Monday, November 22, 2010

Painting of the Day: Leopold I, King of the Belgians, 1840

Leopold I, King of the Belgians
Magdalena Dalton, 1840
The Royal Collection
Queen Victoria described Belgian King Leopold I as, “That dearest of uncles who has always been to me like a father.” Leopold was actually her uncle as well as Prince Albert’s uncle and was one of the people most responsible for their marriage. Albert was the son of Leopold’s brother, Victoria was the daughter of his sister. He knew that theirs would be a fitting marriage and he worked to arrange the union. Both before and after Victoria’s ascension to the throne, King Leopold acted as her advisor and had a tremendous influence on her decisions, especially early in her reign.


This miniature on ivory was painted in 1840 by Miss Magdalena Dalton (née Ross) in London. Miss Dalton was Queen Victoria’s personal miniature painter and created a series of similar watercolor paintings on ivory of people that the queen dearly cherished.

Sculpture of the Week: Prince Albert by Emil Wolff, 1839

Marble Bust of
Prince Albert, 1839
Emil Wolff
The Royal Collection
This exquisite marble bust of an eighteen-year-old Prince Albert was sculpted by Emil Wolff in 1839. Albert sat for the sculpture while on five-month student tour of Italy. The figure perfectly captures Albert’s youthful countenance with an expression that is at once carefree and wise. Wolff was known for his Classically-inspired sculptures and portrait busts. His work graces many a museum and fine home.


A favorite of Queen Victoria’s, she kept this handsome bust next to her desk in Buckingham Palace and always found delight in gazing at her beloved husband’s young face.



Person of the Week: Martha Stewart

Martha Stewart from her modeling days
in the 1960's.
Martha Stewart Omnimedia
Many words come to mind when we think of Martha Stewart. Two of them are: “talented” and “fearless.” No matter how you may feel about Miss Stewart, one thing that can’t be denied is that she has made a tremendous influence on American culture. Her efforts to continue traditions of graciousness and beauty have been among the most far-reaching of the last two decades.


Through her tremendous media empire, Miss Stewart has brought a little extra beauty into the homes of millions of people. With her television program, books and magazines, she’s introduced many of us to ways to make our homes, diets and lifestyles far more attractive.

What I find most interesting about Martha is that she doesn’t deny the path she’s taken in life. A look at her Web site’s online photo galleries shows photos of an infant Martha, a teenager in homemade clothes, chronicles her brief modeling career and, also, most surprisingly, shows her going to court for her much-publicized trial and being released from prison. While many celebrities—especially those upon whose shoulders large empires rest—would try to have us forget their past troubles, Miss Stewart owns her history.

Martha Stewart Omnimedia
We’ve got a lot to learn from Martha Stewart, and not just about gracious living and “good things.” We can learn a few things about dignity from her as well.

This is the last week to submit your nominations for “Person of the Year.” Voting will begin in December.



Treat of the Week: Black and White Cookies

See, the key to eating a Black and White cookie, Elaine, is you want to get some black and some white in each bite. Nothing mixes better than, vanilla and chocolate.

--Jerry Seinfeld, Seinfeld Episode 77, “The Dinner Party”

They’re iconic. They’re symbolic. They’re famous. They’re delicious. The Black and White cookie is as much of a symbol of New York as the apple. Just the sight of one of these cookies immediately puts one in mind of the fantastic bakeries of the Eastern United States.

A spongy yellow cake is the foundation of these delectable cookies which are iced in halves—vanilla and chocolate. Also known as “Half Moons” and “Half-and-Halfs,” Germans refer to these cookies as “Amerikaners.” These beauties are hard to find in the Central and Western United States. Imagine how thrilled I was when my mother told me she was baking some!

Almost five inches wide, the decadent cookies have been neatly iced in their traditional colors and flavors. The chocolate side is rich and exciting, the vanilla side has the perfect amount of sweet counterpoint. They are, truly, a work of modern art.

Jerry Seinfeld famously spoke of the Black and White cookie stating that the cookie could be a metaphor for racial harmony. His plaintiff cry of “Look to the cookie!” has become associated with the East Coast treats. I say, “Look to the cookie,” indeed. Look to it, and then, eat it. Then, repeat.

Punch's Cousin, Chapter 103

Meridian hurried down the front steps of the creamy Royal Street mansion and opened her arms so wide it appeared that she was trying to embrace all of her visitors at once.


“Welcome back, Dr. Halifax! Welcome back, Your Lordship!” She called as they approached. “And, I see ya done brought your fine family with ya. Oh and a baby. I can’t rightly say the last time there’s been a baby in this house. What a blessing! What a mighty blessing!”

Adrienne grinned at the jolly woman. “I do hope we won’t be too much trouble.”

“Don’t be silly.” Meridian answered cheerfully. She paused, “Ma’am, can I ask you a question?”

“Yes,” Adrienne nodded.

“Are you from France?” Meridian asked.

“I am.” Adrienne nodded.

