Wednesday, April 27, 2011

Sculpture of the Day: The Lily Font, 1841

The Lily Font
Barnard & Co., 1841
Silver Gilt
The Royal Collection
February 10, 1841 was a special day for Queen Victoria and Prince Albert. Not only was it their first wedding anniversary, but it was also set as the date for the christening of their first child, Victoria Adelaide Mary Louisa.


The Queen and Prince decided that their daughter should be christened in a new baptismal font and commissioned E.W. Smith of Barnard & Co. to create a magnificent silver gilt font adorned with water lilies which were considered symbols of purity.

The result is The Lily Font which has been used at every Royal christening since 1841. Perhaps it will soon act as a baptismal font for a new generation of Royals.




The Christening of the Princess Royal, 1841
C.R. Leslie


Building of the Week: Kensington Palace

Nestled elegantly in Kensington Gardens in the Royal Borough of Kensington and Chelsea in London, England, Kensington Palace has been the home to many members of the Royal family for over three hundred years.


Most recently, the palace has served as the primary residence of the late Diana, Princess of Wales as well as her children, Princes William and harry, and the late Princess Margaret. Presently, the palace is the comfortably, yet lavish, home of The Duke and Duchess of Gloucester, the Duke and Duchess of Kent and Prince and Princess Michael of Kent. Since for the last century, the palace has been the residence of many a female member of the Royal family, Edward VIII referred to Kensington as “The Aunt Heap.” He was really quite unpleasant, I think.

Nottingham House
Originally, a rather square Seventeenth Century mansion sat on the grounds. Initially called Nottingham House, it was the home of the Earl of Nottingham. The land was sold by Nottingham’s heir to King William III in 1689. At that time, Chelsea was actually still quite undeveloped and King William wanted to live there so as to be away from the smoke and soot in the air in London proper.

Sir Christopher Wren expanded the house considerably, re-orienting it to face West, changing the floor plan, adding ornate staircases and galleries, and altering the gardens to make it a more fitting residence for the King. The house was renamed “Kensington House” and still had not achieved palatial status.

The Orangery
For the next seventy years, Kensington House was the favored Royal Residence and remained relatively unchanged until 1704 when Queen Anne added the “Orangery” (essentially a greenhouse or conservatory), had the gardens made more formal and commissioned Wren to create a new grand staircase and ceremonial entrance.

By 1718, King George I had begun to occupy the house which had attained the status of palace. He spent a small fortune in redecorating the Royal apartments and commissioned William Kent to create lavish frescoes and murals for the state rooms.

George I's Interior, 1722
George II was the last reigning monarch to live at the palace. Thereafter it was used as a residence for minor members of the Royal Family. It was the girlhood home of young Queen Victoria and her mother and also the birthplace of Mary of Teck.

In the 1980’s a newly married Prince Charles and Princess Diana made the palace their residence and it remained Diana’s home after divorcing Charles. Today, it still houses members of the Royal Family, but also serves as a museum and opens its state rooms to the public. Kensington Palace is often the location for special exhibitions hosted by the Historic Royal Palaces Charity—such as the current exhibit of Royal wedding gowns. Presently, the palace has been transformed into "The Enchanted Palace" as part of a special display of Royal artifacts. 

For more information about Kensington Palace, visit the official Web site of the Historic Royal Palaces which features a rather nifty bit of animation. 





Royal Icing: A Delicious Souvenir of the Wedding of Queen Victoria and Prince Albert

Silver Box Containing a Piece of
Queen Victoria abd Prince Albert's Wedding Cake
1840
Silver, Fruit cake
The Royal Collection
Keeping a piece of the wedding cake in the freezer to enjoy on one’s first anniversary is a common practice. Keeping a piece of the wedding cake forever is a little more unusual these days, but if you’re the Queen and Prince Consort of the British Empire, then, it’s certainly a charming idea.


A square of the wedding cake from the Wedding Breakfast of Queen Victoria and Prince Albert has been preserved in this simple silver box upon which the date of the wedding, February 10, 1840 has been engraved.

The wedding breakfast was not technically a breakfast, nor was it even a brunch. It was more of a late lunch than anything. Following the wedding ceremony at 2:00 in the afternoon, members of the wedding party and special guests were invited to the lavish “breakfast” at Buckingham Palace. Friday’s wedding will be followed by a similar event.

I wonder if Prince William and Katherine will save a piece of their cake, too.


