Monday, June 6, 2011

Painting of the Day: Portrait of a Young Man, 1845

Portrait of a Young Man
Alexander Boyd, sitter?
Margaret Sarah Carpenter, 1845
The Victoria & Albert Museum
In the 1840’s, very few women were accepted into the rank of professional painter. Henrietta Ward was among the first in Britain. Painter Margaret Sarah Carpenter, though less known today, was also a talented artist who was described by a peer as, “one of the most distinguished portrait painters in England, “and her husband's obituarist wrote that she “would certainly have been a Royal Academician but for her sex.”


Carpenter’s enormous skill is evidenced in this portrait of a young man which she painted in 1845. During this period, she was commissioned to paint “Exit Portraits” of young men being graduated from Eton. A label on the back of this painting notes that the young man is “Alexander Boyd,” however that is often debated, and, really, the sitter is unknown. Nevertheless, it’s a beautifully rendered piece which shows that Carpenter, indeed, could have been a Royal Academician.

Person of the Week: White Collar’s Willie Garson

Willie Garson
USA Network
With the Season Three of USA’s White Collar beginning tomorrow, June 7, 2011, the perfect opportunity has arisen to revisit this talented ensemble of actors. Though Matt Bomer and Tim DeKay may take center stage as “Neal Caffrey” and “Peter Burke” respectively, they’d be quite lost without their quirky sidekick, “Mozzie,” played by Willie Garson.


USA Network uses the tagline, “Characters welcome.” Garson’s “Moz” is just the kind of character that can elevate a show to something much more than its original concept. Sure, Bomer’s got the looks and the playful charm, and DeKay offers the down-to-earth masculinity and authority needed in a crime drama, but without a character like “Mozzie,” it would really just be a program about two handsome guys running around with guns and stolen artwork.

Garson has been acting since 1986, mostly as a character actor in minor parts in films and television. He became quite a popular name during his longtime stint on Sex and the City, playing Stanford Blatch. With training from both Wesleyan and Yale, Garson brings a believability to roles which in the hands of a lesser actor would come off as cartoonish. “Mozzie,” for example, is a con-man with a photographic memory and a total paranoia regarding the government. Such an extreme character could easily become a buffoon, but Garson balances the role with a boyish naiveté and a fierce loyalty. Since Mozzie is Neal’s closest friend and confidant, he’s constantly in the middle of the action. Garson allows Bomer and DeKay to take center stage, all the while supporting their performances, and letting the audience love “Mozzie” in his own right.

Garson, Bomer, Dekay and Tiffani Thiessen
USA Network
Aside from acting, Mr. Garson is also a proud father to his son, Nathen, whom he adopted in 2009. After over a year of paperwork, screenings and interviews, Garson was allowed to adopt Nathen and the two share a wonderful home and family life.

For his understated brilliance as a performer and for appearing to be a very nice fellow, Willie Garson is our “Person of the Week.” For your viewing pleasure, here are some out-takes from White Collar. Warning: Adult Language. And, don’t forget to tune in to USA tomorrow at 9:00 PM Eastern, 8:00 Central for Season Three of White Collar!

Treat of the Week: A Blueberry Grunt

I had never heard of a blueberry grunt until this weekend. And, I have to say I was quite enchanted by it.


In the cobbler family, a grunt (a cousin of the pandowdy or slump) is a mixture of sweetened blueberries (or, possibly another single fruit) cooked on the stovetop in a castiron pan or pot and topped by dumplings. The grunt never sees the interior of the oven. When the dumplings are fully cooked, cinnamon and sugar are added just before serving.

Several different regions claim the grunt as their creation. Some believe grunts originated in New England. Others are quite certain that they’re a Southern U.S. tradition, and others, still, feel they came from England. Regardless of their origin and how they were so named (perhaps because of the sound the confection makes as it cooks), the grunt is quite delicious and glorious.

A little research will yield a grunt recipe that you’ll like. My mother served it with freshly whipped cream and we gobbled it up quite happily. Everything my mother makes is a true treat, but this one was a wonderful surprise.


