Tuesday, April 26, 2011

The Belle Époque Today: Historic Royal Wedding Dresses at Kensington Palace

As the world speculates as to the look of Catherine Middleton’s wedding dress, the Conservation and Heritage charity of The Historic Royal Palaces is giving us a chance to see the dresses from previous Royal weddings which may have given Kate some cues for both style and tradition.

Princess Charlotte's Wedding Dress, 1816
The Historic Royal Palaces
The collection includes the wedding gowns of five Royal women: At 195 years old, the senior member of the group is the gown worn by Princess Charlotte (the only daughter of King George IV) in 1816. Also featured are the gorgeous creations worn by Alexandra of Denmark (1863), Princess Mary of Teck (1893), Princess Margaret (1960) and Princess Alexandra of Kent (1963).

The conservators of the Historic Royal Palaces spent over 1000 hours preparing these gowns for viewing. According to the official press release circulated by Kensington Palace, the following data may be of interest to you:

Princess Margaret Rose's Wedding Dress
The Historic Royal Palaces
Wedding Dress Conservation in Numbers:

• 1000 hours were spent on treating and mounting the dresses (500 hours on Princess Charlotte’s dress alone)
• 6 expert textiles conservators with…
• …100 years combined textiles conservation experience
• 195 years – the age of the oldest royal wedding dress in the collection (Princess Charlotte’s dress)
• 12,000 – the number of items in the Royal Ceremonial Dress Collection at Kensington Palace, cared for by independent charity Historic Royal Palaces
• 2012 – the year when Queen Victoria’s wedding dress will be publicly displayed at Kensington Palace in new permanent exhibition Victoria Revealed.

I would love to see this exhibition, but I won’t be anywhere near Kensington Palace any time soon. If you’re in London, this would be an excellent exhibit to see in lieu of going to the Royal wedding (in case your invitation was lost). If you’re nowhere near London, this video is as close as we’ll get.



Humanitarian of the Week: Colin Firth

Recent Academy Award winner Colin Firth has played many roles from King George VI to Mr. Darcy, but the biggest role he plays is that of humanitarian.


In addition to his thriving film career, the fifty-year-old actor spends a great deal of time trying to support the rights of a variety of people whose voices are seldom heard. His long-term involvement with Survival International, an independent organization dedicated to defending the rights of tribal peoples, has led Firth to speak openly and publicly about his beliefs regarding the treatment of native tribes. In 2003, Firth spoke of the Bushmen, saying, “These people are not the remnants of a past era who need to be brought up to date. Those who are able to continue to live on the land that is rightfully theirs are facing the 21st century with a confidence that many of us in the so-called developed world can only envy.”

Firth is also an ardent supporter of Oxfam and dedicates his time to ending lifetimes of poverty and injustice. He lends his support to the Oxfam-supported global initiative “Make Trade Fair” as part of campaign to make trade easier for third world countries.

For all of his contributions to the world, both artistic and altruistic, Colin Firth is our “Humanitarian of the Week.”

Royal Icing: The Wedding Cake of King George VI and Queen Elizabeth

The Wedding Cake of the Duke
and Duchess of York
McVitie & Price, 1923
The Royal Collection
Royal weddings are historically lavish affairs. As we speculate about the details of the upcoming Royal union of Prince William of Wales and Catherine Middleton, we should look at the wedding traditions which have defined the marriages of his ancestors. For example, let’s take a look at the principle cake from the marriage of the Duke and Duchess of York (later King George VI—of The King’s Speech fame—and Queen Elizabeth, the Queen Mother).


Today, in fact, is the eighty-eighth anniversary of those famous nuptials. On April 26, 1923, Albert Frederick Arthur George, the Duke of York married Lady Elizabeth Bowes-Lyon at Westminster Abbey. The nation joined them in celebrating. While the guest list was as guarded as the one for Friday’s wedding, those in attendance were many in number. A variety of cakes were served to the guests, but, as is still the custom, one principle wedding cake served as the centerpiece.

The grand cake stood at three meters (almost 10 feet) tall and weighed over 350 kilograms (over 770 pounds). The four-tier cake was made by McVitie and Price with ingredients supplied by the Girl Guides of Australia. Full-faced, porcelain figures of winged putti holding rings decorated the massive confection. Two of these figurines survive in the Royal Collection.

