Monday, December 6, 2010

Painting of the Day: A Miniature of Queen Victoria, 1899

Miniature of Queen Victoria, 1899
Gold, Diamonds, Ivory
The Royal Collection
Miniature paintings were the “wallet size” photos of their day. Usually painted on ivory, and often set into a gold frame or piece of jewelry, miniatures were not only for display in the home, but also meant to be kept on a person as a reminder of someone important. Queen Victoria was often the subject of miniature paintings both for her family and for the British public. Near the end of her life, a series of miniatures featuring the likeness of Victoria were produced by several artists.


This attractive miniature by an unknown artist was one of several created for Queen Victoria’s children. The image has been painstakingly painted on a ivory backing and set in a gold frame which has been mounted with diamonds. This is one of two such miniatures which still exist. Both of them are housed in The Royal Collection.

Reminder: You Can Still Vote for Person of the Year

For the remainder of this week, voting is still open for our Person of the Year. Simply look to the right side of this page. There, you’ll find (under the “Blog Archive”) a box where you can vote for your choices for both Person of the Year and Humanitarian of the Year.


The nominees are all people—both living and dead—who have made indelible contributions to our society by their efforts in the arts and humanities. This is our way of honoring their achievements.

Your choices are: John Alderton and Pauline Collins, Susan Lucci, Kitty Carlisle Hart, Robert Verdi, Robert Osborne, Diana Princess of Wales, Tim Gunn, Ann Curry, Leigh Keno, Joan Fontaine, Catherine Tate, Louis Van Amstel, Julie Harris, Betty Buckley, Matt Lucas, Patti LuPone, Rod Taylor, Yeardley Smith and Martha Stewart.

I look forward to seeing who you’ll pick.

Sculpture of the Day: A Historical Ruler of Bavaria, 1842

One of
the Historical
Rulers of
Bavaria, 1842
The Royal
Collection
This gilt bronze figure of an idealized portrait of a Bavarian ruler is one of a set collected by Prince Albert in 1842.  They are identical miniatures of an original series of colossal sculptures which lined the throne room at the Residenz in Munich.  Albert commissioned sculptor Ludwig Schwanthaler to produce miniatures of the enormous originals so that he might have them always close at hand.  Sadly, the majority of the huge original figures were destroyed during World War II.  However, Prince Albert’s set remains so that we might imagine what they looked like. 

Treat of the Week: Designer Cupcakes

One of the hottest trends in the baking world right now is cupcakes. Networks are producing entire television programs about these miniature, iced confections. But, when have cupcakes never been in style? Why are we just now showing respect for the cupcake?

I’ve long been a fan of cupcakes. To be sure, I’ve eaten a good many of them. However, I have to say that nobody makes as good a cupcake as my mother. Yes, I know, I’m biased, but it’s true.

We were recently treated to a bright array of homemade chocolate cupcakes. The cake itself—made from scratch—is dense and rich with a deep, satisfying chocolaty goodness. They’ve been beautifully iced in mocha, persimmon red and chocolate icing—giving them a very designer look. With the addition of some colored sprinkles, these cupcakes are the perfect gustatory transition from Pumpkin Pie to Christmas Cookies.

With the cupcake’s natural similarity to muffins, one can make the argument that a cupcake is a suitable breakfast. Regardless, we should all enjoy cupcakes as frequently as possible—as the law and our diets allow.

Punch's Cousin, Chapter 114

The Duchess took a deep breath to steady herself. She forced her face into a malicious grin and released air through her teeth so that it whistled in a labored hiss. Narrowing her eyes on her son, she began to speak.


“Now that your father is dead,” Pauline began, “Of course, his wealth passes to me. I am now in control of one of the greatest fortunes in England. I’ll say this for your father, while he may have been absent-minded, and too-much lost in his dreams, he did manage to add coins to our coffers. Combining his legacy with my own means that the Fallbridge line is, by far, one of the most prestigious in all of England—perhaps the world.”

“The Fallbridge line?” Mr. Punch grumbled. “What of the Molliner name?”

