The Rose she loves the Mother blesses
The Rose she to her bosom presses
A fairer, sweeter, happier thing
Than that which shines the Queen of Spring.
Painted by Edmond Thomas Parris (1793-1873) in 1832, this sentimental oil is typical of the artist’s so-called “fancy” portraits. These paintings were designed for reproduction in the form of color lithographs as an illustration to a verse. This painting, “The Rose,” was published as “The Rose of the Boudoir” with the short, anonymous, poem which is duplicated above.
The Rose she to her bosom presses
A fairer, sweeter, happier thing
Than that which shines the Queen of Spring.
Painted by Edmond Thomas Parris (1793-1873) in 1832, this sentimental oil is typical of the artist’s so-called “fancy” portraits. These paintings were designed for reproduction in the form of color lithographs as an illustration to a verse. This painting, “The Rose,” was published as “The Rose of the Boudoir” with the short, anonymous, poem which is duplicated above.
The Rose Edmond Thomas Parris, 1832 The Victoria & Albert Museum |
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