Unusual Artifacts: Mary of Teck’s Handkerchief from Her 1893 Wedding

The Future King George V and Queen Mary
on their wedding day, 1893.
The Royal Collection
Everyone cries at weddings. I’m sure many of us will shed a tear when we see the lovely Catherine Middleton walk down the magnificent aisle of Westminster Abbey on Friday. Even Royal eyes need daubing and even Royal noses need the occasional wipe. Of course the bride would carry a pretty, little handkerchief. Princess Victoria Mary of Teck (known upon her husband’s (George V) ascension to the throne as “Queen Mary”) was never one to be without the appropriate accessories.

Honiton Lace Handkerchief, 1893
The Royal Collection
This crisp handkerchief of fine Honiton lace (matching her veil) is embroidered with her initials, “V.M.” A label sewn into the handkerchief, written in her own hand, states that she, “Victoria Mary, Duchess of York” used the handkerchief on her wedding day, July 6, 1893.



Mary's Wedding Gown
The Historic Royal Palaces

At the time of their marriage, the Royal couple had not yet been styled as The Prince and Princess of Wales (George was created Prince of Wales in 1901) and were called, The Duke and Duchess of York. They were married at the Chapel Royal at St. James Palace. Much as it is this week, all of London rejoiced.

The Times wrote of Mary’s dress:

Of silver and white brocade with its ingeniously clustered shamrocks, roses and thistles [the national official flowers of the empire] hampers the bride’s graceful movements . . . The bridal veil of fine old Honiton point is caught back of the face, and trails and clusters of orange-blossoms, together with the inevitable bouquet of white flowers carried in her hand . . .

The event was carefully photographed as well as the subject of several paintings and drawings. Enjoy these historic images from The Royal Collection of that lavish 1893 wedding.








Punch's Cousin, Chapter 230

Iolanthe Evangeline shivered as a trickle of perspiration ran down her back and attracted the cold winter breeze to her damp gown. Her waxy makeup had begun to smudge as she sweated and she wanted to pause to look in the small glass she carried with her at all times. Iolanthe always prided herself on her appearance. When the world around her seemed chaotic, she could always comfort herself by gazing at her own reflection and studying the careful arch of her painted eyebrows, the smoothness of her cheeks beneath the layer of light-colored makeup she wore to conceal her dark complexion and the purposefully savage, yet, alluring red of her lips—drawn well past their natural lines to give her mouth a cruel, but oddly appealing fullness.


Yet, with her child in her arms, she dared not pause to examine her looks. All too aware that she was melting in her nervousness, she chose to focus on the baby that she carried in her arms—her poor son whom she feared would never be as handsome as his father or as beautiful even as her own long-lost brother and father. Iolanthe’s thoughts flooded with memories of her youth—her peaceful, strange, boring girlhood in a small Louisiana town, the daughter of a minister. Her name was different then. She was a pearl, a jewel, the sparkle in her father’s reverend eye. One sticky morning in a stable had changed that—had cast a dullness over her shine. She tried for years to polish herself to regain her sparkle. Sure, she had a radiance as Iolanthe Evangeline, but it was false—as false as the dark curls which she clipped into her hair, as false as the flawless cream complexion of her cheeks, as false as the padding she wore over her rapidly withering bosom.

“Slow down, Iolanthe,” Ulrika complained.

“You’d better speed up,” Iolanthe spat.

As they approached the hotel, Iolanthe took a deep breath and whispered to her child. “Egil, honey, there’s a man in there who’s gonna help ya. He’s gonna help ya be a boy like any other.”

The baby gurgled and sputtered and a wave of repulsion swept across Iolanthe’s back followed by a swell of shame as she secretly chastised herself for not loving her son enough.

“Open the door for me, would ya?” Iolanthe said sharply.

Ulrika frowned at the order, but did as Iolanthe instructed. As she did, she was startled when three men in uniform stormed from the hotel and stood between her and Iolanthe.

“Iolanthe Evangeline?” The tallest man asked.

“Who’s asking?” Iolanthe growled.

“Come with us.” The other man said.

“Why?” Iolanthe hissed.

“You’re accused of the murder of the Duke of Fallbridge, Doctor Robert Halifax and the Duke’s nephew.” The man answered. “Now, I’ll thank you to give the child to your companion.”

Ulrika looked confused. “What are you saying, Sir?”

“You heard me.” The man spat.

The third man stepped forward, “Give the child to your friend, Miss Evangeline.”

“No.” Iolanthe backed away. Two of the men restrained her.

“No!” Iolanthe shouted again. “I’ve done nothing wrong.”

