Wednesday, November 3, 2010

Unusual Artifacts: “The Crystal Skull”

The Crystal Skull
The British Museum
Carved from one uninterrupted block of rock crystal (quartz), this life-size sculpture of a human skull was acquired by the British Museum in 1897. When the object was acquired by the Museum from New York’s Tiffany and Company, it was purported to be an ancient pre-Columbian artifact.


It isn’t.

According to records, Tiffany and Company came to possess the skull after the death of Eugene Boban, a French dealer of art and antiquities. Boban had purchased the object from an unnamed English antiques collector who had acquired the skull from a Spanish military officer in 1863. The officer had claimed that the skull was of ancient Mexican origin.

The Smithsonian's Skull
Fox News
However, between 1950 and 1990, extensive studies were made of the object to try to determine its age and origin. Dating stone objects is rather difficult. The stone is old no matter when it was carved. In 1996, the British Museum entered a collaborative effort with The Smithsonian Institute who has a similar skull in their collection. The results of this study showed that the skull in the collection of the British Museum is carved from a type of white quartz which does not come from Mexico. Examining the marks from the carving showed that the lines were too precise to have been created by ancient hand tools. Rather, the objects was turned on a lathe-mounted jeweler’s wheel. The skull was likely produced in the mid-Nineteenth Century to satisfy a growing demand for authentic-looking Mexican artifacts. Some art historians speculate the such skulls were produced for use in churches as a base for a crucifix.

This is an interesting item. Perhaps, it’s more interesting now than if it had been an actual pre-Columbian artifact. This way, at least, it’s got a mysterious tale to tell.

Building of the Week: Waveny House, New Canaan, Connecticut

At the center of New Canaan, Connecticut’s beautiful, three-hundred acre Waveny Park stands “The Castle” which is also known as Waveny House. Designed in 1912 by William Tubby for oil magnate, Lewis Lapham, the Tudor-style house served as a summer home for the Lapham family.


Graceful stone porticoes overlook the luxurious grounds which were designed by Frederick Law Olmstead, Jr. The mansion features elaborate wood paneling, leaded-glass windows, glistening wide-plank floors, marble fireplaces and hand-stenciled walls and ceilings. Relatively unchanged since it was built, the house was sold to the Town of New Canaan in 1967. Today, the house and Waveny Park are open to the public as a community recreation center. The mansion can be rented out for special occasions and weddings.


ABC Daytime
 Speaking of weddings, many of you are familiar with Waveny House. The exterior of “The Castle” served as the façade of All My Children’s “Cortlandt Manor.” There, the daytime drama staged one of the medium’s most opulent and highly-anticipated weddings—the nuptials of Nina Cortlandt and Cliff Warner in 1981. Here’s a clip from that fondly-remembered episode which gives us a good look at Waveny House.



Punch's Cousin, Chapter 87

Mr. Punch slapped the bed and glared at Barbara. “I don’t believe you.”


“It’s true, Julian.” Barbara said softly. “Iolanthe Evangeline had our father murdered.”

“Barbara, you can’t expect us to believe that—as powerful a force as Iolanthe Evangeline is here—that her power extends across the ocean.” Robert said firmly.

“But, it does.” Barbara argued.

“Robert,” Adrienne said, “Iolanthe’s evil is far-reaching. She has at her disposal a very elaborate web of people who do her bidding—both here and in our home lands. When I was disgraced, it wasn’t but a few days before I was propositioned by one of Iolanthe’s men. One in particular—Leon. The one who called himself ‘The Professor.’”

“The man who died in the fire in the stable.” Robert nodded.

“He’s the one who extended Iolanthe’s invitation to me as well,” Barbara nodded.

“Fine,” Robert sighed, “Let’s assume, then, that Iolanthe has influence across the globe. What possible reason could she have to wish Sir Colin Molliner dead? The authorities reported that he had been killed by thieves who stole the gems he was carrying. Would Iolanthe Evangeline be so greedy as to have a stranger killed for jewels which would take weeks to reach her?”

“Yes,” Barbara nodded. “However, her motives were far more sinister. She ordered that Father be murdered in order to teach me a lesson.”

“For what?” Robert asked. “You hadn’t even arrived in New Orleans when Sir Colin was killed.”

“Got word when we were travelin’, we did.” Mr. Punch said, breaking his unusual silence. “Didn’t know it, but you was on the same ship as us. She’d not even met you yet.”

“I had sent a letter to her before we departed. I had told her that while I was still intending to come here, I’d had reservations about the arrangements concerning my child. I told her that I didn’t want to part with him. Her response was to show me the full extent of her power.” Barbara explained.

