Wednesday, June 1, 2011

Punch's Cousin, Chapter 258

Iolanthe breathed deeply as she exited the prison. Mala met her on the banquette.


“Oh, Miss.” Mala sobbed as Iolanthe descended the stone steps.

“I’m so happy to be out,” Iolanthe said, “even your hideous face is a welcome sight.”

“Thank you, Miss.” Mala wept. “You’ll be wantin’ to go home, then?”

“No.” Iolanthe shook her head. “I’ve much to do.”

“But, Miss,” Mala argued. “Your ordeal, you must be so tired.”

“After arguin’ with those fools in there, I feel alive. They done made a mistake putting me in their prison for a murder I didn’t commit. They were wise to release me. Now, I must make some visits.”

“Visits, Miss?” Mala asked.

“There are two houses on Royal Street which should be expecting my arrival.” Iolanthe smiled. “The only question is which to visit first. I wonder what my dear friend Ulrika is about. Perhaps she should be my first visit.”

Ulrika Rittenhouse, of course, was in no position to be visited. She lay, unconscious on her bed in exactly the same twisted position she had been in when Arthur and Gerard dropped her there. Arthur stood over her and wrung his hands.

“You gotta do it, Gerry.” Arthur hissed.

“I told ya, Artie,” Gerard shook his head quickly. “I can’t kill no woman.”

“Don’t think of her as a woman.” Arthur frowned. “She ain’t no lady, that’s for sure. Think of her as a wild beast what needs gettin’ rid of.”

“Then, you do it.” Arthur shrugged.

“I ain’t no killer.” Arthur scowled.

“Ain’t ya?” Gerard laughed. “How’d you get them clothes, then? How’d you get the coins we been spendin’. Sure, you ain’t a killer. And, I’m Prince Albert.”

“Fine.” Arthur spat. “But, we gotta do it fast and without no mess.”

“Smother her.” Gerard suggested.

“That’d work.” Arthur nodded, looking around the room. His eyes settled on a green silk cushion. “Here we go, then.”

At that very moment, at their borrowed house on Royal Street, Robert knelt on the ground and spoke slowly to Mr. Scaramouche who continues to writhe around and howl.

“I don’t believe we’ve met.” Robert said softly.

“I know who you are—the ‘hero’ doctor.” Scaramouche snarled.

“I’m no hero.” Robert replied. “I am, however, a friend.”

“You’re no friend of mine.” Scaramouche moaned. “I’ve no friends at all. No one cares for Scaramouche.”

“Not so.” Robert protested. “I care for all who occupy the Duke of Fallbridge’s body.”

“You just want to overpower me.” Scaramouche grunted.

Robert sat on the floor, cross-legged. “To be honest, yes, I do.” He smiled.

Barbara whispered. “Careful, Doctor.”

Robert ignored her.

“I do wish to restrain you, but it’s for your own good. If you continue as you are, you’ll do harm to your body and you will hurt Mr. Punch and Julian. You may not like them, it seems, but you can’t argue that you need them and wish them no harm.”

“You fancy you’re so smart, but you’re no match for Mr. Scaramouche!” Scaramouche answered, wriggling. “What do you know? As we speak, those two are harming me! I should return the favor.”

As Robert continued to try to ration with Scaramouche, Marjani slowly crept up behind them and quietly placed Robert’s doctor’s bag at his side.

Robert sensed Marjani behind him and nodded.

He continued, “Mr. Scaramouche, I don’t think you’re thinking very clearly. If you want to silence Mr. Punch and His Grace, you have but to drink this.” He reached into the bag and retrieved a small vial of milky white liquid.

“Why should I trust you?” Scaramouche asked.

“Because, I am, as you say, a hero.” Robert grinned.



Did you miss Chapters 1-257? If so you can read them here.

Unusual Artifacts: A Band of Hair Lace, 1625-1675

Band of Hair Lace
1625-1675
Human hair and horse hair
England
The Victoria & Albert Museum
Though it seems strange and almost savage to modern eyes, for centuries, human hair (often that of a deceased person) was used to make delicate objects which served as a memorial or remembrance of a loved one.


Few of these pieces have survived over time. The few that do remain are usually from the Victorian era when this practice was quite popular. Every so often, an older piece of hair art is found. This particular piece of hair art takes the form of a band of lace which would have been worn as a bracelet.

The hair was delicately worked with needles. Here, we see blonde and brown hair entwined into an intricate pattern which is supported in bands at the top and bottom by stronger horsehair.

Seventeenth Century poet, John Donne wrote of the practice in his work, “The Relique.”

When my grave is broke up againe
Some second ghest to entertaine ...
And he that digs it, spies
A bracelet of bright haire about the bone,
Will he not let us alone
And thinke that there a loving couple lies ...