Egil began to cry.

“Give him to me,” Ulrika urged.

“Never!” Iolanthe howled.

“Take the child!” The second man ordered.

“Don’t touch him!” Iolanthe screamed. “I’ve done nothing wrong.”

“She hasn’t!” Ulrika said quickly. “She’s been with me.”

“Maybe you should come with us, too.” The third man grinned.

Iolanthe looked confused. She took a deep breath. “There’s no need for Miss Rittenhouse to be involved with this.”

Ulrika puffed air from her cheeks.

“Ulrika, take my son.” Iolanthe said softly.

“Where?” Ulrika stammered.

“Take him to Edward’s.” Iolanthe whispered.

“Very well.” Ulrika shrugged.

“What’d you do with the bodies?” The second man grumbled as Iolanthe handed Egil to Ulrika.

“I don’t know what you mean, and I don’t want you thinkin’ that I do.”

“You can tell us in prison, then.” The first man laughed.

“We’ve been after you for a long time, Miss Evangeline.” The second man smiled.

“And, now we finally got you.” The third officer nodded.

“Hurry, Ulrika.” Iolanthe said. “Take my boy to Edward Cage. Tell him what’s happened!”

Ulrika watched as the men pushed Iolanthe to their armored carriage. She looked down at the child in her arms and shivered at his distorted face. “What do you think, you ugly little thing?” Ulrika cooed. “Do you think your mama killed those people? I wouldn’t be surprised if she did. Edward Cage wants a child, but I don’t think he wants a little beast like you. It’s not a fair trade is it—a monster for a boy?” She laughed cruelly. “You’re no good to anyone, are you? Or, are you?”

Ulrika grinned as an idea passed through her mind. “Perhaps Edward should see you after all.”

Meanwhile, Edward Cage was quite busy with his own thoughts as he leaned into the carriage in which Mr. Punch, Colin, Robert, Cecil and Adrienne were trapped.

“This doesn’t have to be difficult,” Edward smiled. “Simply hand over Holt and we’ll forget about this whole thing. Cecil, maybe even I’ll offer your employment back to you.”

“I wouldn’t accept it, even if you did.” Cecil responded sharply.

“How could I expect you to be anything other than ungrateful?” Edward chuckled.

“I’m not givin’ this child to you,” Mr. Punch shook his head.

“He’s my son.” Edward said.

“No, he ain’t!” Mr. Punch spat.

Edward sighed. “I had wanted to do this nicely.”

“Why start now?” Robert snarled.

“True.” Edward nodded. “It’s not my way.” With that, he grabbed Adrienne by the arm. She yelped as he pulled her from the carriage.

“Now, I’m afraid,” Edward shouted, “We must make a trade. My child for your beloved woman.”



Did you miss Chapters 1-229? If so, you can read them here.

Goal for the Day: Don’t Wish Your Life Away

How often do you say, “I wish Friday would come?” How much time do you spend wishing your life away in order to get to a goal or event? As a historian, I see how relatively brief our lives are in the grand scheme of things. We don’t really have the luxury of extra time to skip over.


Each moment has something which makes it special. We should define our waking moments by their inherent quality, not as steps toward something grand and exceptional, but as exceptional moments unto themselves. Climbing a mountain is just as fascinating and enjoyable as reaching the top. After all, sometimes it’s the journey that is more exciting than the destination. So, let’s not wish for time to go faster. Let’s wish to enjoy every second of the day. There’s always something to celebrate.

Object of the Day: A Souvenir of Queen Elizabeth II’s Silver Jubilee, 1977

Upon the death of her father in 1952, King George VI, Princess Elizabeth ascended to the throne as Queen Elizabeth II with a coronation taking place on June 2, 1953. In 1977, Her Majesty celebrated twenty-five years o the throne and enjoyed the festivities of her Silver Jubilee. Now, fifty-nine years into her reign, she is just as strong and vital as the day the crown was placed upon her head.

As was and remains the tradition, a variety of souvenirs were produced for the Silver Jubilee. This mug is one of them. Crafted by Biltons, England in 1977, the cup features the official portrait of Her Majesty on the front with her cipher surmounted by English roses on the reverse. Biltons produced fine china and dinnerware in England from 1900 to 1999.

The tradition of Royal Souvenirs continues. A host of such items have been produced for the impending wedding of Prince William of Wales and Kate Middleton and a slew of objects is already in production for the Diamond Jubilee of Her Majesty which will occur in 2012 when Queen Elizabeth II celebrates sixty years as the sovereign.