“Don’t make sense.” Mr. Punch shook his head. “Don’t make sense at all. The time it’d take for your letter to reach the woman don’t match up with when our father were killed.”

“Why would I deceive you, Julian?” Barbara moaned.

“Because you’re a bleedin’ liar what’s only after what she wants. You’d say anything you could to change things the way you want ‘em.” Mr. Punch responded.

“Robert, Your Lordship,” Adrienne said, “I am not so certain. I’ve seen the sorts of terrible acts of which Iolanthe is capable.”

“I know you have,” Robert said gently. “You know better than anyone. However, we can’t let this girl manipulate our sentiments.”

“What have I to gain by telling you this?” Barbara covered her face with her hands.

“There’s always somethin’ for you to gain.” Mr. Punch growled.

“I’ll never be free of her. Don’t you see? Not unless you help me.” Barbara said through her hands.

“We’ve been trying to help you all along,” Robert answered. “You’ve pushed us away.”

“For your own protection. I didn’t want her to hurt Julian as she hurt our father.”

“You don’t care nothin’ ‘bout what happens to your brother,” Mr. Punch frowned. “You said yourself how you hate him…me.”

“I only said those things so that you’d leave me alone.” Barbara said. “I couldn’t risk entangling you in my problems.”

“Huh.” Mr. Punch grunted. “Only now you want to ‘tangle us? So, what’s it gonna take, then? Hmmm? What do ya need to be free?”

“Only some financial assistance.” Barbara said, smiling slightly.

“And, there we have it.” Robert sighed.

“I understand why you mistrust me, Dr. Halifax.” Barbara said softly. “However, I am most sincere.”

“I believe her,” Adrienne said quickly, remembering her own ordeal with Iolanthe Evangeline.

“Adrienne,” Robert shook his head. “Don’t let her fool you. This woman would see us all dead at her feet if it meant that she’d earn her gold.”

“Barbara,” Adrienne began, “Are you in earnest? Do you truly wish for us to help you extricate yourself from Iolanthe?”

“Terribly,” Barbara covered her face with her hands again.

“Then, we shall help you.” Adrienne put her arms around Barbara. “Furthermore, we’ll see to it that your child is returned to you.”

Mr. Punch and Robert looked at one another helplessly.

Meanwhile at the bayou, Arthur stumbled backwards into the cold mud after Ulrika shoved him.

“Come on, then!” Arthur said, catching himself on a large oak. “What do you aim to do?”

Ulrika laughed. “Have I frightened you?”

“You always frighten me a bit.” Arthur frowned.

“Just remember, really, who you’re dealing with.” Ulrika hissed.

“It would do you good not to forget what I’m capable of either.” Arthur spat.

“Can’t you see? We’re the perfect match for one another.” Ulrika grinned, extending her hand to Arthur. “I have everything you’ll ever want—including that beautiful blue diamond. What can Barbara offer you? Nothing! She’s forever enslaved by that woman, the ‘Ogress.’ I am free and I have the ability to conquer anything. You see, Arthur, I’ve been very clever.”

“Have you?” Arthur smirked.

“Yes,” Ulrika smiled. “I have in my possession a document that states quite clearly that upon the death of my maid, I, as her mistress, will receive all of her property. Barbara put her mark on it when she accepted her false position in my mother’s house. The only provision is that she have no living family. Well, it’s one thing when such an arrangement is made between a maid and her mistress. It’s really quite another when the girl is an heiress in disguise. Aside from her mother, who is Barbara’s only remaining relative? The lunatic. Well, as far as the world is concerned, Barbara Allen is dead. The inheritance she’d have received upon the death of her father would rightly go to me if it were not for Lord Fallbridge.”

“It won’t hold up.” Arthur shook his head.

“It will if you help me.” Ulrika winked.

“Did you ever think that maybe I love my wife?” Arthur asked.

“Arthur, really, you don’t love anyone.” Ulrika laughed.

“True.” Arthur laughed as well.

“Well, then?” Ulrika asked.

“Right.” Arthur nodded. “I’m in.”

“How lovely, really,” Ulrika cooed. “Come along. Let’s go see Nanny. Oh, yes, we shall have the happiest Christmas, Arthur.  The happiest...”

Did you miss Chapters 1-86?  If so, you can read them here.

Goal for the Day: Groom Your Pet

We spend a fair amount of time each day on our own grooming. This is a good thing. It makes us feel and look better. However, our pets also need the same attention in order to look and feel their best. If you’re a pet owner, take some time today to brush your pet’s fur, check his/her nails to see if they need to be trimmed and brush his/her teeth. Our pets can’t do these things for themselves. Even if they could, they probably wouldn’t. So, it’s up to us to keep them as healthy and happy as possible.