Object of the Day: A Bust of Queen Victoria

For quite some time, I’ve been wanting an antique bust of Queen Victoria to add to my collection of Royal memorabilia. This weekend, she was finally discovered!


This parian figure of Queen Victoria dates sometime between her Golden and Diamond Jubilees (1887-1897) and shows the monarch in her older days—as the figure of the widow that most of us associate with her.

Finely cast with exquisite detail, the figure seems to be based on several portraits painted of the Queen around this time period. She wears her usual costume accompanied by the impressive diamond necklace that she often wore later in life for state occasions.

The reverse of the figure is incised simply, "Victoria."  No further explanation was needed. 

When I got the figure home and placed her in the spot where I’d envisioned such a bust to go, she seemed perfectly content as if she’d always been there. Now, she surveys a new empire with the very same countenance with which she would have observed her own, a century ago.

Tuesday, May 31, 2011

Her Majesty’s Furniture: A Magnificent Jewel Casket, 1750

Jewel Casket
Florence
1720
The Royal Collection
Made in 1720 in the Grand Ducal Workshops of Florence by Giovanni Battista Foggini, this amazing jewel casket of Ebony, rosewood, hardstones, and gilt bronze came to the Royal Collection through unknown circumstances, possibly as early as the late Eighteenth Century, but probably via Queen Mary. With its intricate mosaic and ornate ormolu, this casket was the epitome of Florentine style.


Though assigned a practical use (holding jewels), the casket is now as valuable as the objects it once held.

Gifts of Grandeur: A Warriors’ “Bravery” Brooch of Diamonds, 1750

Brooch
Rose-cut Diamonds Set in Silver
Western Europe, 1750
Given as a trophy.
Victoria & Albert Museum
Extravagant diamond pieces were not reserved exclusively for ladies prior to the Nineteenth Century. Men often wore opulent jewels not only as adornment, but also as symbols of their station. Going into the Nineteenth Century, Royal gentlemen (such as Prince Albert) continued to wear gemstone badges and brooches, but the practice fell out of favor with people not associated with royalty. Pity.


This diamond brooch from 1750 is a good example of a gentleman’s piece of jewelry. Made in Western Europe, the brooch contains dozens of large rose-cut diamonds set in silver. The design is based on military weapons—a canon, pistol, arrows, axe, flag and plumed helmet. Such a piece was given to a man as a symbol of his bravery and as a trophy of battle. He would wear it proudly to remind himself and others of his accomplishments.

Treat of the Week: Special Double Edition

This weekend was not only Memorial Day; it also marked my mother’s birthday. In order to celebrate, we enjoyed two delicious meals and two exceptional treats of the week. A “White” lasagna of cheese and spinach was my father’s main course offering to the festivities. My father cooks only on Mother’s Day and my Mother’s birthday and always does a great job. He even baked his own bread. This year, he baked and decorated a beautiful lemon cake filled with lemon curd to celebrate my mother’s birthday. Many pieces were enjoyed by all.


Next, we enjoyed a delicious very-American meal of Panko-breaded, Buttermilk chicken, buttermilk herbed mashed potatoes and a carrot and raisin salad. Homemade angel biscuits rounded out the meal. Since we already had a cake, my mother added a lighter baked good to the event with these adorable snickerdoodles (see below). Tender and bursting with cinnamon, these cookies are so beautifully delicate that, when held up to the light, you can almost see through them.

With such good food, fun and the promise of wonderful things in the future, it was certainly a time for much celebration.



The Belle Époque Today: “The Cult of Beauty” at the Victoria and Albert Museum

The Cult of Beauty
The Victoria & Albert Museum has launched a special exhibition which chronicles the history of the Aesthetic Movement (circa 1860 to 1890) and demonstrates the progression of the movement as well as its many influences. The exhibition, “The Cult of Beauty,” is a visual treat with examples of Aesthetic Movement fine and decorative arts from the museum’s permanent collection. Among the items on display are paintings, sculpture, photographs, furniture, decorative home goods, china, clothing, jewelry, prints, drawings and books.


Charger
William De Morgan, 1888
The Victoria & Albert Museum
For purposes of the exhibition, the Aesthetic Movement is defined by four ideas: The Search for the New Beauty, Art for Art’s Sake, Beautiful People and Aesthetic Houses, and Late-Flowering Beauty. The exhibit runs through July 17, 2011. To learn more about visiting this remarkable installation at the V&A and to see examples from the exhibit, visit the Web site of the Victoria & Albert Museum.

Mrs. Luke Ionides
William Blake Richmond, 1882
The Victoria & Albert Museum