“You, thankfully, are the last of that.” The Duchess chuckled. “A strange lot, they were. I see you’ve inherited all of their foolishness and none of the Fallbridge sensibility.”

“I’d rather have me foolishness, I would.” Mr. Punch answered. “I’d rather have that than all the riches in the world.”

“And you just might.” The Duchess spat. “Listen to me, my lunatic child, I will continue to provide you with your allowance—providing that you adhere to a few basic rules.”

“I don’t need your gold,” Mr. Punch shook Julian’s head. “Me master’s got ‘nough gold of his own to last us until the end of our days.”

“Your master?” The Duchess squinted. “What is he saying?” She looked to Robert.

“I believe,” Robert said slowly, “that His Lordship is trying to communicate the fact that he is unconcerned about his wealth.”

“He shouldn’t be.” Pauline said angrily. “Upon my death, he’ll be one of the wealthiest men in England—if I don’t change my mind.”

“Upon your death, the only riches what concern me is the wealth of freedom we’ll have. I’d eat off the streets if I had to, to be free of you.”

“I see.” The Duchess rose. “You’ve been too much influenced by these…people.” She walked toward Julian/Mr. Punch. “Know this, you insane creature, you must remember your title and your station. If not for loyalty to me, then to your father.”

“Me pa weren’t no Fallbridge.” Mr. Punch answered sharply.

“No, he certainly was not.” The Duchess grinned. “However, he was smart enough to respect his betters. He wanted you to achieve the position that my name has given you. Would you neglect that?”

“I’ve not done nothin’ to make me pa ashamed no matter what me name is.” Mr. Punch replied softly.

“I don’t know what you think you are,” The Duchess hissed, “but, I know what you should be. You are Julian, Lord Fallbridge. If you want to continue to be, then, you’d best do as I say.”

“And, if I don’t?” Mr. Punch said.

“You’ll have nothing.” The Duchess smiled.

“I got plenty.”

“Do you know how easy it would be for me to seize your property? That shop which has sat closed all this time, the house in Belgrave Square… That lease is in my name, isn’t it? Any accounts you might have would certainly revert to me should you be found incompetent. Think about it. Are you fit to manage your own life? Isn’t it a mother’s place to make sure that her child is provided for? Should you lose your fortune, how long do you think these people who claim to love you so dearly would continue to stand by your side and suffer your antics?”

“I speak for all of us when I say that His Lordship will never want for a thing for as long as he lives.” Cecil answered for the family.

“How certain you are,” The Duchess winked. “Now.”

“What do you want of me?” Mr. Punch whispered.

“I want you to return with me—this moment. I want you to collect your sister and sail back to England. Otherwise, I’ll leave you in the dirt.”

“Dirt is good enough for me,” Mr. Punch said firmly.

“Very well, Fool.” The Duchess replied. “You’ll regret this.”

“No.” Punch responded, shaking Julian’s head.

“Good day, then.” The Duchess said, walking toward the door.

“Your Grace,” Adrienne began, but it was too late, the Duchess had hurried from the house.

“What an unpleasant woman.” Adrienne sighed.

“She can’t take all of Julian’s wealth, can she?” Mr. Punch asked Robert.

“Not as easily as she seems to think.” Robert shook his head. “However, she can deny you your rightful inheritance. That’s her right if she so chooses.”

“Ain’t nothin’ worth sufferin’ with her.” Mr. Punch grumbled.

“I’m sure Julian would agree.” Cecil slapped Mr. Punch on the back affectionately.

“I want me puppet.” Mr. Punch frowned. “And me dog and me breakfast.” He sighed. “I don’t think that’s too much to ask.”

“No, dear Punch,” Adrienne smiled, “it isn’t. Chers Punch, don’t worry about a thing. We must believe that goodness always triumphs in the end.”

“I believe that.” Mr. Punch nodded. “But, I believe that wickedness sure makes fun for itself in the meantime.”

The Duchess arrived breathlessly back at Iolanthe’s house, hurrying past Mala’s ugly gaze and to the relative safety of her bedchamber. She was surprised to see Iolanthe Evangeline sprawled across the bed—reading from a dusty, tattered book.