Porcelain Putti, 1923
The Royal Collection
“Bertie” (as he was known to family and friends) and Elizabeth enjoyed a long and happy marriage despite the troubles of the world around them. Their union brought about two daughter—Princesses Elizabeth and Margaret Rose. Of course, today, Princess Elizabeth is Queen Elizabeth II. I suspect that as Her Majesty prepares for the wedding of her grandson today, she’s stopped to remember the anniversary of her parents’ nuptials eighty-eight years ago.



Her Majesty’s Furniture: A Royal Writing Desk, 1947

Writing Desk
New Zealand, 1947
Presented to Queen Elizabeth II and Prince Philip
on their wedding.
The Royal Collection
For a Royal wedding, the custom is for each of the realms in the empire to present a specially made gift to the Royal couple which represents the arts and craftsmanship of the area. For the wedding of Queen Elizabeth II and the Duke of Edinburgh in 1947, the then-Prime Minister of New Zealand, Peter Fraser, ordered that the wedding gift from New Zealand should be a showcase of the finest artists and materials in the country.


The result was this very modern writing desk. While it doesn’t stylistically match any other piece of furniture in the Royal Collection, it is equal in its remarkable craftsmanship and its high-quality materials. Clearly representative of the era in which it was made, the desk features a writing surface surmounted by drawers which are hidden behind marquetry panels which show scenes of the wildlife of New Zealand. Designed by celebrated architect Ernst Plischke for the workshop of E.H. Foster, the desk if constructed of native woods: mottled totara, mottled puriri, stripe mangeao, kauri, towal, rata, kohekohe and pukatea, as well as paua shell. While it’s not a stylistic match to the rest of Her Majesty’s furniture, there is a rather substantial bureau of the same materials which was presented by New Zealand to Queen Victoria in 1861.


Punch's Cousin, Chapter 229

Edward Cage swaggered out of his house and walked down the wide front steps toward the carriage.


Mr. Punch clasped the baby to his chest. “Clear the way, Chums.” He said. “I’m getting out of here.”

“Steady on, Mr. Punch.” Cecil snorted. “It’s no good. We’re surrounded.”

“How did this happen?” Adrienne asked nervously.

“Easy to answer, Missus,” Odo sneered. “I done got rid of that scrawny fella you had drivin’ ya.”

“If you’ve hurt him…” Cecil snarled.

“What are you gonna do about it?” Odo laughed.

“That’ll be all, Odo.” Edward said from behind the man. “You’ve done very well. Very well, indeed.”

“Thank you, Mr. Cage.” Odo smiled—his yellow teeth slick and cruel.

“”Why don’t you take the rest of the afternoon for yourself?” Edward winked.

“Thank you, Sir.” Odo nodded, scurrying off.

Edward leaned on the carriage and peered inside. “Forgive me for not being able to greet you more formally, Your Grace, but we’ve been at sixes and sevens around here ever since my son was abducted. We’ve not had a wealth of time for niceties and pomp.”

“Let us go,” Mr. Punch growled.

“Surely you’re not serious?” Edward chuckled. “Now, hand me my child.”

“I’d rather die.” Mr. Punch spat.

Robert shook his head. “Dear man, don’t say a word to him.”

“But, it’s true!” Punch said. “I’d rather die than give my boy to this man!”

“That can easily be arranged,” Edward smiled. “And, nothing would, frankly, give me more pleasure.”

Meanwhile, Charles carried Marjani to a small cot with a stained blanket in a greasy room behind the kitchen in the hotel.

“Marjani, please try to tell me what’s hurting you,” Charles pleaded.

Again, all Marjani could say was, “Marie.”

“Oh, we’re getting nowhere.” Charles shook his head. “I’m sorry, Marjani, but I’ve got to see what’s going on with the inspectors who have come to see about the murder of the Duke and Dr. Halifax. And, the baby, the poor baby. How will I tell Miss Allen?” Tears welled up in Barbara’s eyes.

Marjani reached up with a shaking hand and grabbed Charles’ coat. She pulled him toward her.

“They ain’t…” Marjani gasped. “They ain’t really.”

“What are you telling me?” Charles asked. “Are you saying that they’re not really dead?”

“Yes.” Marjani moaned.

“But?”Charles stammered.

“Trick…” Marjani croaked. “It’s a trick. Justice.”

“You’re trying to bring Iolanthe to justice?” Charles asked.

