Wednesday, December 1, 2010

Painting of the Day: “Balmoral: Lower Corridor and Staircase,” 1857

Balmoral: Lower Corridor and Staircase
James Roberts, 1857
The Royal Collection
Upon completion of the new castle at Balmoral in 1856, Queen Victoria commissioned a series of paintings of the interior of the house to commemorate their new home. Painter James Roberts completed several highly detailed watercolor studies of many different rooms in the castle. These paintings have served future generations well by providing an accurate account of how the castle was decorated and furnished. Maintenance and renovation of the estate has been aided by the presence of Roberts’ pictures.


We can see here that Prince Albert has lined the lower corridor with a row of his trophies—the heads of many of the stags that he so famously hunted. This also gives us a glimpse at Queen Victoria’s art collection—most notably the sculpture beneath the mirror. This sculpture—which remains as part of the Royal Collection—is bronze version of Le Lion Amoreux by Charles Geef which was created especially for the queen after she saw the life-size plaster original at the Great Exhibition in 1851.

Building of the Week: Balmoral Castle, Scotland

The Old Castle at Balmoral, 1853
The Royal Collection
The private summer residence of the Royal Family, the estate at Balmoral covers an area of over sixty-four thousand acres in the Royal Deeside in Aberdeenshire, Scotland. The estate originally belonged to King Robert II who kept a hunting lodge on the property. In 1390, Sir William Drummond built the original castle on the site. The land would change hands three more times before the Nineteenth Century. In the 1840’s, the estate was owned by the Second Earl of Fife who leased the house and lands to wealthy patrons in search of a peaceful place to hunt and rejuvenate themselves. In 1848, the castle and lands were leased to Queen Victoria and Prince Albert who both fell in love with the beauty of the grounds and the elegant, but comfortable, castle. The queen and her husband petitioned for ownership of the property and achieved their goal in 1852.


The New Castle at Balmoral, 1856
The Royal Collection
In 1853, the corner stone for a new castle at Balmoral was set into the ground. Beneath the stone, Queen Victoria ordered that a letter in her own hand and coins of the realm (encased in glass) be set beneath the stone. While Victoria and Albert loved the original castle, they realized that it was too small and too old to comfortably house their growing family and rapidly enlarging staff. Prince Albert worked closely with the architects and designers of the new castle to ensure that it not only met their immediate needs, but also blended with the design of the original structure as well as the pristine landscape.

Balmoral, 1860
The Royal Collection
Balmoral has since remained in the Royal Family and, like Sandringham House, is privately owned as opposed to being a state residence. The estate has been the favorite spot of many a royal. Queen Elizabeth II and her family are particularly fond of the spot and spend as much time as they can there.

Over time, the size of the estate has grown incredibly. In 1878, Queen Victoria rescued a one thousand acre stretch of forest by purchasing it before it could be destroyed by timber merchants. The forest, known as Ballochbuie, was officially added to the estate at Balmoral. Later, an additional two thousand acres were added as a safe haven for red deer.

Queen Elizabeth II and her Children
at Balmoral, 1952
Balmoral is still a working estate, and while the staff has been considerably reduced lately, the Royal Family employs up to fifty full-time staffers throughout the year. Nearly one hundred thousand people visit Balmoral each year—wishing to tour the land and see its natural beauty first-hand. The tourist trade is quite a boon to the surrounding areas—producing upwards of four thousand jobs for local workers each year.

The site of many a historic occasion, Balmoral has seen its share of Royal triumph and tragedy. There, the coronation activities of King George IV were carried out. Queen Victoria Eugenie of Spain was born there. Most recently, it was at Balmoral where the Royal Family received word that Diana, Princess of Wales, had been killed in an automobile accident.

Princes William, Charles and Harry at Balmoral
1996
The Royal Collection
The Duke of Edinburgh, husband to Queen Elizabeth II, plays a large part in overseeing the workings of Balmoral and has taken a keen interest in preserving the trees and wildlife on the estate. As the land continues to be governed by its royal owners, we can be sure that it will continue to be one small stretch of untouched beauty for centuries to come.

