Sunday, September 8, 2013

Mastery of Design: The Honeycomb Brooch, 1969


Brooch-Pendant
Gold, Fire Opals, Diamonds
John Donald
The Victoria & Albert Museum

Though much quieter about it than her daughter, Princess Margaret (who, by all accounts, tended to be rather obnoxious about most things), but more out-going about it than her eldest daughter, Queen Elizabeth II, The Queen Mother was always interested in fashion and staying current.

Of course, she had her favorite designers. She even had her favorite jewelers and purchased a good many pieces of jewelry throughout her exceptionally long life. One of her favorite jewelry designers was John Donald.

Here’s an example of Donald’s work. Dating to 1969, this brooch-pendant of gold, diamonds and fire-opals depicts a bee on his honeycomb. This was made during a period when London jewelers were, in many ways, ahead of their time—experimenting with contemporary designs and materials and exploring new ways of interpreting natural elements. As shoppers began to embrace a variety of stones and shapes, Donald found himself eager to offer them unusual new designs.

John Donald's career soared in 1960, and in 1961, he presented his work at the International Exhibition of Modern Jewellery at Goldsmiths' Hall where he attracted the attention of Queen Elizabeth the Queen Mother, Queen Elizabeth II and Princess Margaret Rose. 



Precious Time: "The King’s Clock," 1770


The King's Clock
1770
Blue John, Gilt Bronze, Enamel,
Glass, Steel
The Royal Collection

This mantel clock was ordered around the same time as an ornate chimney garniture for Queen Charlotte’s bedroom at the newly repurposed Buckingham House (now Buckingham Palace) in 1770 and was made according to strict instructions by King George III.


William Chambers was instrumental in creating the design of the clock case which features gilt bronze sphinxes on either side of the base. The clock boasted an 8-day striking movement of a design by the horologist Tomas Wright.

Despite being made specifically for Queen Charlotte’s private chamber, the clock ended up on the chimneypiece of The Crimson Drawing Room where it remained for many years.

Unusual Artifacts: Buckingham Palace Between 1850 and 1870, Francis Firth



Buckingham Palace
Francis Firth
1850-1870
The Victoria & Albert Museum
I always like to see images of Buckingham Palace that were taken before the facade changed to its current form. This is how the palace looked when Prince Albert and Queen Victoria lived there together. This photo is the work of Francis Firth and was taken between 1850 and 1870. Francis Frith was one of the most successful commercial photographers of the era and established what was to become the largest photographic printing business in England.


This image is part of the V&A's Francis Frith “Universal Series” archive. The archive is made up of over 4000 whole-plate albumen prints (predominantly of historical and topographical sites).



Her Majesty's Furniture: A Piano Stool. 19th C.




Piano Stool
Mid-Nineteenth Century
Crown Copyright
The Royal Collection 
Image Courtesy of Her Majesty Queen Elizabeth II



Made in England in the mid-Nineteenth Century specifically for use in Buckingham Palace, this piano stool was constructed of costly rosewood. Adjustable in height, the stool is upholstered in a hand-made floral needlework.

The stool stands on three turned supports which are joined by a triangular stretcher. The supports stand around a central column which was designed to conceal the threading mechanism which allows the height to be adjusted. The whole of it rests on outward splaying legs with block feet.




Antique Image of the Day: Princess Elizabeth and Princess Margaret, 20 December 1938



T.R.H. Princesses Elizabeth and Margaret Rose
Gilbert Adams, 1938
Crown Copyright
The Royal Collection 
Image Courtesy of Her Majesty Queen Elizabeth II



Photographer Gilbert Adams (1906-96, the son of the famed photographer Marcus Adams) took this photograph of Princess Elizabeth (now Queen Elizabeth II) and her sister, Princess Margaret Rose, in 1938 on December 20. Adams processed a cellulose acetate film negative stuck onto glass plate to create the image. 

The photo-portrait was commissioned by Queen Elizabeth, The Queen Mother. The girls, photographed from behind, are pictured sitting at the piano in the Music Room of Buckingham Palace. The future Queen’s beloved dog, “Dookie” is by Margaret's feet.



The Home Beautiful: Vase Hollandois Nouvelle Forme



The Vases Hollandois
French, 1761
Purchased for King George IV for Carlton House
Crown Copyright
The Royal Collection 
Image Courtesy of Her Majesty Queen Elizabeth II



A creation of the Sèvres Porcelain Factory, dating to 1761, this pair of soft-paste porcelain vases boast a petit verd ground and gilded decoration.

The pair were urchased in Paris for George IV by François Benois at a cost of £80. They were meant to be used in the now long-demolished Carlton House, George IV’s monumentally elegant palace.

When the contents of Carlton House were removed before it was pulled down, all of its contents were inventoried. According to the Royal Collection, the pair was described in the ledgers thusly:
No 10. Two Flower Vases in 4 Parts, Painted Figures & Flowers, Turquoise Blue Ground & Gold Remarks: Delivered to Mr Watier April 24th 1829 to be placed in the Store Room at St James’s Cost £80’. 

