Friday, July 12, 2013

Object of the Day, Museum Edition: Triumphal Arch of the New Palace, 1829



The Victoria & Albert Museum


This hand-colored etching is entitled “An Appropriate Emblem for the Triumphal Arch of the New Palace” and has been dedicated to “the poor, penny-less, priest ridden and paralysed John Bull.” The image depicts a man (a rather Punch-like man) in a jester's motley, displaying the lining of his empty pockets. His left pocket reads “To Let” and, the right, “Empty.” He surmounts a series of classical arches and a speech bubble in which he is declaring:

"They denounce me a Fool, I acknowledge the fact
But Necessitas Legis 'twas drew the compact
By Estimated false and Contracts still worse
They have brought me to Want, having emptied my purse"

This image was meant as a visual companion to an article in the Morning Herald as a note beneath the image says “See Morning Herald of August 14th 1829.”

We can assume that the arch in question in the title was “The Marble Arch”, a triumphant arch constructed as the centerpiece of an enlarged courtyard at Buckingham Palace in commemoration of the British victories at Trafalgar and Waterloo. By 1829 the costs of this project had escalated to nearly half a million pounds—a fact that was criticized by those who thought the money would have been better spent improving the lives of the destitute.

It was published in London in August 1829 by S.W. Fores, 41 Piccadilly and is part of the George Speaight Punch & Judy Collection.



Thursday, July 11, 2013

Gratuitous Bertie Dog Picture: Upstart Downstairs



"When you've finished your broom game, or, whatever, maybe you could clean up a little?  The dust is starting to spell things."







Image: Bridget Holmes (1591-1691), Creator: John Riley (1646-91) (artist), Created, Signed and dated 1686, Materials: Oil on canvas, Acquirer: James II, King of Great Britain (1633-1701), Crown Copyright, The Royal Collection, Image Courtesy of Her Majesty Queen Elizabeth II.


Learn more about this painting and Bridget Holmes here.









You, too, could have a cup of tea with Bertie. Or, you could wear his picture proudly. Visit our online store to see our range of Gratuitous Bertie Dog products.

The Art of Play: A Mechanical Toy Elephant, 1975



The Victoria & Albert Museum
Museum of Childhood

Here’s a toy that I could have played with—and would have. Made in 1975, this mechanical toy is lithographed tinplate upon a green plastic platform mounted on two black plastic wheels at the back and one tinplate wheel at the front. It depicts, naturally, an elephant riding a cycle while balancing a ball on its trunk—as they do.

When pulled along by the green plastic cord, the back wheels turn. These wheels are attached to cogs which turn the post for the ball while one of the cogs strikes a small paper-covered interior box, making the noise of the “motor.” As the ball is spinning, the attached tassels flare out.

The manufacturer of the toy is unknown and the piece is not marked. It was acquired in Peking in the mid-1970s and was probably made expressly for the Chinese market. This is part of a large collection of Chinese-made toys from this era which is housed in the Victoria & Albert Museum’s Museum of Childhood.




History's Runway: The Lime Jacket and Dress, 1966



Dress and Jacket by Ungarro, 1966
The Victoria & Albert Museum




The famed designer Emmanuel Ungaro was born in Aix-en-Provence, France, in 1933 and is credited as having played an important role in the rejuvenation of Paris fashion.  After working with Balenciaga for six years, he joined Courrèges in 1964, going out on his own in 1965. His designs of the era always featured the angular shapes which were fashionable in the mid 1960s.

This day dress and jacket was designed by Ungaro for Mrs. Brenda Azario and was featured in French Vogue (March 1966 and March 1967).

The short jacket features his signature straight-cut design with long sleeves.
 Double-breasted, the jacket is in horizontally striped wool gaberdine with turquoise and line green bands separated by narrow stripes of purple, red and orange.

Beneath the jacket, a dress of sleeveless, shift-shaped design is made of wool gabardine with a square neckline, a high waist and a bodice of horizontally striped wide bands of turquoise and lime green separated by narrow stripes of purple, red and orange. 




Bertie's Pet-itations: Mine





Here's Bertie's weekly opportunity to share his ideas for creating our new "Beautiful Age."  Bertie's advice, I'm sure, can be applied to many different areas of our lives.

And, so, I happily hand the computer over to him.


Bertie says:

I like to know when something is just for me.  Even if it's something small or something most would think as unimportant, it's nice to know it belongs to me.