Mastery of Design: An Amazing Enamel and Diamond Spray Ornament, 1780-1800

Spray Ornament
Enamel, Gold, Rose-Cut Diamonds
Spain?
The Victoria and Albert Museum
Flowers have always been considered the perfect adornment, but they’re not very long-lasting. In the late Eighteenth and Early Nineteenth Centuries, jewelers perfected the art of the “spray ornament” which would achieve the look of a floral decoration, but last forever and be markedly more luxurious (and sparkly).


We’ve already had a look at another spray ornament of diamonds. This one is a variation on the theme, showing the skill with which enamel was used in jewelry making. A bouquet of multi-colored flowers set with rose-cut diamonds and bound by a diamond and blue enamel ribbon is the centerpiece of this astoundingly beautiful and intricate bodice ornament. It could be worn independently or attached to a removable gold hook which served to elevate the ornament.


Punch's Cousin, Chapter 262

“What’s happening to me?” Scaramouche roared.


“Looks like you’re not as mighty as you like to think.” Mr. Punch laughed, sitting down in the imaginary chair in which Julian usually waited in their internal “room.” He smiled as Scaramouche’s image flickered like a candle caught in a draft.

“You know nothing, Rogue!” Scaramouche screamed. “I shall exact my revenge on you and regain what I’m due!”

“Coo! You are an odd one,” Punch chuckled. “Seems to me you ain’t strong ‘nough to pull the wings off a fly, you’re not.”

Meanwhile, outside their body, Julian continued to rant to Robert.

“It’s terribly unfair, really.” Julian said, now pacing the floor of his bedroom and Robert watched. “I’ve never hurt a soul. Not really. Perhaps sometimes I’ve been curt or impatient. Perhaps I have seemed disinterested in other people, but it’s not a lack of feeling or caring on my part, it’s my inability to communicate, my overwhelming shyness. I’ve never harmed anyone nor have I taken anything that isn’t mine. So, why is it that I’m constantly giving more than I can to people who take it by force? I’ve never asked for much from life. Mother used to say that I didn’t deserve my title and my place. Perhaps that’s true. I’d have been just as happy as a laborer or in service—doing things for others, provided they left me along. I never aspired to be a Duke or to manage a great estate. I’ve never wanted to be responsible for the livelihoods of others. I’ve only wished for quiet, peace and distance, the freedom to live uninterrupted and explore the things which interest me—in my own quiet way. Yet, here I am.”

“Here you are?” Robert asked softly.

“Don’t mistake me,” Julian replied. “I’m grateful to you, I’m honored by your affection and friendship and I’d not trade that for anything. However, look at what’s become of me. I’ve been forced to travel to a foreign land where—though we share a language—we’re so vastly different than the natives. I’ve been badly ill-used and mistreated—abused! All because I was ordered to do so! All because I had to, once again, rescue my sister who, let’s be honest, has never had a kind word or deed for me. My body has been scarred and damaged and my mind…my mind! Well, words alone cannot begin to express what’s become of that! I’m so weary, Robert. I want to go home. Fallbridge Hall, Belgrave Square—I don’t much care. Just somewhere familiar. Somewhere in which I can be certain of myself and where I know what to expect!”

“That seems quite reasonable.” Robert nodded.

“You’re free to come with me. I think we could be quite content. Robert, we can even bring the child if at all possible. However, I think we must be realistic. We have no more legal claim to the boy than does Edward Cage. It’s not meant to be. I can’t explain how I know that, but I know it to be true. Yet, I can do nothing because I’m crippled!”

“Crippled?” Robert asked.

“Yes!” Julian growled. “By life! By myself…”

Inside their body, Punch watched as Scaramouche once again flickered. And, for a moment, he disappeared completely.

Punch whooped, thinking that Scaramouche was gone. But, the figure of the angry man returned—this time, much changed. He was the size of a puppet, a doll—small, but in perfect proportion to what he had once been.

Mr. Punch began to giggle wildly and walked over to the spot on the floor where Scaramouche stood, squeaking and stamping his tiny feet on the imaginary carpet. Punch picked up the struggling figure and tucked him under his arm as a child might carry a beloved toy.

“I think, maybe,” Punch laughed, “we’re getting things put back to rights.”