After languishing in storage for many years, Queen Victoria had the pair moved to Buckingham Palace where they remain to this day.


Crown Copyright
The Royal Collection

Crown Copyright
The Royal Collection

Crown Copyright
The Royal Collection

Building of the Week: Buckingham Palace


Buckingham Palace Today
The British Monarchy

The official seat of the British Monarch since Queen Victoria’s ascension to the throne in 1837, Buckingham Palace is the core of London’s posh City of Westminster. The current palace is actually adapted from the London townhouse of The Duke of Buckingham. Originally called Buckingham House, it wasn’t the first structure to stand on that site. The land was initially part of the medieval Manor of Ebury. Later, in 1624, the first house on the land was built by Sir William Blake and was later purchased by Lord Goring in 1633. Goring is responsible for the first formal gardens at the site. The land was then sold Henry Bennett, The First Earl of Arlington. The mansion, then known as Goring House, burnt to the ground in 1674. Arlington House was erected in its place. The Land was sold to the Duke of Buckingham and Normanby is 1702, and Buckingham House was erected in 1703.


The palace as it looked during George III's reign.
The British Monarchy
The layout of Buckingham house was compromised of a large central section flanked by two wings which very much resembles the footprint (albeit smaller) of the current Palace. The house was purchased by King George III to be a private residence for his wife, Queen Charlotte, so that she might retreat from the day-to-day chaos of St. James Palace, the official seat of the monarch at that time. Fourteen of their fifteen children were born at the mansion which was renamed, “The Queen’s House.”


An 1850 Photograph Showing George IV's facade.
The British Monarchy
 In 1820, when George IV ascended to the throne, he continued the renovations started by his predecessor, however, being a lover of French design, he dictated that the new façade be styled in the manner of French architecture. Under the direction of architect John Nash, the palace took on a French Neoclassical look. Nash’s plans for the palace were costing far more than the monarchy could afford to spend. Upon the death of George IV, King William IV removed Nash from the project and replaced him with Edward Blore. With expenses soaring, the question of what to do with the palace arose. Some felt it should be the seat of the British Museum, others thought it should become the new home of the Houses of Parliament after a fire damaged the Palace of Westminster.


The Throne Room
The British Monarchy
 Queen Victoria was the first monarch to live in Buckingham Palace since William IV died during the period of renovation. She named the palace the official home of the monarch and was instrumental in dictating the decoration of the state rooms—most of which remain as they were at the time. Victoria soon found the palace to be as dysfunctional as it was beautiful. Poor air circulation, a lazy staff and faulty pipes made life in the palace uncomfortable. Her husband, Prince Albert, saw to it that Buckingham Palace was improved in every way. As their family grew, the palace seemed too small. In 1847, the palace was expanded, again, under the direction of Edward Blore. Upon the passing of her husband, Victoria retreated the palace for her other residences, feeling that being in Buckingham Palace reminded her too much of her much-beloved husband. Under pressure to return, she did make an effort to be more present at the palace in the final years of her life.

The Grand Staircase
Redecorated by Edward VII
The British Monarchy
Buckingham Palace—aside from being a political center—was also a major artistic and social center. During the reign of Victoria’s son, Edward VII, the palace saw many a lavish party, concert and event. Edward VII insisted that several of the state rooms should be redecorated in the fashionable cream and gold color scheme so popular during the Belle Époque. A good example of this is the Grand Staircase which retains the style of the Belle Époque to this day. Edward, however, was careful not to modernize too much. He made sure that the portraits that his mother had selected to be inset in the panels along the staircases remained unchanged.

In 1913, King George V, upon the installation of The Victoria Memorial outside the palace gates, ordered that the façade of the palace be changed to a more fitting (and less French) backdrop for the enormous sculpture of his grandmother. Blore’s façade was drastically changed—replacing the curvilinear French gables with massive classical pediments. His wife, Queen Mary, undertook major renovations inside the palace, furnishing the whole with antiques and art from The Royal Collection. Mary’s hand can still be seen in the unchanged Blue Drawing Room.

Queen Mary's Blue Drawing Room
The British Monarchy
During the First World War, the palace was remarkably unscathed. However, during World War II, Buckingham Palace was bombed seven times. The worst of which was a 1940 bombing which destroyed the Royal Chapel. Today, on the site of the chapel, stands The Queen’s Gallery—a venue in which the public can be admitted daily to see The Royal Collection.

Unlike Sandringham House, and Balmoral Castle, Buckingham Palace (and similarly Windsor Castle) are not the private property of the Queen. The palace belongs to the British state and is funded by the people who, in turn, are admitted yearly for tours. The palace is a ceremonial house—designed for political entertaining and business. It is meant to impart a sense of the British Empire. With its grand state rooms and bustling offices, it certainly does just that.