Mr. Punch of Belgrave Square, Chapter 354




Chapter 354
Ladies


"Maudie, you done such a fine job with them cakes."  Ethel grinned.

"You think so?"  Maude asked nervously.

"Sure, they look almost as good as Mrs. Pepper's."

"Oh, I am glad."  Maudie sighed with relief.  "I only hope Gamilla will like them."

"I know she will."  Ethel smiled.

Mrs. Pepper entered the kitchens and the girls stood straighter.

"We was just takin' a moment to admire Maudie's cakes."  Ethel explained quickly. 

"We'll get back to it now, Mrs. P."  Maudie added.

"Now, am I such a tyrant?"  Mrs. Pepper smiled.  "I think we're in good order.  We got everything prepared for dinner both upstairs and downstairs and the masters and Her Ladyship are enjoyin' their tea.  Ain't much more for us to do save for the cookin', so I've come to invite you two to join me in a cuppa in the hall."

"Really?"  Ethel's eyes widened.

"That's right."  Mrs. Pepper said.  "Come on, then.  Vi and Ruthy are waitin'."

"Ain't that nice?"  Maudie grinned.

"So wash up and come and take a rest.  You'll be up a bit later than usual tonight what with our little party for Gamilla."  Mrs. Pepper nodded.  "I'll see you both in a few minutes."  With that, she went back to the servants' hall.

"That's awful kind of Mrs. Pepper."  Maudie said excitedly.  "Everyone's been so jolly these last two days.  With Gamilla and Mr. Gurney gettin' married tomorrow and Her Ladyship to be wed soon..."

"Almost seems like all the bad the masters got to worry 'bout is real far 'way."

"Maybe it is."  Maudie suggested.

"It never is."  Ethel shook her head.  "Still, I'm glad everyone's got some cheer now.  I was most worried Mrs. Pepper would be upset what with the wedding breakfast and the reception bein' catered from outside.  You know how she hates to have others in her kitchen. But, as long as she's at peace, you and I can be."

"Shall we go 'ave some tea, then?"  Maude asked.  "It'll be a treat."

"More of a treat if sour-faced Ruthy wasn't there."

"Oh, now."  Maudie shook her head.  "She ain't so bad.  Besides, it's not as if we ever really gotta see her.  She's always in the nursery.  Her bein' there means we get to see more of Gamilla, and I like that quite a lot."

"I s'pose."  Ethel nodded.  "Just don't like the way she's always smirkin' at us like she's better'n we are.  She's just a nursery maid.  Ain't like she's a governess or a nanny like Gamilla.  Gamilla don't even have to talk to us if she don't want, but she's does.  Ruthy's a maid and she acts like she's the Queen 'erself."

"As long as she does  her job and His Grace is pleased, we don't gotta like her."

"Right."  Ethel sighed.  

"Come on, now."  Maudie urged Ethel.

They exited the kitchens and joined Violet, Ruthy and Mrs. Pepper in the servants' hall.

"Have a nice rest, then."  Mrs. Pepper gestured.  "Violet was just tellin' us about Miss Lennie's ring."

"Oh!"  Ethel chirped.  "I only saw it from afar when His Grace made the announcement.  What's it like?"

"It's quite large."  Violet smiled.  "A yellow diamond."

"Yellow?"  Ethel raised her eyebrows.  "There's such a thing?"

"Ethel, diamonds come in a wide range of colors."  Ruthy sniffed.  "Everyone knows that."

"I didn't know that."  Maude said softly.  

"I only knew cuz I seen the blue diamond the Duke wears."  Mrs. Pepper spoke up.  "Go on, Vi, tell us more.  How large is it?"

"About the size of a...a..." Violet looked around.  She stopped her gaze on her hand.  "Maybe the nail on your littlest finger."

"Ain't that beautiful."  Ethel sighed, looking down at her chapped hands.

"Gamilla's diamond is a mite bigger, then?"  Mrs. Pepper asked.

"Yes."  Violet nodded.

"Isn't it something?"  Maudie asked.  "To think one of us has a ring that's that beautiful?"

"One of us?"  Ruthy squinted.  "You don't mean Lady Fallbridge?"

"She's speakin' of Gamilla."  Ethel replied stiffly.

"You do realize that Mr. Gurney didn't purchase the ring Gamilla wears.  The Duke gave it to him to give to Gamilla."  Ruthy shook her head.

