Saturday, November 19, 2011

Objects of the Day: A Royal Commemorative Coffee Service


This is, I think, the newest of all my Royal memorabilia, but it fits right in with the themes of coronations and jubilees. Here, we see a lovely china coffee service commemorating the Golden Jubilee (fifty years on the throne) of Her Majesty, Queen Elizabeth II. This is actually a portion of a larger set which included cups and saucers. I’ve got the coffee pot, creamer and sugar.


Each item is trimmed in gold with Her Majesty’s cipher and the dates 1952-2002.




Friday, November 18, 2011

Mastery of Design: Les Fils d'Eos Brooch, 1963

The Victoria & Albert Museum
Georges Braques designed this brooch in 1963. It was produced by Baron Heger de Loewenfeld of polished lapis-lazuli, textured gold and diamonds pavé-set in platinum. Braques’ design reflects the post-war trend of jewelry being a “wearable art.”
Since Georges Braque was one of the most influential artists and painters of the period and he already worked in sculpture and stained glass, jewelry design seemed a natural next step. He designed this sumptuous brooch to represent—as birds--the three sons of Eos, the goddess of dawn: Phaeton, the guardian of Aphrodite’s temple, Phosphorus, the morning star and Hesperus, the evening star. Braque, who disliked shiny surfaces, often mixed sand into his paint for a granular effect and ordered that the Baron replicate this look with the goldwork.

Friday Fun: The Children of King George V

The Royal Collection
Crown Copyright
Courtesy of Her Majesty Queen Elizabeth II
 This beautiful video pays tribute to the five children of King George V and Queen Mary: “David” (King Edward VIII/The Duke of Windsor); “Bertie” (King George VI); Mary, the Princess Royal and Countess of Harewood; Prince Henry, the Duke of Gloucester; Prince George, the Duke of Kent; and poor little Prince John.

Mr. Punch in the Arts: Good Night, Mr. Punch

The Victoria & Albert Museum



From the George Speaight Punch & Judy Archive, we have another hand-painted glass magic lantern slide that is the final slide of the set of 12 housed in the Victoria & Albert Museum. The slide was made in London at the end of the Nineteenth Century by Theobald & Co.

This is my favorite of the lot! I adore it! It proves to me that Punch takes his slapstick to bed.



The following text accompanies the slide during a magic lantern show:


Punch: I’m not such a bad old man as they make out. Don’t you believe it. I didn’t mean to hurt my dear darling baby, it was all a mistake; and I will be extra kind to dear old Judy, and dear old Toby shall have a penny ice all to himself, and my dear old donkey what a feed he shall have, and what a happy family we’ll all be for the future. Good night, my dears, good night. Don’t forget poor old Punch.


I LOVE THIS!

Sculpture of the Day: A Relief of King George V, 1924

The Victoria & Albert Museum
Made in London in 1924, this medal features relief sculptures by Percy Metcalfe on the reverse and Sir Bertram Mackennal on the obverse and was produced by the Royal Mint in bronze. The medal was made for the British Empire Exhibition which opened on St George’s Day, 1924 at Wembley Park in north-west London.


The British Empire Exhibition was to promote trade within the countries of the Empire and to pay homage to those who had fallen during the Great War. This medal, with its handsome bust of King George V, was the winning entry of the competition which was sponsored by the Goldsmith's Company for a medal commemorating the exhibition. Subsequently, it was used as the official award medal for all exhibitors.


It is inscribed:

'GEORGIVS V BRITT: OMN: REX ET IND: IMP:'
'BRITISH EMPIRE / EXHIBITION / 1924'

Punch’s Cousin, Chapter 397

Gamilla knocked gently on the rear door of the Cages’ house. Zettie answered, wiping her hands on her apron before she opened the door.


“Zettie,” Gamilla smiled. “I hear ya got sickness in the house. I brought ya some of Meridian’s nice broth.” She held up ceramic tureen. “And, I got some fine cornbread I done made myself.” She nodded to the basket which hung from the crook of her arm.

“That’s fine of ya.” Zettie nodded. “But, we got more than sickness here. You know—your master, he done hit an officer and then ran off with the baby!”

