Saturday, May 26, 2012

Painting of the Day: Cecil van Haanen's Head of a Young Girl, c. 1870

Head of a Young Girl
Cecil can Haanen
Venice, 1870
The Victoria & Albert Museum





Cecil van Haanen ((1844-after 1873) was a Dutch painter who was actually born in Vienna.  The son of the painter Remigius van Haanen (1812-1894), Cecil trained with his father and Joseph Henri François van Lerius (1823-1876) in Antwerp and at the Academy in Karlsruhe in 1863-64. In 1873, Cecil is known to have returned  to Venice and , then, subsequently lived in England and Vienna.  His date of death remains unknown.

This attractive painting is a fine example of Cecil van Haanen's oeuvre--genre scenes especially those of Venetian country life with many collective or single portraits of young Venetian woman.  These portraits were Cecil’s main point of interest and he created a good many of them—trying to capture the naturalness and spontaneity of these young women.

Here, we see the head of a dark-haired, brown-eyed Venetian girl who is depicted looking towards the spectator. She is adorned in a pinkish hat which has been tied under her chin with red ribbons.  Across her shoulders has been draped a white garment.

The broken brushwork is typical of can Haanen’s work., as is the overall brownish red palette.  Touches of pure black, white, and light yellow add interest.


Happy Birthday to Queen Mary!




Happy birthday to my favorite deceased Royal, Her Majesty Queen Mary, the one-time Princess Mary of Teck, Duchess of York, Princess of Wales.  The consort of King George V, she was the mother of two kings--one brief and selfish (the Great Kerfuffler™, King Edward VIII) and one who led the empire through the Second World War (King George VI).  Queen Mary died just before her beloved granddaughter ascended the throne as Queen Elizabeth II in 1953.


Show your love for Queen Mary with one of our exclusive "Teck Support" designs, available only in our online store.  

Friday, May 25, 2012

Mastery of Design: The Dame Joan Evans Filigree Necklace, 1825-30



Click Image to Enlarge
Necklace of Gold Mesh, chrysoprase, rubies and diamonds.
France, c. 1825
From the Collection of Dame Joan Evans
The Victoria & Albert Museum



In the 1820s, gold was put to good use in a variety of new ways--mesh necklaces and bracelets, gold chain and wire work became the fashion. Colored golds also became quite popular.  Goldsmith experimented with colors.  For example:  in gold alloy more copper gives a redder gold, while extra zinc or zinc and silver will result in a pale yellow gold.

The technique of filigree with spirals and granules (cannetille and grainti) was revived in France then copied in England. While consumers appreciated the intricacy of the style, jewelers liked the economical nature of the designs which appeared to be weighty, but actually used less gold. 

From the important jewelry collection of Dame Joan Evans, we have this necklace with pendant of gold mesh and filigree with cannetille and grainti decoration.  Made in France between 1825 and 1830, it is set with chrysoprases, brilliant-cut diamonds and rubies.








Drawing of the Day: Punch & Judy from "The Studio," 1905


"Punch and Judy"
Margaret Lloyd
"The Studio," 1905
The George Speaight Archive
The Victoria & Albert Museum



From Britain’s “The Studio” magazine, in 1905, we see this color print depicting a Punch and Judy performance in front of a crowd of children.
Physical description

The image is circular at the top of page, and the credits are written at the bottom of the page. A sheet of tissue paper folds over to cover the page and protect the image.  The original drawing was the work of Margaret Lloyd. 
 

Antique Image of the Day: Fallen Judy, 18th to 19th C.



Punch Killing Judy
17th-19th Centuries
Part of a Set in an Album
The George Speaight Archive
The Victoria & Albert Museum


This hand-colored engraving portrays the traditional scene of Punch killing Judy.  In the earliest versions of the British Punch and Judy tradition, Judy egged Punch on by first nagging him, and then, beating him. 

It’s hard to date this image.  The original drawing is by an unknown artist and this engraving was produced by an unspecified publisher.  It could date anywhere between the later Seventeenth and Mid-Nineteenth Centuries. 

This image is part of a set depicting scenes from the puppet show along with a description of the action.  The cards were long-ago pasted into an album along with some unrelated prints of buildings.








Mr. Punch's Puzzles: The Riddle of the Week





Once, again, Mr. Punch, with my help, is offering up a true Victorian riddle.  The first person to answer correctly--by posting in the comments--will receive public congratulations.  

So, here's this week's riddle.  We ask that you don't Google the answer.  Mr. Punch would not find that sporting at all.  Give it a shot and see what you can come up with.  Here we go... No cheating...





Why have chickens no fear of a future state?



And the answer is:


Because they have their next world (necks twirled) in this.


Yes, that's right.  It's a barnyard slaughter joke.  Hooray!  Thanks to all of you who answered.  I think we've officially all given up trying to come up with the "right" answer.  All the better!  Your responses are far more amusing!
Come back next Friday for another of Mr. Punch's Puzzles.  




Mr. Punch wants you to always know “the way to do it,” so why not check out our “That’s the way to do it!” products which are available only at our online store?

