Monday, March 5, 2012

Mastery of Design: The Townshend Bubble Amethyst, 1820


Amethyst Ring from the Collection of Rev. Townshend
The Victoria & Albert Museum




Another jewel from the important collection of the Reverend Chauncy Hare Townshend, we see this gorgeous amethyst which was, surprisingly, prized for its inclusions.  Whereas most gems are devalued by the presence of inclusions, this one was made all the more valuable.  This example of purple quartz contains bubbles made during formation by fluid-filled cavities containing gas.  The stone is set in a gold swivel setting which allows the gem to be turned and viewed from both sides. 


This ring forms part of a collection of 154 gems bequeathed to the V&A by the Reverend Chauncy Hare Townshend, a cleric and poet. Like many of the stones in Townshend’s collection, this gem was originally in the collection of  H.P. Hope—one time owner of the famed Hope Diamond.  




The Home Beautiful: The Burges Washstand, 1879

Washstand
William Burges, 1879
This and all related images from the Victoria & Albert Museum


Celebrated designer William Burges (1827-1881) vehemently disliked the style of Georgian furniture of the Eighteenth and early Nineteenth Centuries.  As a designer, he sought only to introduce what he considered a more appealing style.  This washstand, designed by Burges, typifies his ideals.

The piece has been brightly painted and employs rich materials, complex fittings and references to literature and myth.  Despite the fanciful nature of the design, the washstand was perfectly functional with a water tank with a tap in the upper castellated section.  It is fitted with a marble basin which has been inlaid with silver fish motifs.  The basin is fitted with a tap in the form of a bronze animal and it swivels so that the dirty water can be tipped into a bucket in the cupboard below.

Burges called “The Tower House,” in Melbury Road, London, his home from 1878 until his death in 1881.  Always eager to surround himself with his preferred style, Burges designed every aspect of the house himself—with a façade in the Reformed Gothic style, and an interior which was decorated in the most elaborate fashion. He made this washstand specifically for the Guest Chamber, of which a visitor wrote, “The whole chamber is like an ancient shrine or reliquary.”

Not only was William Burges an architect and designer of furniture, he put his creative energies to metalwork and jewelry. He famously worked on Cardiff Castle and Castell Coch, near Cardiff, in Wales.  He had a peculiar personal life—devoted to the study of medieval art and the collection of armor. He was described by the wife of a patron as “ugly Burges who designs lovely things.”












Unusual Artifacts: A Brass Soap Container, 1750

Soap Container
Brass, once silver-plated, 1750
The Victoria & Albert Museum




Soap containers such as this globe-shaped brass example which rests on a small foot, sat on the well-appointed dressing tables as part of toilet sets of aristocrats.  These handy little vessels boasted  perforations which allowed the soap to dry. Usually such containers were purchased with companion pieces with solid tops which were designed to keep sponges damp.

This container shows traces of silvering, indicating that it once sparkled more elegantly than it does today. Brass coated in silver was a popular medium for such utilitarian items to avoid the cost of sterling—especially before the Sheffield plate industry was established in the mid-1740s.

Treat of the Week: Lime Pudding Cakes and Lime Meltaways



Oh, we had a lovely treat this week.  When Bertie and I visited my parents yesterday, we were greeted by the fresh, lovely smell of key limes.  My mother had whipped up a very special dessert for us—Upside Down Lime Pudding Cakes and tender Lime Meltaways.

The little cakes are a delightful combination of lime-custard and spongy, gorgeous cake.  They are baked in a ramekin (in a water bath) so that the pudding stays at the bottom and the cake rises to the top.  When finished, they are turned out of the ramekin and served upside down with a dollop of whipped cream and fresh berries.  I’ve included the recipe for them at the end of the article.  They’re a cool, refreshing end to any meal!

My mother served this beautiful little cakes with Lime Meltaways—tender shortbread cookies infused with the flavor of fresh lime, and dusted with a thick coating of powdered sugar.  They get their name from their exquisite texture—literally melting in your mouth.  Baked on Silpat, they retain their shape wonderfully and end up looking like flower petals. 

Even though it’s winter, spring is in the air—at least here—and these desserts were the perfect way to welcome to warmer weather.  














1/2 C skim milk
1/2 C buttermilk
3 egg yolks
2 tsp canola oil
1 tsp lime zest
1/3 C fresh lime juice
1 C sugar
1/4 C flour
1 tsp cornstarch
1/8 tsp salt
3 large egg whites

Blend well first three ingredients.  Add next 4 ingredients and mix until smooth.  Mix in flour and starch until smooth.  Beat egg whites separately with salt to soft peaks.  Fold carefully into batter.  Spay 6 4 ounce ramekins with nonfat cooking spray and dust with sugar.  Fill each and place in a baking dish half-filled with warm water.  Bake thirty minutes at 350.  Chill, invert on dessert plates to serve.



Punch’s Cousin, Chapter 479

Mr. Punch walked stiffly into Marie Laveau’s dark front parlor.  He paused in the doorway and stretched, moaning slightly, pausing to sniff his own clothes which were heavy with the scents of smoke and sweat.  He giggled and lumbered into the room.

