unusual colors. She favored shocking pink--like the gown we see here.

This dress from the Summer of 1953 was worn by the Duchess of Devonshire and now is part of the Cecil Beaton Collection at the V&A. The under dress of her trademark pink is crafted of Thai silk. It features short sleeves and a pleated off-the-shoulder neckline with a dropped waist and flared skirt with an over-lain white silk organza pattern of apple blossom embroidered in pink, green, yellow and white on velveteen appliqué. 



Thursday, November 1, 2012

Drawing of the Day: Elizabeth, Duchess of Devonshire, 1828


Elizabeth, Duchess of Devonshire
After Thomas Lawrence
Crown Copyright
The Royal Collection This and all related images courtesy of
Her Majesty Queen Elizabeth II


This drawing is a copy of a painting by Sir Thomas Lawrence (1769-1830). 

The portrait depicts Elizabeth, Duchess of Devonshire, dressed in late 1820s fashion with a plumed bonnet, ruffled collar and matching cuffs, and elaborate jewelry. 

Little else is known about the painting or how it happened to come into the Royal Collection.


Tuesday, July 31, 2012

Mastery of Design: A Jeweled Miniature of Georgiana, Duchess of Devonshire, 1812

The Duchess of Devonshire
Hone, 1812
The Victoria & Albert Museum



Georgiana, the Duchess of Devonshire (born Georgiana Spencer, 1757-1806) was the toast of English Society in the late Seventeenth Century. Her marriage to an older man, William Cavendish, the Duke of Devonshire, proved to be a disappointment and despite a home life filled infidelity and treachery, Georgiana managed to become one of the most important female social, fashion and political figures of her day. An ancestor of both the late Diana, Princess of Wales (the one-time Lady Diana Spencer) and the Duchess of York (Sarah Ferguson--who is descended from Georgiana’s illegitimate daughter), the Duchess of Devonshire was heralded for her beauty as well as her intellect.

This jeweled miniature of the Duchess of Devonshire is the work of Horace Hone who based this enamel on copper painting on an earlier portrait of Georgiana with her good friend Lady Elizabeth Foster who was also the Duke of Devonshire’s longtime live-in mistress and mother of a couple of illegitimate boys. Hone’s painting was completed six years after Georgiana’s death and was likely meant as a memorial piece to be given to a close friend or family member. The oval portrait miniature shows the Duchess of Devonshire in a blue and white dress. She wears a blonde wig—one of the many fine wigs for which Georgiana was famous. The oval gold rim frame is set with diamonds. Today, the piece is part of the Gilbert Collection at the V&A and still retains its original presentation case.