“Well, isn’t that fine?” Meridian laughed. “That’s just fine. Now, ya’ll come on in, we gotta get you out this damp cold and by a nice fire with some chocolate. I made them rooms ready for ya and we got a fine supper comin’. Now, come in and get yourselves some rest. You gotta be tired after travelin’ all the way from Marionneaux.”

“Coo.” Mr. Punch whispered to Robert. “Awful friendly, isn’t she? We was only here a day and she’s actin’ like we’re her long-lost kin.”

“That’s the New Orleans way, dear Punch.” Robert smiled.

They walked into the house as Meridian lagged behind to give Gamilla and Naasir instructions on where to bring the luggage and where they’d be staying.

When she’d finished, she rushed into the house and immediately went directly to Adrienne. “Now, you just follow me, ma’am. I’ll show ya where your baby’s gonna sleep and let you see how nice I made the room up for the little lamb. Them gentlemen know where their rooms are already. Now, you and your husband, will be over here…”

Adrienne followed Meridian up the stairs—chuckling to herself.

“I’d best follow her,” Cecil said quickly. “Are you coming?”

“No, I think we’ll stay down here by the fire for awhile,” Robert said, coughing slightly.

“Very well.” Cecil nodded. “We’ll see you at dinner.”

“Here, not gettin’ sick again are ya?” Mr. Punch asked, taking off his coat and putting it on one of the chairs in the front hall.

“No.” Robert shook his head. “It’s just the cold hurts my chest a bit.”

“Careful, then.” Mr. Punch frowned.

“I’ll be careful.” Robert nodded. “Come, let’s go in the parlor.”

“Gotta wait here for Naasir,” Mr. Punch looked over his shoulder. “He said he’d bring Toby and me wooden-headed chum around from the back.

The clicking of little nails on the wooden floors signaled that Toby was already in the house. The terrier bounded toward Mr. Punch with his tail wagging.

“There’s me furry chum,” Mr. Punch grinned. “Did you like ridin’ in the carriage?”

The dog sniffed Mr. Punch’s feet.

“Come on, then, let’s go in here and sit by the fire.” Mr. Punch said to the dog who followed him into the deep red parlor. “I ‘spect Naasir will find us.”

“I’m sure he will.” Robert said, clearing his throat.

Punch studied his friend. “You don’t look so good.”

“I’m fine.” Robert smiled.

“You said that the last time, and, as I remember, you fell like a sack of stones, you did.” Mr. Punch frowned.

“I’m not ill, I promise.”

“Huh.” Mr. Punch grunted, beginning to mumble. Toby wagged his tail as Mr. Punch chattered. “Says he’s not ill, but probably just sayin’ it so I won’t worry. Now, I gotta worry even more ‘bout it and look after him. Can’t just tell me what he’s really feelin’ cuz, I ‘spose that would be too easy…”

“You know, dear Punch, I can hear you.” Robert chuckled.

“I know.” Mr. Punch grumbled. “Want you to hear me. I know the difference between thinkin’ inside and thinkin’ outside.”

“You’re too quick for me,” Robert sighed. “Very well, there is something troubling me.”

“What is it? I’ll hit it with a stick!”

“No, no.” Robert smiled. “I just have a very bad feeling.”

“What’d ya mean?”

They were interrupted by Naasir coming into the parlor with the wicker basket containing Mr. Punch’s puppet. He, too, looked concerned.

“I think Naasir understands.” Robert looked to the man.

“I’d understand, too, if you told me!” Mr. Punch muttered in frustration.

“Naasir, do you have the sense that something is about to happen? Something, for lack of a better word, bad?” Robert asked.

“Sir,” Naasir said, setting the basket on the sofa next to Mr. Punch, “It is written that when ‘The Great Man of the Rocks’ returns to the center of the crescent, he will be pursued by fire on a white stallion.”

Mr. Punch grunted again, taking his puppet from the basket. He mumbled to the puppet. “You got it easy, wooden-head, you don’t gotta figure out riddles.”

“I don’t mean to speak in riddles, Mr. Punch.” Naasir said softly. “I’m only repeating what I recall.”

“So, then,” Robert began, “according to this legend, what happens after that?”

“There is a clash between the fire and the ice.” Naasir said. “Beyond that, I cannot say because it is not my place to do so.”

Robert’s head sagged.

The room was silent for several minutes.

Mr. Punch pressed his lips together. “Here, look what I can do.” He lifted the puppet into his lap and made it dance for the other two men.

Robert chuckled. “Well done.”

“Yes, Sir.” Naasir nodded.