“Mornin’, Magic Chum,” He said hoarsely, spotting Marie Laveau who was seated by the cold, empty hearth.

“You’re up early, Your Grace,”  Marie nodded.

“Well, I couldn’t sleep.  Not with all them snorin’ blokes stacked up ‘round me.”  Mr. Punch sighed.

Marie chuckled.  “You ain’t used to sleepin’ in the same room with seven other men and two babies.”

“No.”  Punch shook his head.  “But, here, I ain’t complainin’, I ain’t.  You been awful kind to let us all stay here.”

“Ain’t nothin’.  I just wish I could have found more room for all of ya.”

“It were kind of your men to let some of Pete’s chums stay with them in their rooms.”

“Still it left seven of ya in one room.”  Marie smiled.

“Ah well.  I’m used to Robert and Colin.  But, them other blokes—that Charles sure can snore like he’s some kind of wild pig.”

Marie laughed.

“How are you this morning, Miss Laveau?”  Punch asked.

“Please call me Marie.”  Marie nodded.

“You can call me “Mr. Punch.” 

“Can I ask why?”

Punch chuckled.  “Cuz that’s what I am.”

“I know that the ‘Great Man of the Rocks’ is two men in one  body.”  Marie replied thoughtfully.  “But, I gotta be honest, I don’t quite know what a ‘Mr. Punch’ is.”

Punch snorted.  “It ain’t easy to ‘xplain.”  He sat down next to Marie.  “I’m Mr. Punch.  See, I were a puppet.  You heard o’ me.  ‘Punch and Judy.’  Me master—the Duke—he had such a puppet and when he were a child he spoke to me cuz I were his only chum.  After awhile, I got to be like a real person, and, well, it were easier for this Punch part of him to live life than it were for him to do it on his own.”  Punch squinted and scrunched up his nose.  “I’m probably not tellin’ it right.”

“I understand.”  Marie smiled.  “But, you’re the Duke, too.”

“Yes.”

“I see that all your friends, they address ya like you’re the Duke all the time.”

“They been doin’ that lately.”  Punch shrugged.  “I don’t like it much.  But, Robert—he told me that it’s important to honor me master’s title and rank.  That goes with the body.  If I’m to continue livin’ like this, then, Robert tells me, I’m to get used to bein’ the Duke—even if I am still Mr. Punch.”

“He’s right.  He’s a wise man, your companion.”

“He is.”  Punch replied happily.  “Only, you didn’t answer me question.”

“What’s that?”

“How are ya?”

Marie nodded slowly.  “I’m a little sad, Your Grace.”

“I bet you ain’t just a little sad.  You lost your baby.  I can’t ‘magine.  I were terrible sad when Colin were taken from me, but I knew I’d get him back.”

“My baby ain’t comin’ back.”  Marie sighed.

“I know.  And, I’m terrible sorry for ya.”

“No sense thinkin’ ‘bout it,” Marie answered, taking a deep breath and standing up.  “Now, I’ll bet you’re hungry.”

“Always.”  Punch smiled.

“I got some andouille.”

“Sausages!”  Punch chirped.  “I love ‘em!”

“I’ll get the fire goin’.”   Marie grinned, happy to have a man around the house who appreciated her cooking.  She stepped over Mr. Punch and said “’Xcuse me.”  She, then, roared with laughter.

“What’s funny?”  Punch raised his eyebrows.

“Honey, I mean to disrespect, but you don’t smell like no Duke.”

“I know.”  Punch blushed.  “All me clothes was burned up.  Gamilla took me jewel case from the fire, but I ain’t got no clothes.”

“I wish I had somethin’ for ya to wear.”  Marie shook her head.  “My husbands were a lot bigger than you.  Maybe I can get one of my girls to find somethin’ for ya.”

“Here, I got a question for ya.”

“Go on,”  Marie smiled.

“What do your girls do?  It ain’t like Iolanthe’s place is it?”

“Oh, no.”  Marie laughed. “My girls—they do hair.  They go to the rich ladies’ houses and do their hair.”

“Oh.”  Punch nodded.

“They do a fine job.  The ladies, they talk to my girls, and then they come back here and tell me what they said.  That’s how I always know what’s goin’ on in this city.”

“Ah,”  Punch squinted.  “I see.  So, how many girls you got?”

“Six.” Marie replied, taking a frying pan from a cupboard.  “Well, five, I reckon.  One of my girls can’t come as often as she used to.  She’s got a baby.”

“A new baby?”

“Not too new.”  Marie shook her head.  “’Bout as old as your Colin.  He’s a cute little boy—skin so white you’d never know he had a quadroon mama.  I think  his papa was a white man, but Lily ain’t sayin’.  Funny thing is, she’s too young for to be a mama.  Still a girl herself.  Poor thing ain’t ready for it.  You know, Your Grace, she almost went to Iolanthe with the baby.”

“To sell him?”