Punch's Cousin, Chapter 110

After awhile, the steady rhythm of Toby’s breathing soothed Mr. Punch to sleep. As soon as Robert had retired to his own room, Punch had crawled into the bed next to his puppet and the slumbering dog. His mind began to wander as he considered everything that Robert had just told him. Would their plan really work? Would it put Adrienne in too much danger? Could they really defeat Iolanthe Evangeline? What about the undoubted presence of Julian’s mother? Mr. Punch was certain that the Duchess of Fallbridge had arrived in New Orleans. With all of these thoughts racing through his mind just above the usual chatter and noise which always plagued him, his exhausted body shut down.


That night, Mr. Punch dreamed vividly and clearly. The images which played behind his eyes were so sharp and clear that they could not have come solely from Mr. Punch. No—somewhere deep within the body that they shared, Julian, too, was asleep. And, he, too, was dreaming.

At first the dream wasn’t unpleasant. In fact, it was rather a warm scene—filled with delicious food and laughter. Sausages and eggs and bread and cheese with no crocodiles in sight to snatch any of it away. Punch dreamt that he and Toby and Robert enjoyed a feast. They were sitting on a grand, deep-green lawn. Was it a park? No. It was the land near Fallbridge Hall. The realization made Julian’s body shiver, and suddenly made the dream go dark. In his vision, Toby was suddenly gone. So was Robert. Punch heard a baby cry. Was it Fuller? Or was it Barbara’s child—the one that the Cages had named, “Holt?” Or was it Barbara herself—once again, in this dream-world, returned to a child so that Julian could have had some influence on her. As the dream baby wailed, the skies above Fallbridge Hall grew dark and heavy with clouds. Suddenly, Mr. Punch became aware that his body had changed. He was once again shaped like a puppet—only, he was the size of a man. He couldn’t see very well past his hooked nose, a nose so bent that it touched his equally distorted chin. But, his costume wasn’t that of Mr. Punch. No, he was dressed in the armor of St. George. And, there was the dragon.

A hideous beast swelled behind the Hall. It rose on its monstrous legs and roared—three heads. Three awful heads. One—the face of Iolanthe Evangeline. Another—the face of Ulrika Rittenhouse. The middle—the largest and most horrible—the face of the Duchess herself.

In the Duchess’ teeth hung the limp body of Barbara Allen. From Ulrika’s mouth, the blood of Arthur and Agnes Rittenhouse dripped like water from a fountain. From the mouth of the ogress, Adrienne and Cecil dangled—screaming for help.

“Robert!” Punch called in his sleep. “Chum? I need you!”

Suddenly, the dark sky exploded in a wash of fire as if the sun itself had burst open like a rotten fruit. From the center of it, Naasir floated freely out. He was followed by two others—people with skin as dark as his own. Mr. Punch didn’t know them. But, he heard Marjani’s voice. He could not see her, but he heard her voice. “This is my daughter. This is her husband. They’ve gone to the sky, Mr. Punch. They’ve gone to the sky.”

The three-headed dragon roared again, spewing fire from six nostrils. Yet, Naasir and his companions walked right through it—untouched. Just as they reached the earth, they disappeared.

The monster drew nearer to Mr. Punch. Again, the baby cried.

“I beat the Devil!” Mr. Punch shouted to the beast. “I could beat you, I could!”

Fire shot from the heads of the foul creature.

Mr. Punch awoke with a start. The burns on his legs itched horribly. He grunted.

Toby rolled over and licked Julian’s cheek before drifting back to sleep.

“I can beat the Devil.” Mr. Punch muttered to himself. He put a protective arm around Toby and glanced up to make sure his puppet was still in bed next to them. “I can.”

At that very moment, at her bawdy house, Iolanthe Evangeline was holding the Duchess by her arm. She growled in the woman’s face. Pauline’s usual iciness had melted and she was sobbing uncontrollably.

“Let me go,” The duchess pleaded.

“Never.” Iolanthe hissed cruelly. “I’ll ask you again. Will you be my partner in this or will you not?”

“If I say that I won’t?”

“Then, I’ll make sure you never say another word as long as you live. The memory that the world will have of you will be the one that I create for you.” Iolanthe whispered.

“I’ll join you.” Pauline said breathlessly.

“Good.” Iolanthe released the woman from her grasp. “We’ll start now.”



Did you miss Chapters 1-109? If so, you can read them here.