“Yes.” Marjani whispered.

“It’s up to me that the authorities continue to think that this was the work of Iolanthe Evangeline?”

“It is.” Marjani graoned.

“This—this illness of yours—is it part of the pantomime?”

“No.” Marjani said.

“What can I do for you?” Charles asked.

“Get M…” Marjani writhed in pain. “Marie Laveau.”

“I will.” Charles nodded. “As soon as I’m finished with the inspectors.”

Marjani rasped. “Thank you.”

“I’ll return.” Charles nodded.

“Hurry.” Marjani winced.

“I will.” Charles said as he exited. “I only hope I can get to Barbara before she hears of this.”

Meanwhile, Barbara cried as she stood over the body of Giovanni Iantosca. Blood trickled from his forehead from the wound left behind from the fireplace poker with which she’d struck him. Her thoughts immediately turned to her brother. “I’ve taken to hitting men with sticks. I’m just as bad as he is.” Barbara muttered to herself.

She gently kicked at Giovanni’s unconscious body with her toe. “I told you to leave me alone.” She whispered. Finding that he was truly unconscious, she belt down and put her hand on his chest to see if he was breathing. He was.

“I’ve got to get out of here.” Barbara said quickly, looking for her shoes.

Spotting her shoes near the sad little mattress of straw upon which she and Charles had slept, she rushed to put them on. “This is one time when it might have been helpful to have had Arthur around.” Barbara sighed.

Little did she know, but her husband was closer than she thought.

Arthur and Gerard were just arriving—via an opulent coach—in New Orleans.

“So, this is the famed Crescent City?” Gerard asked.

“Yes, I’ll thank you to address me as, ‘Sir.’” Arthur frowned.

“Ain’t nobody in here to hear me,” Gerard spat. “And, I ain’t really your valet.”

“We must keep up appearances.” Arthur answered.

“What for?” Arthur asked. “Now that we’re here, folk are gonna know ya. They know you ain’t no gentleman.”

“Not all of them.” Arthur snarled.

“Your wife is sure as hell gonna know.” Gerard laughed. “That’s why we’re here, ain’t it? To get her?”

“Not immediately, Gerry.” Arthur smirked. “Not when I got other things to do first.”



Did you miss Chapters 1-228? If so, you can read them here.

Goal for the Day: Seek Shelter

Tornado Damage in my hometown in 1948.
From Etsy.
With inclement weather being at the forefront of the news, we find that much of the world has experienced dangerous weather patterns the likes of which we’ve not seen in years. Winds and rain are inconvenient (albeit necessary) and we always need to be prepared for them whether we’re making alternate plans for a major event (such as Friday’s Royal wedding which is making contingency plans in case of rain) or for daily life.


The first order of business is to identify a spot in your home where you can go in case of violent weather. Here, Bertie’s already found a spot in the fireplace in the dining room. But, since we both won’t fit in there, I’ve found another location which will accommodate both of us. Locate a spot in your home which provides structural support and keeps you free from windows and glass which could prove to be dangerous in high winds.

In that spot—be it a closet, bathroom or basement, keep a flashlight and bottled water so that you can be prepared. While most of us will never experience terribly violent weather, it’s always a good idea to be ready in the event that it should happen.

Object of the Day: An Antique Sapphire and Diamond Stickpin

Sapphire and diamond jewelry is very much in vogue right now as Prince William of Wales has recently presented his soon-to-be bride, Catherine Middleton, with the lovely sapphire and diamond ring which once belonged to his mother, Diana, Princess of Wales. It’s not the first time that a special diamond and sapphire jewel has been a part of a Royal wedding. Prince Albert gifted a large sapphire and diamond pin to his bride-to-be, Queen Victoria, on the eve of their wedding.


But, the combination of sapphires and diamonds has enjoyed a long marriage of its own. The two stones are often combined and jewelers and their wearers appreciate the contrast of the fiery flicker of diamonds against the midnight glow of sapphires.

This antique Victorian stickpin set in white gold shows an attractive combination of these two precious gems that dates back over one hundred years. A particularly heavy piece, the pin sports five diamonds (one large and four smaller) in the center and edges of a volute-framed shield. Beneath the central diamond, a trillion-cut sapphire offers a subtle, deep blue glimmer.

This stickpin was given to me last weekend for Easter and was a welcome addition to my collection.