“No.” Gamilla shook her head, trying to look as if the information was new to her.

“He’s a loon, ain’t he?”

“No, not really.” Gamilla smiled. “He’s a right nice man. It’s just he gets all kinds of excited. He loves his family. You know that baby ain’t really Mr. Cage’s. Don’t ya?”

“I know.” Zettie nodded sadly. “He’s a nice baby though.”

“Sure is.”

“Still shouldn’t ‘a’ hit that man like that, your master.” Zettie shrugged.

“What ya gonna do with these folk?” Gamilla replied, realizing that she’d gotten into Zettie’s confidence and becoming more comfortable.

“I don’t know, Girl.” Zettie laughed. “I jus’ hope dem babies get to stay wit’ the folk who’s gonna love ‘em best. Frankly, I don’t think Mr. Cage is a good daddy. You seen their boy, Orman? He’s a devil.”

“True.” Gamilla smiled. “Hold on, did you say there’s more than one baby?”

“Sure.” Zettie said. “I done saw Mr. Cage upstairs with two of ‘em. One was bigger—a boy.”

“Well, where’d he get that one?”

“Who knows?” Zettie shrugged.

“You know—Missus Adrienne’s baby done went missin’.” Gamilla probed further.

“Now you say it,” Zettie frowned. “The boy did look like the chil’ I seen with your lady.”

“Where is he now?” Gamilla asked.

“Miss Ulrika tol’ me she wanted to watch him. I…” Zettie paused.

“What is it?”

“Well, I done saw Mill Ulrika fightin’ with that Barbara Allen. I didn’t think ‘bout the baby, then. But, what she do wit’ him?”

“You think he’s still here?” Gamilla asked.

“Dunno.” Zettie sniffed.

“Can we look?” Gamilla wondered.

“Oh, no. I can’t, Gamilla. You know I can’t. Mr. Cage—he’ll kill me if I let you go up there.”

“I ain’t gonna take him. I jus’ wanna make sure he’s safe.”

“No,” Zettie shook her head. “I’m sorry, but…”

“Well, can you go look, at least? I’ll stay right here. I swear it.” Gamilla chose her words carefully.

Zettie snorted. “You gonna stay right here? You ain’t gonna go in the front? You know Mr. Cage has got Marjani and your master’s doctor friend in there.”

“I swear I’ll stay right here.” Gamilla promised.

“Fine,” Zettie scowled. “I’ll go look. But, if you get me in trouble…”

“I ain’t gonna go nowhere else in this house. If you want, Odo can watch me an’ everythin’.”

“Odo ain’t here.” Zettie replied, walking to the back stairs. “Who knows where he’s gone? You wait here, understand?”

“I promise.”

Zettie looked suspiciously over her shoulder as she climbed the stairs.

As soon as Gamilla was certain Zettie was out of ear-shot, she rushed to the back door and let Gerry in.

“The Doctor in Marjani are in the front hall.” Gamilla whispered. “Go on in there, and help ‘em. I’ll see what’s become of Miss Ulrika and master Fuller.”

“You’re a sweetie,” Gerard winked.

“Shut your mouth and go on.” Gamilla scowled as she shoved Gerry toward the hallway door.



Did you miss Chapters 1-395? If so, you can read them here.

Obscure Book of the Day: The Life of King George V


I was so thrilled to find this book recently. The Life of King George V was published in 1937 with the subtitle “Being a Complete Record of the Late King’s Life of Seventy Eventful Years.” It was complied by W.J. Makin and published in London by George Newnes Limited.



The book, in addition to its in-depth history of the life of George V, contains “nearly 250 half-tone illustrations.” This particular copy is not in the greatest condition. The insides of the covers have been scribbled on in pencil in the 1950s by a little British girl who enjoyed drawing pictures of lovely ladies in lavish gowns and Elvis. Nonetheless, the interior of the book is unmarred.

Let’s take a look inside…




George, on the right, with his ill-fated elder brother and Princess Charlotte of Saxe-Coburg


The Marriage of Prince George to Princess Mary of Teck



With their first born--"David"--later the Great Abdicator and Kerfuffler, King Edward VIII