Showing posts with label Charles Landseer. Show all posts
Showing posts with label Charles Landseer. Show all posts

Tuesday, July 1, 2014

Painting of the Day: "The Hermit" by Charles Landseer, 1841



"The Hermit"
Charles Landseer, 1841
The Victoria & Albert Museum



Painted in 1841 by the famed Charles Landseer (1799-1879), this canvas is entitled “The Hermit.”

Given to the V&A in 1859 by John Sheepshanks, the painting was exhibited at the Royal Academy the year it was painted. At that exhibition (from where the man who sold it to Sheepshanks purchased it), the painting was displayed with the following narrative poem, also called “The Hermit, which was posthumously published in 1721. It read:
Far in a wild, unknown to public view,
From youth to age a reverend hermit grew;
The moss his bed, the cave his humble cell,
His food the fruits, his drink the crystal well.
Remote from men, with God he passed the days,
Prayer all his business, all his pleasures praise.


David Lucas, the grandson of the famed engraver of the same name, hinted in 1925 that the model for this painting was his grandfather. The elder Lucas was known to have worked as a fortune teller at the Cremorne Gardens where he lived as something of a hermit. It was all an act, of course. Lucas wore a long dressing-gown and false beard rather like the subject of this painting. 






Monday, May 6, 2013

Object of the Day, Museum Edition: Maria, 1836



Maria
Charles Landseer
England, 1836
The Victoria & Albert Museum



“Poor Maria, sitting under a poplar…with her elbow in her lap…and her head leaning on one side…dressed in white.” 
      --from “A Sentimental Journey through France and Italy” by Laurence Sterne 

Charles Landseer (1799-1879, the elder brother of Sir Edwin Landseer) was inspired to create this painting upon reading Laurence Sterne’s novel “A Sentimental Journey through France and Italy,” 1768. The subject is lifted right from the book, specifically, a character called Maria who lost her true love. At her side is a loyal dog who keeps her company in her grief.

Painted in 1836, the canvas shows that Charles Landseer was just as talented as his better-remembered young brother. However, in this composition, like many of his works, it has eben long believed, Charles looked to Edwin for assistance in painting the figure of the dog. Edwin was well-known for his portraits of dogs and animals in general. His handling of animal subjects made Edwin a favorite of Queen Victoria and Prince Albert who commissioned the artist to paint their beloved pets.

The painting was exhibited at the British Institute under the title “Sterne’s Maria.” The character of the inconsolable Maria was quite popular in the later 18th century. Engravings of this piece were big sellers.




Sunday, September 9, 2012

Painting of the Day: "The Hermit" by Charles Landseer, 1841

"The Hermit"
Charles Landseer, 1841
The Victoria & Albert Museum



Painted in 1841 by the famed Charles Landseer (1799-1879), this canvas is entitled “The Hermit.”

Given to the V&A in 1859 by John Sheepshanks, the painting was exhibited at the Royal Academy the year it was painted. At that exhibition (from where the man who sold it to Sheepshanks purchased it), the painting was displayed with the following narrative poem, also called “The Hermit, which was posthumously published in 1721. It read:

Far in a wild, unknown to public view,
From youth to age a reverend hermit grew;
The moss his bed, the cave his humble cell,
His food the fruits, his drink the crystal well.
Remote from men, with God he passed the days,
Prayer all his business, all his pleasures praise.


David Lucas, the grandson of the famed engraver of the same name, hinted in 1925 that the model for this painting was his grandfather. The elder Lucas was known to have worked as a fortune teller at the Cremorne Gardens where he lived as something of a hermit. It was all an act, of course. Lucas wore a long dressing-gown and false beard rather like the subject of this painting. 



Thursday, August 16, 2012

Painting of the Day: Maria, 1836

Maria
Charles Landseer
England, 1836
The Victoria & Albert Museum



“Poor Maria, sitting under a poplar…with her elbow in her lap…and her head leaning on one side…dressed in white.” 
      --from “A Sentimental Journey through France and Italy” by Laurence Sterne 

Charles Landseer (1799-1879, the elder brother of Sir Edwin Landseer) was inspired to create this painting upon reading Laurence Sterne’s novel “A Sentimental Journey through France and Italy,” 1768. The subject is lifted right from the book, specifically, a character called Maria who lost her true love. At her side is a loyal dog who keeps her company in her grief.

Painted in 1836, the canvas shows that Charles Landseer was just as talented as his better-remembered young brother. However, in this composition, like many of his works, it has eben long believed, Charles looked to Edwin for assistance in painting the figure of the dog. Edwin was well-known for his portraits of dogs and animals in general. His handling of animal subjects made Edwin a favorite of Queen Victoria and Prince Albert who commissioned the artist to paint their beloved pets.

The painting was exhibited at the British Institute under the title “Sterne’s Maria.” The character of the inconsolable Maria was quite popular in the later 18th century. Engravings of this piece were big sellers.