Some pets don’t really enjoy being groomed. Bertie does. He loves it. He’s not a fan of having his nails trimmed, however, and screams like a banshee if you so much as come near him with a nail clipper. For that reason, I let the professional groomers at his vet’s office trim his nails. I’d rather he scream at them than at me. However, he does get brushed every day and he really enjoys it. If your pet doesn’t enjoy being brushed, it still needs to be done. If you’re more comfortable, you can bring your dog or cat to a professional groomer. Like Bertie’s, many veterinarian offices have a grooming service. If not, you’re sure to find dozens in your area. It’s worth the slight expense to ensure your pet’s continued well-being.

Object of the Day: A Miniature Paperweight by Daniel Salazar

Founded in 1970 by the late James Lundberg, California-based Lundburg Studios continues to produce some of the most innovative and elegant art glass in the industry. Since 1975, many of Lundberg’s intricate designs have been the work of Daniel Salazar. Salazar quickly earned a reputation for his naturalistic scenes—bird, florals, and marine life—as well as his abstract work.


This paperweight signed by Daniel Salazar is a miniature inasmuch as it’s about a third the size of the average paperweight. The central feature is a delicately crafted orchid of gold and deep purple surrounded by flowing bright green leaves. The sense of fluidity is one of the defining characteristics of Salazar’s work.

The artistry of Lundberg Studios is just one more bit of evidence that the spirit of the Belle Époque is alive and well. We’re still creating beautiful things in this world. Now, it’s up to us to find them.

Tuesday, November 2, 2010

Her Majesty’s Furniture: Queen Victoria’s Jewel Cabinet, 1851

Jewel Cabinet, 1851
The Royal Collection
Displayed by Elkington, Macon and Co. at the 1851 Great Exhibition at the Crystal Palace, this remarkable jewel cabinet was designed by Ludwig Gruner and constructed of oak, silver, copper and porcelain to resemble an over-sized reliquary.  Designed to hold Queen Victoria’s extensive collection of jewels, the cabinet also featured Victoria’s favorite portrait of her husband, Prince Albert, as well as miniature portraits of the six children she bore prior to 1851.  The front of the cabinet also sports the Queen’s coat of arms as well as the crest of Saxe-Coburg for Prince Albert.   The portraits were painted by Andreas Deckelmann and Otto Wustlich.  After the Great Exhibition, the cabinet was given to Queen Victoria and she cherished it always.  Now, it is equally cherished as part of the Royal Collection. 

Humanitarian of the Week: Doris Roberts

Doris Roberts
Marie Barone from Everybody Loves Raymond wouldn’t necessarily be considered a humanitarian. She’s outspoken and opinionated, and though truly devoted to her family, her loyalty takes an eccentrically critical form. Marie’s portrayer, Doris Roberts, is a different story.

Born on November 4, 1930, Doris was born in St. Louis, Missouri. When her father deserted the family, her mother moved Doris to The Bronx, New York, and raised her daughter with her Jewish family. By 1952, Doris had established herself as a sought-after actress who appeared on early television programs such as Studio One, Ben Casey, The Naked City, Way Out and The Defenders. Her film debut came in 1961 with the film Something Wild—a performance which led to several more film roles.

Doris Roberts was the original choice to play Vivian in the All in the Family spin-off Maude. The part eventually went to Rue McClanahan. Throughout the 1970’s Doris made a name for herself in comedic parts, often playing the role of the put-upon mother character. She came to greater wide-spread fame when she was cast in Remington Steele as Mildred Krebs and she continued to work steadily into the 1990’s.

Miss Roberts in the 1970s
The role which most defines Roberts work is that of Raymond and Robert Barone’s mother and frequent antagonist, Marie—winning the part over 100 other actresses. Her popularity due to Everbody Loves Raymond led for many more opportunities for Roberts who starred in a series of films during and after the production of the popular sitcom.

Though her contributions to the world of entertainment are many, her philanthropic contributions are what really makes Doris Roberts an exceptional person. She has worked extensively with Puppies Behind Bars. This organization works with prison inmates who learn to train dogs to work as companions for people needing assistance as well as service dogs trained to work with law enforcement officials. She has also served as the Chairperson for The Children with AIDS Foundation. In her 70’s, Roberts appeared before Congress to testify that the entertainment world is marred by age discrimination and suggested that such bias should be handled in much the same manner that gender and race discrimination is combated. Doris’ enormous talent and her equally grand love for humanity make her this week’s “Humanitarian of the Week.”

Remember, during November, you will have a chance to submit your nominations for “Humanitarian of the Year.” I look forward to hearing from you.