"So what if that's the case?"  Violet snapped.  "Just shows how the Duke thinks of us as all the same.  And, the ring is Gamilla's and it were given to her by Gerard, no matter where it come from."

"The Duke may think of us all as being the same, but we know we're not."  Ruthy set down her teacup.

"Uh..."  Maudie mumbled uncomfortably.  "Vi, have you seen the cake?"

"I have."  Violet nodded, happy to ignore Ruthy.  "I have to say, Mrs. Pepper, you outdone yourself.  It's as pretty as any Royal wedding cake, I'm sure."

"Well, since His Grace was kind 'nough to give us all the day tomorrow and to have the food for after the marriage brought in, the least I could do was make the cake.  It's my gift to Mr. Gurney and Gamilla."

"A fine gift, too."  Violet smiled.

"And, don't forget the vittles for tonight!"  Ethel chirped.

"Maudie made most of those and did a very capable job of it, too."  Mrs. Pepper shook her head.

"Thank you, Mrs. Pepper."  Maudie blushed.  "I hope you will enjoy them."

"We all will."  Mrs. Pepper said proudly.  "We'll have a right proper affair for the bride tonight.  Her Ladyship has some special things planned."

"Pity our Jenny can't be with us."  Ethel said softly.

"But, she is, dearie."  Mrs. Pepper replied gently.  "She's watchin' us from heaven."

"True."  Ethel nodded.

"It's a shame you won't be able to join us."  Maudie said, trying to engage Ruthy.

"I have duties.  While all of you are making merry, someone must look after the baby.  Which reminds me, Mrs. Pepper, I'll need someone to help with the washing while Gamilla is on her marriage trip."

"Take that up with Mr. Speaight, dear."  Mrs. Pepper said.

"The only possible choice is for Ethel to help me."

"That may be so, and it may not."  Mrs. Pepper replied.

"Who else?  Charles?"  Ruthy wrinkled her nose.

"It's not my place to make such decisions, Ruthy."

"Why can't anyone in this household just..."  Ruthy began.

"Do as you say?"  Ethel interrupted.  

"I didn't say that!"  Ruthy snapped.

Just as Mrs. Pepper was about to intervene, a bell on the call chimed.

"Mornin' room."  Mrs. Pepper glanced up.  "That'll be Her Ladyship."

"Off I go!"  Violet rose.  "Thanks for the tea Mrs. Pepper."

"My pleasure, dearie."  Mrs. Pepper stood, too.  "If Her Ladyship is in the Mornin' room, that means, the masters have finished their tea, too.  Ethel..."

"And, that means there's dishes comin' down for me."  Ethel smiled.

"Back to my canapes."  Maudie also rose.  "The break was terrible nice, Mrs. Pepper.  Thanks."

Mrs. Pepper nodded.

"Guess that leaves you alone, Ruthy."  Ethel grinned as they walked off.

Ruthy grunted and looked around the empty hall.

After awhile she rose, stretched and inhaled.  Knowing it to be her last chance for awhile to step outside, Ruthy walked to the area door and poked out her head.  She was surprised to see a pair of eyes, framed by auburn hair looking down at her through the wrought iron railing above.

"Excuse me?"  Ulrika Rittenhouse cooed.  

"Yes, Miss."

"Do you remember me?"  Ulrika asked.  

"Yes, Miss."  Ruthy nodded.

"I suppose you've been told to keep away from me."

"No, Miss.  No one tells me anything."

"Oh.  How grand, really.  Come up here and talk with me, then."  Ulrika chuckled.


Did you miss Chapters 1-353?  If so, you can read them here.  Come back tomorrow for Chapter 355.  


The Home Beautiful: The Lily Pond Table, c. 1913



Table
Omega Workshops
The Victoria & Albert Museum



This oblong table of painted pine wood with curved ends is supported on slightly tapered legs which are united by square-end stretchers and one flat central stretcher. The table is special because of the top which is painted in oils with a lily-pond design consisting of an assortment of abstract forms in polychrome on a black ground.  This painted panel is outlined by a red border within an outer border of green. The framework is painted in a matching hue of olive green and the legs have chamfers at the angles which are painted a dusty red.

Made between 1913-1919 in England, this table is the work of the designer Roger Fry (1866-1934) and the painter Duncan Grant (1885-1978) for the famed Omega Workshops.