“That’s right.”  Marie nodded.  “I talked her out of it.  My eldest daughter—Marie—she helps Lily out as best she can.  Lily’s always sayin’ that she wishes she could do right by her boy.  All we can do is help.  Sometimes I think Lily would have been smarter to…”

Marie paused and looked at Mr. Punch who met her eyes with an understanding expression.
“What’s the boy look like?”  Punch asked.

“He’s got dark hair like your Colin.”  Marie began to smile.

“And, he’s got pale skin?”  Punch continued.

"Yes."

“And, the girl—she wants to give the baby a new home?”  Punch raised his eyebrows.

“Yes, she does, Sir.”  Marie set the frying pan down.

“Do you think I can meet this Lily?”  Mr. Punch wondered.

“I’ll send for her right away.”  Marie winked.



Did you miss Chapters 1-478?  If so, you can read them here.    

The Art of Play: Child's Novelty Soap, "Smile and Cry," c. 1930

Scary Soap
Shaped Like a Baby's Head
Made by Norton's, England, 1930-39
The Victoria & Albert Museum



Who doesn’t love the gift of soap?  I remember, as a child, always being overjoyed upon being presented with the ever-so-thoughtful gift of soap—especially novelty soap.  I mean, really, what kid doesn’t just squeal with delight at the thought of washing with a nice, cloudy piece of soap in the shape of…SOMETHING…ANYTHING!  (Reading all these antique trade cards has awakened a new love of caps in me).  Now, imagine this—it’s Christmas (or Chanukah) and you’re atwitter, about to open a shiny present.  You tear off the paper and there it is!  Soap!  Soap shaped like a baby’s head!  Whoo hooo!  Mama, run me a bath.  I’m gonna clean myself with a baby’s head!

Okay, soap was not a favorite gift.  It’s nobody’s favorite gift.  Even as a kid, I preferred diamonds, limited-edition paperweights and antique silver.  But, I do recall having been given novelty soap as a child.  I don’t recall exactly what it was shaped like, but I remember being given soap.  Who the heck wants birthday soap?

Nevertheless, the novelty soap business has been around for many years.  Some of it, even, has ended up in museums.  For example, here’s some creepy soap which dates between 1930 and 1939.  It’s in the V&A, and, yes, it’s shaped like a baby’s head.  Not, just any baby’s head, mind you, but a TWO-FACED baby’s head.  Shudder…

This child's novelty soap came as a set with a “flannel” (in America, a washcloth) and it is still set in its original box.  The soap is flesh-colored (ick) and depicts the head of a baby.  On one side it has a smiling face, on the other, it is crying (gag).
 
The flannel is made of white cotton with a looped pile.  It is machine hemmed in bright pink thread.   To make this all the more disturbing, the flannel was originally presented wrapped around the soap to give the effect of a baby's face looking out from its blankie!  Oh, for fun!

The box consists of taupe card covered with white paper printed in pink, grey and blue with designs of children, toys etc.   Pictures of toys = good times, I suppose.

This choice gift was made in England by Norton’s.  It remains to this day in pristine condition.  Do you know why?  Because NOBODY WANTS TO WASH WITH A BABY’S HEAD!




Object of the Day: A Trade Card for Pyle’s Pearline

We are not given to enthusiasm over many of these new ideals, but a fair trial will convince the most skeptical of the merits of Pearline.



James Pyle, of English descent, in the Nineteenth Century, settled in New York City.  Towering at six feet, five inches tall, Pyle was always interested in fragrances and invented a granulated soap which he called “Pyle’s Pearline,” manufacturing out of a factory in New York’s Grenwhich Village.  The Pyle Family has a long and strange history ranging from being banished from the U.S. after being “loyalists” during the American Revolution to a curious association with “Padre Pio,”  the priest who became famous for his constantly-bleeding “stigmata.”

Here, we see a Victorian-era trade card for Pyle’s Pearline.  The obverse depicts a rosy-cheeked child draped in white.  The child is holding a wide-eyed cat adorned with a bright pink ribbon.  Above this image reads:  “HAIL—GREAT INVENTION, WOMAN’S KINDEST FRIEND, PEARLINE HAS BROUGHT THY DRUDGERY TO AN END.”

On the reverse—a series of words are connected to a giant letter “P.”  It reads:

PYLE’S
PEARLINE
POSSESSES
PECULIAR
PURIFYING
PROPERTIES.
 
PRESS AND
PUBLIC
PRONOUNCE
PEARLINE
PERFECT.
 
PRUDENT
PEOPLE
PURCHASE
PYLE’S
PEARLINE.
 
Sold by all grocers.
 
James Pyle, New York.
 
From the Christian Intelligencer, N.Y.
 
We take pleasure in recommending to our readers an article which has in the last five years done more than anything we recall at the present, to relieve the hardest of woman’s work of much of its toil and drudgery.  We refer to James Pyle’s Pearline Washing Compound.  The immense consumption of this article is sufficient proof of its utility, and experience has taught us that it is far superior to soap.  We are not given to enthusiasm over many of these new ideals, but a fair trial will convince the most skeptical of the merits of Pearline. 




My investigation as to a familial connection with Goober and Gomer Pyle is still ongoing.