“Listen,” Mr. Punch said after awhile. “Not a one of us knows what’s gonna happen, we don’t. But, if I’ve learned anything, I’ve learned that you gotta take it as it comes. Ain’t no good in making yourself sick over somethin’ what might be. Gotta fight the things that are. And, right now, we gotta make sure we’re strong enough to fight. Think ‘bout Marjani back in Marionneaux with her poor sick daughter. She’s got a grandbaby she’s got to think ‘bout. We know that Nontle and Gilbert ain’t gonna live. Marjani’s gotta have to raise that girl all by herself. But, she ain’t thinkin’ ‘bout that. She’s thinkin’ ‘bout the fight she’s got right in front of her. She taught me that, she did. She taught me to deal with what you got and to believe that you can beat whatever comes next. I think she’s right, I do. So, that’s what we gotta do. Can’t worry ‘bout no fire on a white horse. Gotta look to right now and see that we’re all safe—here in this house what ain’t ours. We’re all together. Naasir and you and me. Adrienne and Cecil and the little man, and Toby and even Gamilla. Look at all we survived. We’re a strong lot! It ain’t just me who can beat the devil. We all can if we set ‘bout doin’ it properly.”

With that, Mr. Punch made the puppet bow. “And, me wooden chum agrees.” He added.

“When…” Robert walked and moved the basket so that he could sit next to Mr. Punch. “When did you become such a philosopher?”

“Always was.” Mr. Punch smiled. “Just nobody thought to ask me.”

“This is why he’s the ‘Great Man.’” Naasir said softly.

“There’s no one greater.” Robert nodded.

Meanwhile, back in Marionneaux, Ulrika was shouting at the servants who carried her trunks out of the house. “Really, can’t you people hurry?”

She inspected the carriage. “I’ll need a rug!” She shouted.

Carling Rittenhouse raced out of the mansion and squawked at her daughter. “Whatever do you think you’re doing?”

“I’m going to New Orleans, Mother.” Ulrika answered plainly.

“We’re not due to leave for two days!” Carling argued.

“I reckon I have a desire to go early.”

“Without a chaperone?” Carling shook her head, “I forbid it!”

“I’ll have a chaperone, Mother.” Ulrika sighed. “I’ll be staying at the Cages’ House on Royal Street. Corliss Cage is already there with their nanny and the children.”

“I will not allow you to go unattended.” Carling shouted.

“Fine, then, I’ll take Agnes with me.” Ulrika grinned.

“And leave me without a nanny?” Carling moaned. “Never!” She grabbed Ulrika by the arm. “I know you fancy that you’re an independent woman, Ulrika, but I’ll have you know that you’re still subject to my authority.”

“Really, Mother?” Ulrika pulled her arm away from her mother’s grasp. She shook her head in the cool sunlight—her red hair catching the light like flames as she walked over to one of the horses hitched to the carriage. “Really?” She patted the horse’s ivory flank. “I beg to differ.”



Did you miss Chapters 1-102? If so, you can read them here.

Goal for the Day: Include Your Pets in Your Holiday Plans

As Thanksgiving approaches, I know that one of the things for which I’m most thankful is Bertie. Our pets don’t really ask much from us—just love, food, and water. They are as much a part of the family as everyone else. That’s why they should always be included in our holiday traditions. Now, I’m not suggesting that you set an extra place at the Thanksgiving table for your dog or cat, though I’d wager they wouldn’t mind it. However, our pets like to be involved. They are curious and interested in what we’re doing. So, make them a part of the festivities.


How? Well, there are a lot of ways. Though it may sound silly, let your pet know that it’s a holiday. Bertie actually knows what “Thanksgiving” is. While the history and politics of it are beyond his grasp, of course, he does know that it’s a party. And, “party” is a word Bertie knows well. Make a fuss over your pet. While the words may not all mean something to him or her, your pet will appreciate the attention. Give your pet a special dinner or treat. A new toy is always a nice touch.

Our cherished animal friends (I don’t know about lizards and that sort of thing, but at least large mammals) know when something is special. When they feel special, too, they’re bound to be content. And a content pet is a healthy pet.

Object of the Day: A Vintage Venetian Mirror

The glassmakers of Venice—specifically the Murano series of islands—have long been heralded for their artistry and ingenuity. The names “Venetian” and “Murano” are applied to all manner of art glass from this region. The term “Venetian Mirror” specifically refers to mirrors which are comprised of intricate pieces of silvered glass which have been assembled into an architectural form. The pieces are usually individually etched with details which when viewed from afar make a complete pattern.


This Venetian Mirror dates from the 1930’s to 1950’s. In traditional Venetian style, it is comprised of a delicate array of beveled mirrored pieces affixed together by glass florets and built on a hardwood frame. Fine etching creates a pattern of sparkling foliage around the frame. Few mirrors rival the play of light and shimmer afforded by a Venetian mirror. These mirrors were originally designed to create a dramatic effect in low light such as candlelight. Not only would they add an air of theatricality to a room, but they’d also serve to enhance much-needed light.

You’ll occasionally come across a Venetian mirror which incorporates colored glass—most usually red, blue or purple. This was a technique that rose in popularity during the Eighteenth Century. Venetian mirrors were coveted throughout Europe. The glassmakers of Murano carefully guarded their techniques. Over the centuries, many imitators have managed to create excellent reproductions of original Venetian designs. Still popular, a Venetian mirror can work in the most traditional or contemporary of rooms. Their drama and shine are timeless and versatile.