Monday, August 13, 2012

Object of the Day: A Die-Cut Trade Card for Kensington Work

Click image to enlarge.



As you all know, I recently bought another large lot of Victorian trade cards so I’d have things to share with all of you. Actually, this weekend, I purchased about a hundred more, too. So, it’s a good thing you all seem to enjoy looking at these things.

One of my favorites from the bunch is this die-cut card in the shape of a painter’s palette. I’ve got another one in the same shape which has a ship on the front. This one depicts a rather manipulative looking kitten. Sure, he seems sweet at first glance, but there’s something underneath his expression that makes me think he’s got a switch-blade. Or…not. He also looks a bit like Princess Diana, too. So, I’m torn.

These die-cut cards were available through catalogs and could be customized. This one has been printed on the front with the words:

Compliments of 
    
MRS. A.W. BELCHER.                                                                         (over) 

Well, if you insist.

The reverse has been custom-printed for an individual operating her own business, which I think is pretty nifty. Let’s see what she has to say.

LADIES…
                I have a fine assortment of new and
artistic designs for Kensington Work, which
you are invited to call and examine. Stitch
taught; work done, or begun: Outlining,
&c., also material for the same. Stamping
to order.
        425 ESSEX STREET, LAWRENCE, MASS.


For those who don’t know, Kensington work is a type of embroidery which was revived and became quite fashionable in Victorian England. The stitch resembles the plumage of a bird with a series of overlapping stitches which create a gradation of color. The technique was used to create patterns of flowers, foliage, birds and animals.

Click image to enlarge.

2 comments:

Dashwood said...

This may be overstudying it just a bit but all the paint colors on the palette are those used to paint the image of the cat with the exception of RED. The cat, knowing this, has a worried look that the next application of the brush will apply a great wound to its little furry noggin. He has been waiting for that blow to fall for over 100 years. Taken that way this card has the same sense of suspended anticipation as "Christina's World" and is, therefore, Great Art.

Joseph Crisalli said...

You know, Dashwood. I think that's a perfectly reasonable analysis of this chromolithograph, and, one which had escaped me. I thank you for your thorough exploration.