“Well?” Iolanthe asked.

“He’s unmoveable.” Pauline hissed.

“I figured he might be.” Iolanthe laughed. “Your son’s a real looney.”

“I don’t disagree.” Pauline frowned. “Now, leave me, I must rest.”

“You’ll have time enough to rest once we’ve solved our problem.” Iolanthe sat up. “See, I don’t cotton to failure. Yet, somehow, I knew you’d fail me. I don’t want you thinkin’ I’m unreasonable, because I’m not. I believe that folks should have a second chance. We have an agreement, you and I. In exchange for my silence about your husband, I expected you to pay me what you agreed. Now, we gotta find another way to get it. See, I have things that worry me. I have debts to settle. There are folks out there who done me wrong. I can’t let them get away with that. And, if, in getting justice, I can line my purse, why not?”

“Just leave,” The Duchess bellowed.

“Not so fast, Pauline.” Iolanthe grinned. “I’ve been readin’ from this book. Seems like I may have been too specific. Didn’t know I could make substitutions. I don’t want you thinkin’ I’m not a woman who can’t accept some changes here and there.”

“You bore me with your talk of books. What is that thing anyway?” Pauline growled.

“You could call it a recipe.” Iolanthe’s eyes flashed. “But, it isn’t as specific as I thought. Sure, I need your son’s man—that priest, Naasir, but I can get him on my own easy enough. You see, Duchess, he’s the fire upon which I’ll cook my supper. But, it don’t look like I’m gonna need your son after all.”

“You’re not threatening my daughter, are you?” Pauline asked.

“No. She’s got too much mud in her. She’s better spent keeping my visitors company. They like the mud. You, on the other hand, you’ll do nicely.”

“I don’t understand.” Pauline shook her head.

From beneath the pillow, Iolanthe withdrew a long, sharp knife. “Don’t you?”

“What are you doing?” Pauline asked as Iolanthe rose from the bed and walked toward her with the knife.

“Just keeping up a tradition.” Iolanthe responded flatly. “And, like all traditions, I’m adding something new to it. See, I was taught by Marie Laveau. Do you know who that is? But, she didn’t want me around anymore. I guess she reckoned my power was greater than hers. I’ll give her that. It is. See, I’m not afraid to take chances. I aim to do that just now.”

Pauline ran to the door and opened it, only to find Mala grimacing on the other side.

“Step aside, you hobgoblin!” The Duchess commanded.

Mala shook her disfigured head slowly.

Pauline shrieked.

“Come back in here, Pauline,” Iolanthe said. “Fightin’ is only gonna make it worse. I don’t want you thinkin’ it isn’t.”



Did you miss Chapters 1-113? If so, you can read them here.

Ornament of the Day: A Unique “Stained Glass” Ornament

This has always been one of my favorite ornaments.  In fact, one year, I painted a picture of this particular ornament to be printed on my Christmas cards.  This unique glass ball has been hand-stained and painted to resemble stained glass.  With a pattern of gold atop the colored glass, it catches the lights of the Christmas tree perfectly, refracting a variety of cheerful colors.  This is one ornament that proudly takes center stage no matter where its placed on the tree.


Object of the Day: A Scene from Macbeth by Alexander Johnston, 1877

This expertly rendered steel plate engraving by G. Bertinot dates to 1877 and is based on an original painting by Alexander Johnston (1815-1891). The scene shows the exact moment in Shakespeare’s Macbeth when the title character appears to his wife in Act II, stating, “I have done the deed. Didst thou not hear a noise?”


The painter, Johnston, famously depicted several scenes from “the Scottish play.” His work is defined by its crisp detail and theatrical lighting. Johnston worked with the engraving to produce a work that accurately reflects the depth and meticulous detail of the original. Such scenes by Johnston have often found their way into books of Shakespeare’s work, however, those later reproductions lack the sharpness of the earlier engraved printings. This engraving was purchased at Forestwood Antiques from Yvette Inness who offers a wide variety of antique engravings in remarkable condition.