At that very moment, further up Royal Street, Iolanthe Evangeline sat on the bed in Ulrika’s room and, using her fingers, brushed Ulrika’s titian locks from her face.

“You know,” Iolanthe said contemplatively, “she’s beautiful in a rather masculine way. If only her neck wasn’t so damn big. And, her shoulders. It’s as if someone took a woman’s face and glued it to a man. Odd, but appealing. I’d have bet she’d have fetched quite a price at my house. I’m sure there are plenty of men who would have paid handsomely for an opportunity to ‘tame’ the wild ginger beast. Is that what appealed to you, Arthur?”

Arthur shrugged, gaping at Iolanthe, unsure what she wanted.

“When Odo returns,” Iolanthe grinned. “You and I will share a drink of wine and talk, yes? Your companion, too. What’s his name?”

“I’m Gerard, Miss. You can call me ‘Gerry,’”

“Oh, how darling.” Iolanthe smiled. “Tell me, Gerry, would you pay your hard-earned money for a night with this woman?” She pointed to Ulrika’s mumbling, incoherent body.

“I dunno, Miss.”

“Of course you don’t.” Iolanthe clucked her tongue. She sighed. “So, Gerry, what do you know?”

“Not much, Miss.” Gerard replied nervously.

“Do you know what a diamond is?” Iolanthe asked.

“I do.” Gerard said.

“Did you know that diamonds can be colors? Yellow, pink, purple, green…blue?”

“Yes, Miss.” Gerard said.

“Have you ever seen a blue diamond?” Iolanthe continued.

“I…” Gerard looked at Arthur.

“I see.” Iolanthe nodded. “Now, now, Arthur. Isn’t it time to hand the thing back to me?”



Did you miss Chapters 1-261? If so, you can read them here.

Card of the Day: George V Proclaimed King

Today, we’re starting a new feature on Stalking the Belle Époque: The Card of the Day. Each day, I’ll be showing you an example from my collection of Royalty-themed cigarette cards. This first offering is from a set of fifty Wills’s Cigarette Cards from 1935 which were produced in honor of the Silver Jubilee of King George V and Queen Mary and show important events from their reign.


The first in the set is titled, “George the Fifth Proclaimed King,” and shows the moment following the death of King Edward VII when he son was proclaimed King. The reverse of the card reads:

At the stroke of nine o’clock on May 9th, 1910, there appeared on the balcony of St. James Palace, a brilliant gathering. Preceded by the State Trumpeters came the Duke of Norfolk, Earl Marshall of England, accompanied by the Kings of Arms, Heralds and Pursuivants in ceremonial tabards. The trumpeters sounded a flourish, and Garter King of Arms read the proclamation, announcing that the Crown had come “solely and rightfully to the High and Mighty Prince George Frederick Ernest Albert, son of Edward VII.” The Royal salute crashed out and thousands of the new monarchs subjects gathered in the mall joined in the National Anthem.


Object of the Day: A Japanese Netsuke

In Sixteenth Century Japan, gentlemen began to become frustrated by the lack of pockets in their traditional kimonos and wore pouches or small baskets from cords attached to their belts. In these containers, they’d carry the objects that they’d need throughout the day. The cords were attached to their belts via a small decorative toggle or button-like object made of horn, ivory, bone, wood, metal, cane or lacquer. Over time, these objects, called Netsuke, became highly carved and ornamental. Soon, the Netsuke transitioned from being a purely practical article to being a highly revered art form.


Netsuke were not only collected by the Japanese, but also by other cultures across the world. Collectors in the U.K. were especially prevalent during the Nineteenth Century when British ladies and gentlemen became fascinated by Asian cultures.

This Netsuke dog is modeled after figures which would have been developed in the Nineteenth Century. I’ve had this little carving since my childhood. I’m not quite sure exactly what the material is. Animals were among the most popular subjects for Netsuke, especially those animals which related to the Zodiac. This rather fierce dog is also quite cute in its own way. I’ve always liked its grinning mouth and alert eyes.

Netsuke—both antique and contemporary—continue to be collected today. Though they serve no practical function any longer, they’re beautiful reminders of Japanese cleverness and the continued global quest for beauty in functionality.