Ornament of the Day: A Westie Ornament by Joy to the World

Joy to the World—a maker of fine Christmas ornaments—features a special line of sculptural glass decorations designed to resemble different breeds of dogs. Not only are these ornaments highly detailed and beautifully made, but a portion of the proceeds goes to help animals in need through a donation to The Morris Foundation.

Betty White has long endorsed the Joy to the World “Pet Set” ornaments. In fact, she signed one especially for my Bertie.

Object of the Day: “Clear Moon and Sea” by Correia Art Glass

I’ve always had a fondness for the designs of California-based Correia Art Glass. Their sophisticated designs often rely on silhouettes and contrasting colors and usually have their roots in organic elements.


This oversized paperweight, entitled, “Clear Moon and Sea” was created by Correia Studios in 1988. The contrast between the royal blue shadow of the moon and the exposed crescent creates a sense of stark drama over the gently breaking waves below it. Another layer of crystal beneath the surface represents the curve of the earth and adds an element of sparkling infinity to the piece as a whole. It’s truly an ingenious composition.

To learn more about Correia Art Glass, visit their Web site.

Tuesday, November 30, 2010

Vote for “Humanitarian of the Year!”

Since Stalking the Belle Époque began in July, I’ve highlighted the lives and careers of eighteen exceptional people whose humanitarian efforts have made a tremendous difference in the lives of their fellow humans as well as in the lives of animals. Each of these eighteen people has contributed tirelessly to a variety of causes.


Now, it’s your chance to decide who will be Stalking the Belle Époque’s first annual “Humanitarian of the Year.” To vote, select the name of your choice from the poll labeled “Humanitarian of the Year” in the right-hand navigation bar (below the Blog Archive). While you’re there, you might also like to vote for “Person of the Year.” Voting ends on December 12, 2010.

The winner will receive special recognition for his or her contributions.

The nominees are:

Fran Drescher—actress, author, activist, talk show host
Betty White—actress, animal rights activist
Niecy Nash—television personality, actress
Bobbie Eakes—singer, actress
Elizabeth Taylor—legend, actress, AIDS activist
Hattie McDaniel—actress, pioneer
Bette Davis—legend, actress, activist
David Walliams—actor, author, swimmer
Audrey Hepburn—legend, actress, activist
J.R. Martinez—actor, veteran, spokesperson
Mark Andrews—performer, Punch & Judy man, public speaker
Bernadette Peters—singer, actress, author, activist
Angela Lansbury—singer, actress, author
Stephen Fry— writer, actor
Doris Roberts—Actress
Mary Tyler Moore—Actor, Activist
Prince William of Wales—Activist, Patron of the Arts
Catherine Deneuve--Actress

Film of the Week: Les Demoiselles de Rochefort, 1967

In 1967, French filmmaker Jacques Demy once again teamed with composer Michele Legrand to create the third in Demy’s trilogy of musical films. Following Lola, and Les Parpaluies de Cherbourg, Demy introduced Les Demoiselles de Rochefort about two young twins and their search for love.

The film stars Catherine Deneuve and her real-life sister Françoise Dorléac (who was killed in a car accident shortly after filming) as twin sisters—Delphine and Solange--who must teach music and dance in order to make a living. They have a close relationship with their mother (played by Danielle Darrieux) who runs a café in the center of town, and their much-younger brother, Boo-Boo.

The lives of everyone in Rochefort are interrupted when two suave carnies come to town with their troop. The two men (played by West Side Story star George Chakiris and Grover Dale) take an immediate fancy to the twins. However, the girls’ attentions are divided between the new men in their lives and a artistic sailor and a dashing stranger (Gene Kelly).

Unlike Les Parapluies de Cherbourg, this film is more of a musical than it is an operetta. Much of the dialogue is spoken in between long, wild bouts of singing. In typical Legrand fashion, the music is haunting and memorable. Add the vividly-colored sets and costumes, excellent dancing, romance and humor to the mix and you have a remarkably entertaining film.

What I always find most astounding about the film is that the songs rhyme in both French and English. Listening to the French and reading the subtitles, one finds that the translations are literal, but still rhyme. This is quite an astounding feat! I love this brilliant and bright picture for its beautiful music and stunning visuals. It’s a little manic at times in the way that only a French film from the 1960’s can be, but that’s part of its appeal. Even with Gene Kelly’s somewhat out-of-place appearance, it’s a picture worthy of the highest praise.