Mr. Punch of Belgrave Square, Chapter 46



Chapter 46:
The Latter

“You have a lot of cheek, you do.” Charles frowned at Ellen who was seated across from him in the Duke’s carriage.

“Really?”  Ellen scowled.

“Yes, really.  The way you spoke to His Grace was deplorable.  You take advantage of his kindness.”

“I do?” Ellen’s eyes widened.  “Is that so?  I’m not the one with all the sly smiles and winks.  I’ve seen you with the Duke!  You pathetic sycophant.  You’re a flirt.  With His Grace and the doctor both!  You act more as if you’re the Duke’s friend than you are his valet.”

“We are friends!”

“You’re a servant.” Ellen spat. 

“I see.”  Charles nodded stiffly.

They sat in silence.

“At least I never tried to put a wedge between them for my own selfish purposes.”  Charles mumbled.

“What was that?”  Ellen snapped.

“You heard me, Miss.”

“At least I never had relations with the Duke’s sister.”  Ellen grinned wickedly.

“How dare you?”  Charles snarled.

“So, tell me?  We know that Colin is really His Grace’s nephew.  Are you the boy’s father?”

“You do have an ugly side!”  Charles barked.

“I’ve had to grow one.  Do you know why?  Because of men!  Men just like you!”

“What have I ever done to you?”  Charles said.

“Given the opportunity, I’m sure you would do plenty.”  Ellen growled.

“Don’t flatter yourself, Governess.”  Charles smirked.  “You’re a little too brittle for me.”

“Brittle?”

“Sure.  You know your kind—governesses.  Dried out spinsters, the lot of you.”

“I’m younger than you are, I’d wager!”  Ellen gasped.

“Who could tell?”

“Why are you speaking to me so?”  Ellen asked.

“You started it.”

“When?”

“Back at the house.  When you implied the Duke was mad.  How could you do that?  And, it ain’t the first time either.  I’ll tell you this.  I’ve got you figured out.  You act all sweet to the masters so they’ll take care of you, but you’re only out for yourself and your damn brother.”

“Who else is going to look after us?”  Ellen bellowed as the carriage clattered on.

“You’ve got other brothers.”

“They gave up on Roger long ago!”  Ellen said.  “I’m all he’s got.  Should I cast him aside as you did with your brother?”

“Do you think that was easy for me to do?  Do you think I enjoyed realizing that my only brother is a murderer and a thief?”

“No.  I don’t.”  Ellen sighed.

“Well, I’ll tell…” Charles paused.  “Oh.”

Charles and Ellen stared at one another for a moment.  Finally, Ellen shook her head. 

“I’m so sorry.”  She said.  “Whenever Roger is in trouble, I get my back up.  I’ll lash out at whoever I think is in my way.  You don’t deserve this.  I apologize.”

“I understand.”  Charles muttered.

“I owe the Duke another apology.”

“I’m certain he understands, too.”  Charles nodded.

“Still.  The hurt look in his eyes…”

“He’s given me that look, too.”  Charles shrugged.

“I thought you were ‘friends.’”

“Well…not always.”  Charles shook his head.  “It seems you know more than I told you about my relationship with the Duke’s sister.”

“Yes.”  Ellen replied.  “Gamilla told me about it after you mentioned it to me  the once.  Charles, I’m not in a position to judge you.  I’m sorry I said anything about it.  I really don’t know what gets into me.  Sometimes I think that maybe I’m the one who’s mad.”

“You’re not.”  Charles chuckled.  “You’re just—taking care of yourself.”

“I’m glad you see it that way.”  Ellen sighed.  “I really just want Roger to be safe.”

“But, Miss, if he…”

“He didn’t kill William Stover!”  Ellen said firmly.

“How can you be sure?”

“I’m just sure.  He’s not a killer.”

“And, when we get to his rooms,” Charles began.  “What if we find that he’s murdered his keeper in order to escape?”

“We won’t.”  Ellen replied.

“How’d he get out?”

“Well, I don’t know.”  Ellen grumbled.  “That’s why His Grace sent us to investigate, isn’t it?”

“You really don’t think he did it?”

“No.”  Ellen answered.

“Even though he tried to kill the Duke—for no reason at all?”

“Charles…”

“Fine, Miss Barrett.”  Charles nodded.  “I believe you.”

“Do you?”

“I do.”  Charles said.  “Well, at least I want to.  We can either carry on like we just were or we can be friends.”

“I’d prefer the latter.”

“So would I.  But, you’ve got to keep your temper.”

“I’ll try.”  Ellen smiled gently.  “And, you’ve got to be less quick to criticize.”

“I’ll try as well.”  Charles nodded.  “We owe it to His Grace and Dr. Halifax to try to get along.  Our bickering won’t help them through this.”

“No, no, certainly not.”  Ellen answered quickly.

“Besides, you’re rather pretty…for a dried-up governess.”

“And, you’re rather handsome for a pathetic sycophant.”

Again, they sat in silence as the carriage rolled to a stop outside of Roger’s rooming house.




Did you miss Chapters 1-45 of Mr. Punch of Belgrave Square?  If so, you can read them here.  Come back tomorrow for Chapter 47.